Ode to Winter

Ode to Winter

I  remember, as a child, fumbling in the complete darkness of my bedroom. The clock having just struck my morning anxieties, and myself heading toward the window to summon the day into the room. Rolling up the night around the slats of the blind, the picture of the wakening day gradually unfolding before me. I usually paid little attention to it. A glimpse that made me feel both reassured that the world was still out there, and worried my school was too.

Some mornings had a different feel though. As soon as a glimmer of daylight crept into the dark, I already knew at its particular brightness that the day would hold different promises. It had snowed and perhaps it might keep snowing!

When I reminisce over the snow days of my childhood, I cannot single out or describe this or that particular day with its own distinct facts. Yet alive in me are a set of moments spreading from this time, grouped in my mind by a similar naïve joy, etched with such emotion that my memory has decided to gather them into one souvenir.

And I can see myself, pulling a chair by the window and watching the snow come down slowly over the wet plain, settling silently in the hollows, on the roofs, seizing the roads and the alleys, covering the ugliness brought on by the day. Then, having made everything even, everything level, it is forced to accept it must fall on itself. At this point, one’s attention is no longer drawn to anything and ceases to recognize. And now one can only see one’s own images projected on the white screen offered by the winter.

Or, I was outside. Snow had stopped  and I was trying to identify parts of the scenery, my playground, my bicycle under a bump. And it was like attempting to read a book in a foreign language, familiar enough to follow the story line, yet not the details.

To this day, I prefer winter to any other season. Not only the snow, but the cold that enlivens or numbs. The fury of the wind when it blows the leaves off and gives them back to the earth, which later chews them and gobbles them up. I enjoy this harshness and this severity. People meet and get to the essential, because it is too cold to linger and tell more.

I enjoy the monotonous landscape. The nature when it depletes, gathers itself, and mourns. The ground that is brown then grey then white then dirty. The flight of the birds that is shorter and heavier. The way they suddenly flock into bands, ruffle the trees and the electrical cables. The ones that decide to remain lonely.

I enjoy watching the night as it awakens the day with the city lights turning on one by one like fireflies on a summer night. The shadows are longer, more present in the home. Our lives languish, it is a slower time, allowing us to look backward. As when walking in the snow, we have to stop and turn around in order to see our own tracks.

And last, I enjoy winter when it shies away, out of breath, and suddenly gives way to perpetual renewal, to the sweet illusion we call Spring.

Anne Closuit Eisenhart is @lesfifoles on Instagram

 

Ode à l’Hiver – Par Anne Closuit Eisenhart

Je me revois, enfant, avancer à tâtons dans le noir de ma chambre. Le réveil venait de sonner mes angoisses matinales et je me dirigeais vers la fenêtre pour convoquer l’aube dans la pièce. Tandis que j’enroulais la nuit autour des lamelles de mon store, se déroulait à mesure devant moi le tableau du jour qui s’éveillait. Je n’y prêtais d’habitude aucune attention particulière. Tout juste un regard qui me rassurait car le monde était toujours là, et qui m’inquiétait car mon école aussi.

Certains matins, il en allait différemment. A peine un rai de jour se glissait-il dans l’obscurité que je savais déjà, à l’éclat spécifique de la lumière, que la journée tiendrait d’autres promesses. Il avait neigé et peut-être neigeait-il encore…

Quand je me remémore les jours de neige de mon enfance, je ne peux bien sûr pas décrire telle ou telle journée précise avec ses faits bien à elle. Mais continue de vivre pourtant en moi un ensemble de moments s’étalant dans ce temps, regroupés dans mon esprit par une même joie naïve, inscrits avec suffisamment d’émotion pour que ma mémoire décidât de les réunir en un souvenir. 

Et je peux me voir, tirer la chaise près de la fenêtre et regarder la neige descendre lentement sur la plaine humide, s’installer, silencieuse, dans les creux, sur les toits, s’emparer des routes et des chemins, recouvrir la laideur amenée par le jour. Puis, quand elle a rendu tout égal, quand elle a tout nivelé, se résoudre à tomber sur elle-même. Alors le regard n’est plus arrêté par rien et cesse de reconnaître. Et l’on ne fait plus que voir ses propres images intérieures se projeter sur l’écran blanc que nous offre l’hiver.

Ou encore,  j’étais dehors, il avait cessé de neiger et j’essayais d’identifier le paysage, mon terrain de jeux, mon vélo sous une bosse. Et c’était comme tenter de lire un texte dans une langue étrangère suffisamment familière pour qu’on en comprenne la trame pas assez cependant pour qu’on en saisisse tous les détails.

Aujourd’hui encore, je préfère l’hiver à n’importe quelle autre saison. Pas seulement la neige, mais aussi le froid qui vivifie ou engourdit, la fureur du vent qui arrache les feuilles des arbres et les rend à la terre qui les mâche puis les engloutit. J’aime cette rudesse, cette âpreté.  Les gens se croisent et se disent l’essentiel car il fait trop froid pour en rajouter.

J’aime le paysage monotone. La nature qui se dépouille et se recueille. La terre brune puis grise puis blanche puis sale. Le vol des oiseaux qui est plus lourd et plus court. Cette façon qu ‘ils ont soudainement de se mettre en bandes, d’hérisser les arbres, les fils électriques. Ceux qui décident de rester solitaires.

J’aime guetter la nuit quand elle réveille le jour, et regarder les lumières de la ville s’allumer une à une comme des lucioles un soir d’été. Les ombres sont plus longues, plus présentes dans la maison. Nos vies se traînent, c’est un temps plus lent, fait pour regarder en arrière.C’est comme quand l’on marche dans la neige, il faut s’arrêter et se retourner pour voir ses pas. 

J’aime enfin l’hiver quand il se dérobe et, à bout de souffle, cède la place à l’éternel recommencement, à la douce illusion qu’est le printemps.

Anne Closuit Eisenhart est @lesfifoles sur Instagram

Finding Your Muse by Monica Galvan

Finding Your Muse by Monica Galvan

You can tell a lot about a person by what they photograph

There are the ones who photograph their meals at a restaurant, positioning each element carefully. There are those who only photograph their kid’s laughter and smiles to keep them young forever. Some photograph for archival purposes, as a “note to self”. I choose all of the above. I choose to document every aspect of my life in photographs.

I have a fear of forgetting. Our memories are unreliable. We’re selective, recalling the bits and pieces we feel are most important. So whenever I see something too beautiful for words, something that makes me laugh out loud, or just something I want to share with someone later, I get out my iPhone and capture it. I want the moment to live on so I’ve developed a habit, an obsession some may even say, of digitally recording.

San Francisco cityscape from Bernal Heights park

San Francisco city view from Bernal Heights Park during the golden hour, just before sunset. Shot on iPhone 6, edited with VSCO.

I love themes, especially in photography. My reoccurring theme is San Francisco. If you look close enough you’ll find it hidden everywhere. My favorite subject to shoot is the Golden Gate. There’s something about the red/orange hues, the pillars of strength, the fog weaving in and out; it’s an indescribable feeling I have whenever we meet.

San Francisco's Golden Gate Bridge from Vista Point in Sausalito by Monica Galvan

San Francisco’s Golden Gate bridge from Vista Point, Sausalito. Shot on Canon 5D Mark III with 50mm f/1.4 lens.

San Francisco has always been a magical place for me. I can remember being excited as a kid to spend the day in the city with my dad and sister or brother. It was usually just to a “touristy” area like Pier 39 or Fisherman’s Wharf (my dad loves the clam chowder). I had no idea there was so much more to discover in this enchanted land and I wouldn’t for several years.

Fisherman's Wharf signage in San Francisco, California

Signage in Fisherman’s Wharf, San Francisco.

Maybe it was the cheesy souvenirs, the sweater weather, the food, the crowds the sea lions attracted, or the people who walked the streets with purpose and freedom. I honestly have no idea what happened to make me fall so hard for this city but it started way back then. I’ve grown up since but never out of love; my first love.

San Francisco skyline from the Larkspur Ferry by Monica Galvan

San Francisco skyline from the Larkspur Ferry.

I look back at pictures taken of me from disposable film cameras standing in front of random, insignificant things and I’m struck by one familiar theme, an uncontrollable smile.

Throughout our lives we go through many ups and downs though we tend to recall the negative more than the positive. I’ve lost myself too many times but I’ll always find myself again, in this city.

Mission Dolores Park in San Francisco, California

Mission Dolores park in San Francisco, November 2010.

I haven’t always been as passionate about photography as I am now. Though I’ve pursued photography for many years, over a decade of my life, there were a few chunks of time between when my camera and I were distant from one another. Each time might be for a different reason relating to that season of my life but looking back now, I know the underlying reason that connects them. I hadn’t found my muse yet.

I’m not advocating you sit and wait for inspiration to strike to pursue photography or any form of creativity for that matter. Instead I encourage you to go after it. Inspiration isn’t something you can search for, it has to find you working.

Walking the Burrard bridge in Vancouver, British Columbia

Walking across the Burrard bridge in Vancouver, British Columbia. Shot on Canon 5D Mark III with 50mm f/1.4 lens.

Learning to see the world in a new way

At first photography was something I did on a vacation or a mini road trip away from home. It was about capturing the moments to remember them later. But slowly I began to see the world in a new way. That’s what photography does to you. You see things differently, you notice what others don’t. And this is the exact reason you are meant to be a photographer, to share your vision with those who can’t see it for themselves.

Time | Shot on iPhone 6 with Lensbaby mobile lens

Shot on iPhone 6 with Lensbaby mobile lens, edited with VSCO.

A personal journey

I’ve always felt photography is a personal journey and perhaps that’s why it took me so long to share my work with others. Art stems from a private place inside. Sometimes the artist doesn’t understand the reason they’re drawn to create, they only feel the pull. Photography is no different. I couldn’t tell you why I felt such a strong connection to the medium, I only knew I needed to keep going.

Burrard bridge in Vancouver, British Columbia

Burrard bridge in Vancouver, British Columbia. Shot on Canon 5D Mark III with Lensbaby Composer Pro 50 lens.

Transforming your muse into photographs

You have a muse too. Maybe you already know what it is or maybe you have some more soul searching to do. Either way, when you find it you’ll know. I can tell you from experience it’s worth the wait. Sometimes it’s a person, a specific object, or in my case a place. It varies from one artist to another.

Seattle, Washington cityscape

Seattle cityscape from the Space Needle.

The only way to speed up the process of finding your muse is to keep photographing. It’s going to take a lot of bad photographs before you find the ones that light a spark in your heart and lead you down the path you’re meant to follow. Keep shooting, keep practicing and never stop experimenting. If you’re bored with one genre of photography, pick up another. There are no rules to finding your muse except you can’t give up.

San Francisco's Golden Gate Bridge from the Marin Headlands by Monica Galvan

San Francisco’s Golden Gate bridge from the Marin Headlands. Shot with Canon 5D Mark III with 50mm f/1.4 lens.

Looking for a little inspiration to get you out there shooting and improving your photography skills?

Check out Fall in Love with Photography, a free 7 day photo challenge to kickstart your photography! Every day for one week you’ll receive a new photo challenge right to your inbox. Each challenge features a theme with plenty of tips and ideas to get your creativity flowing. Click through to join and get started!

Fall in Love with Photography: Join the 7 day photo challenge

To find out more about Monica you can find her on monicagalvan.co and Instagram @mlynngalvan

Monica Galvan is a photographer based in the Bay Area of California. She specializes in San Francisco cityscapes and urban environments with a vintage touch. She also teaches aspiring photographers how to find their visual voice with photography at monicagalvan.co 
Waffle it Up with Finnicle

Waffle it Up with Finnicle

I like Kandinsky’s idea that we all have an inner need for expression. Looking at pictures on instagram, it’s cool to look at individual people’s offerings and try to work out what they are trying to say to the world. There is no good or bad art, just images that speak to you more than others, or speak to you differently on different days or when you are in different moods.

‘spartacus and his army of freed slaves’

So when I make a picture, it is expressing something of how I am feeling or something I want to say to the world at the time of making it. It is cool to make abstract images because people can interpret them in any way they wish. I like to make images with balance in colours or in shapes, but then sometimes the words chosen to go with them can distract or help make a connection with another person.

The first image called ‘spartacus….’ I like because it is stark black and white with a slight tinge of red. It seems to show strength emerging out of a vague past, and yet also I hope it makes people feel connected to this vast sea of humanity.

‘two hemispheres unite’

It’s also wonderful to play around and arrange shapes so they make something geometrical and yet playful and whimsical at the same time. In ‘two hemispheres unite’ it seems to show that the whole world of instagram is uniting people who like to look at pictures and find some sort of commonality. We are made happy to be part of the big wide world and yet we all have our unique take on it.

‘throw dishes at your head’

Look at how harmonious the shapes seem to be in ‘throw dishes at your head, cos it’s what you were expecting’ – the shapes fit together, the colours speak of harmony but the title shakes people up and makes them think,(I hope) of what happens when your safe little world crashes in on you.

‘you may be fast, but I’m quicker than you’

When I take a real picture and glitch it up a bit I want people to question what is ‘real’ in this world. There are so many possibilities for parallel worlds, doors opening to different perceptions, unexplained phenomena and strange occurrences which should make us full of wonder at this glorious thing called life. I called this “ you may be fast, but I’m quicker than you” just because I want people to laugh and then sit back and think, what is this thing called life and why do words make me smile?

‘spacebar’

The last image has some text in it, (space bar) – I love images with text and shapes in them, as words can be so tricky, have so many meanings and yet have no meaning at all. The colours and shapes make me happy as well as the possibility that there is more beyond this life, some sort of spirituality, that we all seem to be searching for.

‘slow shutter speed’

‘try cutting through the mask’

‘heart beats slow’

‘orange, lime and mandarin’

‘from the upside down’

Kandinsky again said it best when he said that art was the soul, without which the body cannot be healthy.

Find more of Fin’s work on : Instagram | Website

 

 

A Self-Interview: Shuko by Shuko

A Self-Interview: Shuko by Shuko

A Self-Interview: Shuko by Shuko

Processed with VSCOcam with a9 preset

Photographer and Clients (Yokohama, Japan)

 

ONE: At what point in the development of your photography do you think your images will start to speak for themselves?

Henri Cartier-Bresson is known to have said, “Your first 10,000 photographs are your worst.” I believe him.

I admit that I feel a long way off from having a consistent “body of photography work,” but in

the meantime, repeated efforts and studying others’ works feel very important.

 

Self-portrait with Water Lilies (Naoshima, Japan)

 

TWO: Whose photography have you studied? Which photographers and their works have impacted you the most in times to come?

Some photographers who come to mind are: Richard Avedon, Henri Cartier-Bresson, Annie Leibovitz, Peter Lindbergh, Alfred Stieglitz, Hilla and Bernd Becher, Helen Levitt, Diane Arbus, Imogen Cunningham, Dorothea Lange, Cindy Sherman, Graciela Iturbide, Denis Brihat, and Rinko Kawauchi.

 

Ready for the Journey

Ready for the Journey (Toulouse, France)

It doesn’t seem like a huge list, but I ended up focusing on painting within the major of Visual Arts during college, so my inspirations are drawn from many disciplines.

Abstract Self-Portrait

Abstract Self-Portrait (Japan) 

New Year's Eve in Chinatown (Kobe, Japan)

New Year’s Eve in Chinatown (Kobe, Japan)

Street Dancers (Shinjuku, Tokyo)

Street Dancers (Shinjuku, Tokyo, Japan) 

 

In particular during high school, I was really influenced by Richard Avedon. His 1994 retrospective at the Whitney Museum of American Art, “Evidence 1944-1994”, brought with it the opportunity to see him speak at a special lecture for high school students. My family lived one hour south of New York City, so I hopped on the train after school one day and was blown away by the photographer’s raw energy. His honest portraiture, which captured the uniqueness of the human spirit and body which was printed at a bigger-than-life scale, has left a lasting impression on me.

 

Before seeing the retrospective, I remembered reading about him and his work in magazines. He loved the photographed image so much that he apparently used to tape film negatives to his skin and expose them under the sun until the images burned onto his skin.

 

Lady with a Purple Parasol

Lady with a Purple Parasol (Tokyo, Japan) 

Univers Parallèle - Parallel Universe - 異世界 (Toulouse, France)

Univers Parallèle – Parallel Universe – 異世界 (Toulouse, France)

Portrait of my 91-year-old Grandmother

Portrait of My 91-year-old Grandmother (Tokyo, Japan) 

 

Another photographer I met during my time studying abroad in southern France had a deep impact on me. His name is Denis Brihat, and he’s a multi-award winning nature portrait photographer who created his own chemical process to highlight the beauty of his inanimate subjects on photo paper. He was an advisor to a black and white photography class I took, and I will never forget him talking about a ten year period during which he was very quiet, developing his own method of photography. At that time, I understood better the possibility of portraiture in a wide range of categories.

 

Mt. Daisen (Tottori Prefecture, Japan)

Mt. Daisen (Tottori Prefecture, Japan) 

Falling into an Underground Pocket (Tokyo, Japan)

Falling into an Underground Pocket (Tokyo, Japan)

 

THREE: You’ve talked about printed photographs by photographers you admire. How important is the printed product to you? We live in such a digital age now – how do you reconcile the difference between the wide availability of digital images and the decreasing number of images that exist as prints?

 

Yes, the tactile product holds a lot of significance for me since I trained as a painter. But it’s a whole different category of product now, more than ever, it seems. Ansel Adams is known to have said, “Twelve significant photographs in any one year is a good crop.” These days, that would sound absurd to hear from the mouth of a celebrated photographer! I currently live in Japan, but before I came, I was creating paintings that included photographic images printed on inkjet tissue paper. If I were still making those, twelve “photographic paintings” in one year would indeed be “a good crop”.

 

Gate 2 at Izumo Taisha Grand Shrine (Izumo, Japan)

Gate 2 at Izumo Taisha Grand Shrine (Izumo, Japan)

Open Sesame (Kanazawa, Japan)

Open Sesame (Kanazawa, Japan)

Rooftop Poolside (Barcelona, Spain)

Rooftop Poolside (Barcelona, Spain)

 

FOUR: What about travel? How long have you been traveling, and what do you look for these days when you travel?

 

Traveling is of utmost importance to me! I’ve been traveling since I was a baby, and I have come to accept that I am always living “abroad” in one way or another. That probably sounds like an unstable mindset, but being at peace with it has opened up a lot of freedom in my thinking. For example, it allows my creative work to be more of a home to me than any geographic location. So actually, the longer I go without working on my creative projects, the more insecure and “homeless” I feel. In photography, the process of photographing and the process of editing for public viewing help me feel “at home” even if I am in a country that I wouldn’t identify as my native country.

 

Contemplation (Oita, Japan)

Contemplation (Oita, Japan)

FIVE: How would you describe your relationship to architecture?

I’m pretty sensitive to spaces. Deep down, my interest in architecture is about one day finding or making a “real home” where I can work on many kinds of creative projects – a deluxe art studio. But in general, I’m keenly interested in how people build homes and other buildings for specific uses. It’s linked to my fascination about how people make themselves at home in the world – how they make themselves comfortable (personally and professionally) in order to live secure, fulfilling lives.

SIX: What inspires you, and what do you hope to inspire in others?

I’m inspired by a life lived with resolve – the ability to find and determinedly put into practice many original solutions amidst life’s challenges. It’s possible that I photograph people and places that speak to this topic. I hope that in the long run, my work can be strong enough to encourage people to live bigger than what they believed possible.

To see more of Shuko’s work, please visit her Instagram

Shuko is a fine artist who lives in the Tokyo area. Having moved to the metropolis this year (2016), she is finding the need to redefine her creative practices, including her photography.
We Wish you a Merry Grryo

We Wish you a Merry Grryo

What does Christmas mean to you? Do you look forward to this season earnestly or is it a mere family ritual and gathering that you do every year?… Here at Grryo, all of us in the team, come from different countries across the globe with distinct backgrounds. In this post, we will all share what Christmas means to us and how some of us Celebrate it.

Tommy’s contribution

Christmas for me is deeply rooted in my faith in Jesus Christ. This holiday is to be a reflection of everything he is and I find it summed up in the word giving. I’m talking about giving without any expectation of a return. This year I have found a couple of actions that demonstrate the type of giving I mean.

John and his wife Shayla started helping a couple of weeks ago at Soul Food Cafe, a local food ministry to the hungry. John’s heart was touched by the need he found all around him. Putting his photography talent to use he had the idea of doing free portraits for anyone who wanted one. On the particular day I visited John there, he took over 50 portraits in front of this tree as Shayla, with infant son “Cotton” in tow, gathered information. This week they are taking photos with Santa. In the meantime he made a video on Facebook about what was happening that generated 1500 views and gained help from several local photography clubs.

This past weekend I helped a group of teens that joined with several hundred other local Arkansans to fill food packs to send to hungry children in Haiti. A local restaurant, Tacos 4 Life, gives enough from their profits to feed one child for every meal they serve. They do this by teaming with Feed My Starving Children® which is a non-profit organization committed to feeding hungry children. They organize volunteers to hand-pack meals specifically formulated for malnourished children, and then ship these meals to distribution partners. These kids gave a couple of hours of their time on a Saturday to pack 492 boxes of food packs. That’s enough to feed 291 kids each day for a year.

Simran’s contribution

Christmas has always been a favorite holiday for me. Despite living in Indonesia with the largest Muslim population, this festive season has always brought me a feeling of joy, warmth and excitement. For many Indonesians, Eid/Idul Fitri is the main holiday season celebrated extensively. The Christmas decorations and carols around Jakarta are mainly found in every mall or churches across the city. The roads and streets are not lit up with lights or decor as it is regarded as a normal public holiday. It is being recognized and celebrated more now by people in Indonesia. For me, during this festive end of the year season, it is more of winding down and enjoying the break from a well-spent hectic year.

Pictures of Christmas decorations in various places I found, that captured my attention.

Colourful Christmas ball ornaments on a huge Christmas tree at a nearby mall. The popping colours and lights was a lovely sight to capture.

A beautiful framed setting done by TWG Tea at a nearby mall. As i was walking past, I noticed a girl sitting next to the teddy bear and her friend taking a picture of her. The colours and moment itself intrigued me to capture it as it is.

Although, Christmas doesn’t hold a special meaning to me, someday, I would love to experience this festive season in countries that celebrate it. So, I can also experience the spirit of joy and bliss.

Elaine’s contribution

A huge part of Christmas for me is being thankful for, and spending quality time with, my family and friends – particularly my husband and our two boys. Our lives are pretty hectic; we’re always rushing from one thing to the next, Monday – Sunday. It’s all good and enjoyable, but hectic. So the few days we have over the Christmas period, where deadlines and school runs are thrown out of the window, are very special.

Playing board games and watching films together. Catching up with friends. Having late night adventures in the woods with our boys and their torches.  Watching my kids playing and running free, without a care in the world. Like children should. Watching the adults behaving like kids again too. Enjoying the magic of school nativities and music concerts. Eating mince pies that we don’t even like. Wearing silly jumpers and daft Christmas accessories.

Enjoying long walks in the cold.

Not setting the alarm clock.

Decorating the tree together.

Remembering dear loved ones.

Enjoying the little things.

Joe’s contribution

Because I work for a non-denominational church a lot of my time revolves around special events around the church. My wife and I have to get creative with our time to enjoy the holiday with our kids. We have our usual family traditions like decorating our house and listening to Christmas songs by Louis Armstrong. We also drive to neighborhoods and marketplaces adorned with a lot of Christmas lights and if when we can afford it, we will go to Disneyland to enjoy fake snow and watch people play at the skating rink.

The weather folks say that it snows in my region along the coast of Southern California only once for every hundred years, so unless we drive 2 hours up to the local mountains, any expression of “White Christmas” is man-made.

My family wanted to focus more of our attention on people in need this year. Our kids participated in Operation Shoe Box and filled a shoe box with gifts and a note to be given to a child on the other side of our world. Locally, I went with our church group to deliver groceries we put together to families nearby, so they could have a Christmas dinner.

It’s a special time of year for us. We could go insane trying to keep up with all of the traditions that go along with this season. Plus,  it is too exhausting to get swept up in the shopping frenzy that happens from Thanksgiving to New Year’s. At my home, we try to simplify how we the celebrate birth of our Savior Jesus Christ by helping folks in need and getting together with family and friends.

Susanne’s contribution

December, the darkest of the months. I feel the lack of shadows, I feel in me the lack of light.

Yet Christmas gives me hope. It brings light, all sorts of lights: tiny little ones, bright ones, yellow, red and green, the white paper stars we set up on our window sills early in December. Christmas celebrates light and reminds me that nothing lasts forever, not even the darkest days. That light remains. That I’ll have the shadows back soon again.

I’ve always loved Christmas, how it changes us, the magic of it, and I spend the Christmas days together with my loved ones.

Hope you enjoyed our little contributions from the Grryo Family to spread the joy and spirit with you all.

Thank you to each and every one of you for your participation and contributions throughout the year. We deeply appreciate it.

We would like to wish all of you a Merry Christmas and a Blessed 2017!

Enjoy the holiday season with your loved ones and we look forward to another exciting new year with you!