Since childhood I have considered myself an observer of everything that surrounds me and excites me. Photography has given me the ability to return to those important moments through images, and I’ve always found this fascinating. I’m more aware of it now, this possibility to go back and remember. I still recall with emotion when my grandparents gave me their Kodak INSTAMATIC X-15 for taking pictures. From that moment on I was held captive by anything that would appear in the viewfinder. Nowadays, I feel it’s essential to take photos daily, as it’s a visual and very personal record of everyday life.
This has evolved, in such a way that the traditional consumer of images has now become a “prosumer”, generating and offering their perspective on social networks. As a reference, let’s consider the scope of mobile photography, which has become a powerful tool for telling stories. Personally, it has allowed me to meet interesting characters on the streets and made it easier for me to approach the issues relevant to my environment.
In my pictures I try to capture the contrasts of light and the details of the characters, silhouettes and objects. I think that the best light to do this in is daylight; I only need to go for a walk with a pair of comfortable shoes and my cell phone fully charged. On the streets, a certain look can be intriguing. You can stop, get closer to your subject, or respect their anonymity and take a picture without them noticing and just thank them afterwards. The streets are pure emotion, that is where the stories are.
Personally, I’ve never liked to capture misery or the degrading condition of the human being; this has never caught my attention. On the other hand, shadows, contrasts and the characters that emerge from them, spontaneous symmetry and natural gestures, these are more interesting to me for generating my visual discourse.
Chihuahua city is located in the north of Mexico and, being close to the border, we have an interesting cultural mix. This has caught my attention and led me to title one of my projects: Puro Norte. In it I present urban portraits of individuals with expressions and in activities denoting the identity, clothing, instruments and poses of the urban cowboy, in costumes from a western film.
Go out, walk and be alert, but don’t stop enjoying the ride and the experience. This is where objects and people have something to say, have made their own history and are waiting to be seen. It’s all about going out to look for them in order to find them.
I prefer to document my own environment without expectations and tell the tales of what I see in my own way, though pictures. I don’t ask for poses and often I don’t ask for permission, but I watch and wait for the moment instead. Photography has given me the opportunity to meet some unique characters; it’s just a matter of approaching people with respect and making my intention clear when necessary, as in the case of a portrait.
I am constantly on the hunt, defining my style and reinventing it. This is evolving more and more, allowing me to expand to other networks and find various platforms for experimenting with an image. This is part of the process and the evolution of photography. It changes on a daily basis and requires you to be a curious person.
In my photographs I try to present my vision – what I have to tell – by using certain angles and editing processes. For some time, a quote has accompanied me and it’s by one of my favourite photographers of all time, Lola Álvarez Bravo: “I seek the essence of beings and things, their spirit, their reality. Interest, personal experience, ethical and aesthetic commitment form the photographer’s third eye”. I hope to some day find this, I am still looking for it, but so far I think I’m getting closer.
About the author: Ramón Cruz is a college professor and photographer based in Chihuahua, México. Documentary, portraiture and street photography are his areas of focus. He is currently a member of 1415 Mobile Photographers.
You can see more of his work here:
14&15 Mobile Photographers
After a lengthy vacation, our popular, Storytellers Circle has been revived in GRRYO’s Instagram account. We feature a photo prompt each Monday and ask our audience to share their stories to accompany the image. We would love for you to join us and share what each photo says to you. In September we focused on wonderful photos by talented artists with stories that our followers contributed. So come and browse through this digest and let the stories move you to join us each Monday in October!
“Look”, Agnes. “That man is buck naked!” “I’ve seen better”, she sniffed, “much better”.
On days when the air hit a certain percentage of humidity she couldn’t erase the image of the scar upon his back. The starched shirts, the fine suits, the fancy accessories were not enough … he would joke with the kids about the march and the days without food, make it seem like a cartoon- tom and jerry, wile e. coyote … all double takes and hi-jinx. But she knew the truth, had felt the raised skin underneath her fingertips for years. She had felt the tightness of his jaw, the grinding of his teeth and the quiet sound of his despair. She hated these days, when the sun was like a knife.
Ok, yes, I know, I’m old. I don’t look it, call me Dorian Gray. But I am old. 70 is old! And tired. Tired. I miss Lois, may she rest In peace. And Jimmy, God bless that little rascal. My knees hurt, I can’t fly more than five feet off the ground. Super? No more. But I’ll keep showing up, the world needs me. The world needs a Superman.
“Hmmm . . . the newest in spring fashions for the grand reopening of Atkins Department Store and the lineup of boring afternoon soaps on the local TV stations,” thought Roger as he squinted at the tossed aside newsprint. He’d been hanging out at the warehouse for 3 days now looking for any scrap of a clue that might help him to wise up to the mystery of Lucid’s disappearance. He would stay as long as it took if he had to. He loved that girl and there was no way he would give in to the heat, sweat, and misery of searching until he found her. And found her alive. She had to be alive.
Join us each Monday to share your stories with photo prompts in Storytellers Circle. If your story is selected it will appear on our website like those above.
Holy Week (Semana Santa) is definitely the biggest, most prominent celebration in Spain. It is also the most important period of the year, immersed in a wide array of emotions. Spanish people always find time to experience unusual processions – re-enactments of the Passion. Let’s go for a walk down the narrow streets of Ibiza’s old town, and admire this unique spectacle.
Before we begin, we cannot forget that people in Spain love eating, drinking and enjoying the company of their loved ones. Apart from celebrating the religious holiday, which is obviously of great importance to them, they value spending their free time with members of their families and with friends.
It is worth it to see the processions – they take place throughout the whole of Holy Week and they tend to be quite elaborate. You may also encounter their alternative name – “penance processions”. They involve members of the brotherhood (nazarenos) parading from their church to the city’s cathedral.
It is easy to spot the start of the procession – just search for a giant cross. It is always carried at the front.
What makes Spanish processions so unusual and so different from those in other places of the world? People who participate in them are dressed in a specific outfit known as capirote – a traditional, tall hat covering the face. Conical hats were traditionally worn by those doing penance. They were a sign of atonement and remorse for your sins. In this way, sinners would not be recognized and could repent anonymously. They also wear belted robes.
Another highly important factor of this event is music. Most of Semana Santa processions are accompanied by live marching bands that play religious, pompous pieces.
The ambiance of these festivities is one of a kind. Although the atmosphere is definitely solemn and spectacular, nothing can hide the Spanish desire to live in the moment. Strong religious beliefs are blended with celebration, and that’s how the unique mix is created. Don’t miss an opportunity to see the Semana Santa procession, and take from it what is most valuable to you.
Text written in collaboration with Monika Malucha
Magda de Jonge Malucha, aka Magda DJM, is a Polish mathematician, self-taught photographer, Picker and mom of a teenage otaku-boy, based in Ibiza, Spain since 1998. Her adventure with mobile photography started in 2013. She is a member of the Polish Mobile Collective Grupa Mobilni. Her work has not only been exhibited in Spain, Italy, USA, Germany, France and Poland, but also recognized in some competitions, like the Mobile Photography Awards and iPhone Photography Awards.
Martha is the second author to be published on Grryo following the announcement of our partnership with Picwant.
You can see Magda’s work on: VSCO | Instagram | Twitter
Gone stray. How I find myself involved in a documentary project about stray and colony cats
In the beginning, it was not a photo project. It was just me going to take photos in a park where a huge colony of stray cats live. I had started taking photos of cats when I adopted my two cats three years earlier. That was something I had never done before; I had never had a cat, not even as a child. I knew nothing about cats. Honestly, I was not a pet person at all before adopting them. They totally changed the way I felt about having pets at home and it became natural to me to grab my camera to make memories of our daily life together. However, after three years I needed new subjects. So when one of my friends told me about the park, I went there on my first day off from work. Just 40 minutes from home. I had never heard about it before. It used to be an Army Fort until it was shut down in the early 90s. Now it’s a public park.
Some of the old buildings are used as offices and restaurants. Others are abandoned and almost crumbling down.
The park is known for its colony of cats; they’ve been living there since forever. There are also two cat sanctuaries. Volunteers of the two sanctuaries take care of them, providing them with fresh food and water every single day and medical care when required.
The first time I went there I spent almost three hours shooting. I loved it there, seeing so many cats napping in the tall grass or chilling on the ground enjoying the warm sun. It was clear those cats were in good health and well taken care of. I went back there the week after that, and the next, and the next … and so on for a whole year. Every time I shot new photos; every time I met new cats I hadn’t seen before. As months went by I began to know that park and those cats better. I had not realized it back then, but after a few months I was not going there just to take photos of cats anymore. I was getting familiar with them; I was getting involved in their lives, I got to know them by name as I had the chance to talk to the volunteers who worked there. I got to know what their favorite places were. Cats are territorial animals. They like to stay in the same places, but they change according to the seasons. So with each new month, depending on the weather, new photo opportunities arose. From the very beginning I liked most reserved cats that napped or chilled in abandoned buildings. It was not easy to take photos of them because as soon as they heard a noise they were gone. So I had to move as quiet as possible. Besides those places were dark, so technically it was hard to shoot there.
The only available light came from a few windows. And that’s where I had to shoot from. I couldn’t go in there. Some windows were broken, some were left open so cats could go there to sleep or stay dry and warm on rainy days or cold winter nights. My going there to take photos was a real adventure. Every time I went back home with a new capture I realized it was another small piece of their story. By then the decision was taken – I wanted to tell their story with my photos. I wanted people to know them. I wanted to show people how those cats lived and how special that place was, thanks to the volunteers who looked after them.
From the very beginning I shot photos in black and white. It was not a stylistic decision at first but it came natural to me. When I was there I saw the world in black and white. After a year of intense shooting, I realized what a huge number of photos I had taken. And it was only at that time that I felt I needed to try to organize them. To my greatest surprise I realized that it was not necessary. They were already organized. All my shots could be divided into four or five basic subjects.
The year after that I kept going to that park once a week. I still do. I’m still working on those original basic subjects, but after two years I still bump into new situations and meet new cats. That place is magical for me. It always presents something new, even if I don’t look for it. I never go there with a clear idea on my mind. I never go there thinking ‘Ok, today I want to shoot that cat napping on that window.’ It doesn’t work like that. First of all, whenever I go there with such an idea in mind, I never find the cat or the situation I was looking for. And even if I do, I’ve noticed that even if the shot might be technically good there’s something missing. Because it’s shot with my mind and not with my soul. That’s why I never do that. That’s why I go there with a free mind and an open soul. I go there and wait until that park and those cats give me a special moment to capture. Every shot is an unexpected gift to me. Nothing is planned beforehand. Sometimes I go there early in the morning, as soon as the park opens, when all offices and restaurants are still closed and there’s no one around. Just the cats and me. It’s quiet; silence everywhere.
Being with them makes me feel good. And special too. After two years I’ve come to think that those cats know that I’m there for them. They know I want to document their real life and they show it to me. That’s why, as time went by, I decided to keep shooting in black and white. It helps me concentrate on the essential and show it to people. That’s why among my photos there are no small kitties nor romantic situations. There are no stereotyped images that are usually seen in social media. But there are no pityful images either. I do not want people to feel sorry for them. They don’t need that. They are taken care of, they are not out in the street. But I want to raise compassion, which is different, and I want to make people get to know these stray cats and where they live. I try to do this with respect for them to show how dignified and beautiful they are.
For more information about my work check out my feed on Instagram and Facebook.
An Interview with Photographer Idan Golko: A Self-examined Life
In one of my prior corporate gigs, a division VP said to me, “Mark, you seem to lead a self-examined life.” I was surprised by this. I mean, I took this remark as a compliment, but did I? Did I inspect my life? Did I regularly question my existence by screening my thoughts and actions?
r u capable? © idan golko
Fast-forward to mid-2016. The first time r u capable?—a photographic blog that raises simple questions with complex answers—blipped into my tumblr radar. Flashbacks of when I became more aware of my consciousness (meta-awareness) infused my thoughts. This r u capable? concept is onto something, I thought. I wanted to find out more.
“We must look at the lens through which we see the world, as well as the world we see, and that the lens itself shapes how we interpret the world.” – Stephen R. Covey, The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change
The person behind the r u capable? images and blog is Israel-based photographer Idan Golko. Idan’s brilliant marriage of moody cinematic photographs with thought-piercing enquiries is a meditation on reality. His concept, reminiscent of the Socratic method, illuminates a creative approach to cleaning the lens through which we perceive all things. The lens I’m referring to here is the mind.
“The Socratic method uses questions to examine the values, principles, and beliefs of students.” – Professor Rob Reich, Stanford University
I spoke to Idan on the phone in mid-January 2017. Besides getting to know Idan, I wanted to know the reasoning and symbolism behind his questions. “If I can answer these questions, then I will be a better person,” says Idan. He continues, “then my family will be better. People will be better. The environment will be better and so on.”
r u capable of not feeling alone? © Idan Golko
“I find moments of peace and quiet when I take a good shot. “ – Idan Golko
Mark: When did r u capable officially start?
Mark: What inspired you to create r u capable?
Idan: A very depressive day. I was in the middle of a big (stressful) project. I wanted to express my feelings and distress in the best way I know–through photographs and words. But before this dreaded day – in fact, several years earlier when I was living in Tel Aviv (in a very urban state of mind) – a friend of mine had asked me if I was capable of intimacy.
Well, this “are you capable?” question had a specific tone and meaning along with a repetitive nature. And, the question stuck with me—it popped up again on that depressive day while I was looking at my photographs. I knew I was doing meaningful things in the world, but I was not doing my thing, and I was asking myself the general question: r u capable? Just like that—black and white, yes or no, and the answer was yes. Three hours later, the blog was on the air.
There is a stronger side in me that chose to live and chose the bright positive path. But that side comes from the dark with a lot of struggle. These two contradictions inside me were a great inspiration as well to create r u capable.
r u capable of taking responsibility over your soul? © idan golko
Mark: You met your wife about three and a half years ago. Was this event the catalyst for your life change?
Idan: Yes. The main change for me was when I stopped expending most of my energy for others. Then I was free to put energy into my projects. My wife gave me courage and strength to make this change and focus on my things in the best way.
Mark: What is the central message you are trying to convey with r u capable?
Idan: To raise the awareness to the possibility of choice through confrontation with your shadows. If you are capable of healing your soul wounds, the impact of that in the world is much more significant than you can imagine.
r u capable? (no i can’t, not today) © idan golko
Mark: What is the philosophy behind r u capable?
Idan: The philosophy behind r u capable is quite simple: to recognize your soul’s defaults, and to sincerely ask yourself if you can deal with these defaults. The questions are simple; I’m not inventing anything. I’m just bringing some thought or emotion to another level of awareness. I want to be a better person to my daughter, my wife, my family and friends, to Earth, and to myself. To recognize our bad defaults is half of the problem, and to solve them is the other half. I’m trying the best I can on both ends of the spectrum. I’m not trying to survive only mentally, but also to be content with my reality.
I have no idols, but I’m inspired by many things and people, such as Ian Brown (Stone Roses fame), Thom Yorke, Nick Drake, Dark 80’s, Monty Python, Serge Gainsbourg, tattoos, drugs, world climate, violence, justice, hope, love, the sea, smell, and so much more.
I feel that in today’s world, everything is “bubbling.” I want the good to win. What is the good? I can’t point one finger at it (there are many), but I do know and feel what is happening in the world today is almost the opposite of good.
Mark: Why photography?
Idan: I find moments of peace and quiet when I take a good shot. The images help me to deal with myself. I find answers in the images I take and I especially find comfort in them. It gives me a short break from all the mass inside me and around me. The photographs I take reflect my mental state. I’m looking outside in order to understand better, to learn more about myself, and to improve – that is, to be a better person (to be more human). I use only secondhand cameras. I never use long zooms
r u capable of healing urself? © idan golko
Mark: Define what a “good” shot is to you.
Idan: A shot that makes me feel something whether it’s the person, the scene, the mood, the light – my heart needs to feel.
Mark: What does it mean to be more human?
Idan: It is easier to start with defining what is not human. Being disconnected with the reality around us is not being human. Often, reality overloads our senses with too much information. We can react to this overload by disconnecting. But, that makes us feel less human. To be more human, we must keep our hearts open and build trust in the mysteries of life. The ultimate goal is to have harmony between the external reality and our internal reality.
r u capable of being patient? © idan golko
Mark: Why only secondhand cameras and no long zooms?
Idan: I love things from the past. Using secondhand cameras, for me, is sustainable. I also like the low-tech aspect of the older digital cameras. I guess I am a bit of a technophobe in this regard. I use a FujiFilm x100 and Sony fF28. These cameras are not old, of course, just secondhand.
Long zooms are a big advertisement that you are taking pictures. I’d rather not be noticed because I want to capture something meaningful that is undisturbed.
r u capable of entering ur dark sides in order to find some light? © idan golko
Mark: What do you “normally” do when you are not taking photographs?
Idan: For many years I found myself doing different things in order to survive financially. I worked many jobs, from being a bartender to a business development director to brewery manager to art dealer and collector’s assistant. When I met my wife, three and a half years ago, I stopped “selling my soul” to others. Since then I’m focusing on my photography and writing and also doing other things, such as dealing with music and cinema memorabilia and secondhand items. I love old stuff, I love the rhythm of the analog.
These days I’m also running a very private documentary project, mostly in video, with a well-known senior actress in Israel. It’s been running for almost a year and it will keep running for another year at least.
I’m also a curating a photography exhibition for an Israeli photographer who died 14 years ago. He was photographing street and portraits in Israel during the late 70s and early 80s. The exhibition is planned for May 2017.
So after almost three years of incubation, I’m finally doing my things.
Mark: Do you have future plans for r u capable? If so, please share.
Idan: Yes. I plan to continue what I’m doing and to expand in many forms of creativity. To find and later on to create other platforms that can serve as a vehicle for r u capable?.
r u capable of looking deep into reality’s eyes and understand that u need to cooperate and not only observe? © idan golko
To sustain his projects, Idan has a few irons in the fire. He is working on a documentary project and he is generating revenue from his photography. Wait, there’s more. Idan also creates a signature product he calls “analog-i” where he takes rare music posters and mounts them with vintage frames that he discovers in flea markets. “I am now back on my feet and beginning to see the flowering from the seeds I planted a while back,” Idan says in gratitude.
Is there a lesson in all of this? Has Idan found the holy grail of what all artists seek – liberation from the chains of stereotype? Idan’s photography has an edge and gladly offers a fresh reprieve from the saturation of trillions of cliché images. More importantly, this edge slices through perception, and it perforates our default mode of thinking – our default definitions of what is beautiful and what is ugly.
If Idan has found all the answers, it’s because the revelations came from within, by pondering a simple question—r u capable?
r u capable of being connected to others as well? © idan golko
Find Idan on:
Website | Tumblr