24HourProject, Around the City of Golden Friendship by Clement Dampal

24HourProject, Around the City of Golden Friendship by Clement Dampal

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24-1102pm

What does a whole day in Cagayan de Oro City look like? What if you could see the city in one day?

Excitement growing when I received the news from Renzo Grande (24HourProject Founder) that I will be going to lead a Documentary project around Cagayan de Oro City as the first City Ambassador for the 24HourProject, a global street photography experiment with this year’s theme: Human Condition. It was actually a fellow photographer named Gian James Maagad’s initiative on joining this global photography awareness which he started last 2014.

The idea of the project is simple yet complex in its sense. Starting at 12:01am, registered participants assured themselves to capture as many scenes they want through photographs every hour and share one chosen image on social media sites such as Instagram, Twitter, and Facebook. It might sound simple yet the project is physically challenging as participants needed to keep themselves awake for the span of 24 Hours, hence the name of the project which includes keeping your mind on constant creativeness for that one decisive photo.

Out of the 107 countries that joined the event with over 718 cities and 2,785 registered participants, 19 photographers from Cagayan de Oro joined the initiative with 1 from Iligan City. For the first time on joining this project, I was tasked in documenting the city as this year’s Ambassador.

March 19, 2016. The clock reads at 12:01am, that fleeting moment when excitement reaches its apex and everyone is ready to start the event. Because I take this event so seriously, it took me a lot of thoughts, and careful consideration with the given time to give them the necessary guidelines and the official itinerary. “Every image uploaded and shared every hour must express Human Condition that somehow reveals the real beauty of the image either happiness, sadness, humor, fulfillment, pain, love; an image that portrays both composition, and story, thus space and time.” I explained. Then, the event officially started.

PLAZA DIVISORIA- This is the assembly place where we started to kick off the event. We walked within the area and examined scenarios that will somehow represent the theme.

GASTON PARK- Another area where we headed our way to the flower shops.

CAPISTRANO STREET- Named after one of the greatest generals in Cagayan de Oro which is considered to be a local hero, the street is still as great as the name implies. Well, not literally about heroism but more on foods. Here you can find one of the local’s best “lugaw” with affordable rates. Check out the Image 4 showing a girl checking and/or preparing the food entitled “KONJI”.

COGON MARKET- After roaming around the street of Capistrano, we headed ourselves to Cogon Market via Velez Street and JR Borja Extension. Cogon Market is actually CDO’s public market, a great spot of documenting the local scenario and its daily activities.

MACABALAN PIER- Cagayan de Oro’s very own Sea Port (Cargos and Passengers). This is good spot of documenting the sunrise.

BULUA WESTBOUND MARKET- Another public market on the west side of the city. If you like documenting fishermen doing transactions with middlemen or business owners, this area is good for you.

DE LARA PARK (MCARTHUR PARK)- Another public recreation site located in the city.

VELEZ STREET- The road connecting to the sea and considered to be one of the oldest roads in the city. Yes, it was called the “Kalye del Mar” during the Spanish period.

Final Note:

Being the City Ambassador is one of the most challenging positions while doing the project. Not to mention that you need to be awake for the span of 24 hours. That’s from midnight to 11:59pm. Taking part in this project is like a marathon. You need to be constant with yourself, with your creativity and your skills while presenting your image results. As my first time on joining this event, the experience is totally amazing and possibly one of the most noteworthy occasions i had for a photowalk.

What something worthy about the event is that documentation is unimpeachable, so does reality in photographs.  While in the same manner, we never know the condition, the story, and the moment that we are heading through. Sometimes, we need to learn to listen to the story before we see the truth. It explains the basic nature of the photography- in particular, the connection with reality and time which portrays that sense of narrative.

I may not have completed the entire 24 hour challenge of taking every photo lacking the 2pm and 3pm time schedules nonetheless, I believe I am successful on documenting human condition in Cagayan de Oro City which applies to this event. A total of 22 hours is much interesting than compromising the entire project because your body says “I quit!”

As what Henri Cartier-Bresson once said, “Of all the means of expression, photography is the only one that lives forever the precise and transitory instant. We photographers deal in things that are continually vanishing and when they have vanished, there is no contrivance on earth that can make the come back again.” As stated around 1952.

See you on the next 24HourProject!

Check out the official 24hourProject site : http://www.24hourproject.org/ 23-1019pm 10-0903am 7a-0649am 5-0401am 1-1242am 2-0121am 4-0302am 7a-0649am 1-1242am 2-0121am 4-0302am 24-1102pmphotos i had during this year’s 24HourProject. Click the image for bigger size format or click mouse 2 then click the “open image in new tab”.

About the Author: Clement Dampal from the Philippines is a Hotelier, Writer, Economist, Photographer, Travel Blogger, Numismatist, Adventurer, and Travel Consultant. The first ever City Ambassador in Cagayan de Oro, Philippines for the 24HourProject.

Follow his passion and journey at his Website | Facebook.

24hourproject: Grryo Editor Version

24hourproject: Grryo Editor Version

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jeff kelley  |  northampton, ma, USA

I think the last time I tried to stay up for 24 hours straight was circa 1993, during my freshman year of college. The results then were less than stellar, I ended up falling asleep in my dorm room and missing my Italian midterm. Thankfully, this time, I did a little better. I started out with a 1.5 hour nap at 10:30pm and then it was off to Northampton, Massachusetts to meet up with my friend.

‘Sup and Pup’

Our biggest hurdle was not the struggle to stay awake, but rather, one we were aware of beforehand: finding opportunities to shoot in a small town. Armed with this knowledge, I created a Google doc and tried to make a note of places that would be open, or have good light at various hours of the day. Aside from having a goal of successfully completing the project, I set a few other personal goals as well. The first was simple: to take better pictures than I had in years past.

‘Leading in the Poles’

My other two goals related to the types of pictures I wanted to try and take. I have never successfully done a “street portrait”- One in which you ask a stranger for their picture. @365ken has been a role model for this kind of photo. The other style of shot is a bit harder to describe. It involves finding creative juxtapositions or situations and catching them on film. For this type of shot, I was most influenced by @powercorruptionandlikes.

‘Reader’s Block’

All in all, I was happy with how everything went. I pushed my photography a little further, didn’t fall asleep on the job, and had a good time. Will I do it again next year? Well as my Italian professor taught me to say, “vedremo” (“we shall see“). At least I’m assuming that’s what she taught me. I can’t actually remember any Italian whatsoever.

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giulia macario  |  melbourne, australia

24 hours of continuous photography with no sleep whatsoever, who would sign up for that? Ahem. me. Three times. What on earth was i thinking….

Like other years I left it up until the day of the event, and a few hours before, to really make up my mind on whether I was participating or not. That being said, I always seemed to get pulled in by the lure of taking part in such a fantastic worldwide event and being part of something bigger than myself. This year was no exception, and after being inspired by many talented photographer friends from all over the world in years passed, I again took part.

Ghosts of Piers Past

‘Ghosts of Piers Past’

So why do it? I guess for me after nearly 8 months of not shooting anything, this was a way to kick my butt into photography gear again. They say practice, practice, practice… is the best way. And for me, not a ‘seasoned’ street shooter – it’s definitely a challenge. I do not plan my shots or where i’ll be hour by hour, I believe theres a magic to letting moments just happen, and if they dont, well, I just move on. I wasn’t too concerned with fitting the mold of what was expected as a street shooter for my hourly posts, or sticking to a style, for me it was more about capturing a feeling using my way of seeing, whether it simply be a blur of colour, a fractured slow shutter experiment or a rush of red going by.

 

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‘Sketches’

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‘Rush by Red’

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valeria cammareri  |  Milano, Italy

The days before March 19 I had done a list of places and locations potentially interesting in my city, and done kinds of photographic rehearsals in different moments of the day to check what I would have found in terms of situations and light. And I had more or less planned the 24 Hours itinerary to optimize travelling time both by transports and on foot. I generally edit my images in black and white: interminable edits with frequent rethinks. To simplify this aspect I decided to shoot only with my iPhone 6s, using a default Hipsta bw combo (John S lens+ AO BW film+ Standard flash), limiting the manual edit just to a few steps.

Metaphysical Space

‘Metaphysical Space’

Although it was my first 24 hour project, I wasn’t particularly anxious about the unavoidable tiredness due to sleep deprivation, but rather about the need to continuously focus on people as subjects. Most of my shots are usually taken in the street and people are always present as the main subject, but I’m not confident with candid portraits and didn’t feel at ease with the idea of improvising a new style. So the most critical aspect to me was the idea to keep on documenting humanity in my own way. But after the first image of this photographic marathon, taken after some hesitation and a tension which was for me unusual, I felt it would be possible. And started to relax about the “style” issue.

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‘The Common Reader ‘

The night was supposed to be the most difficult part of this marathon in terms of available subjects . That’s why I had planned, hour by hour, an itinerary . But I didn’t allow for the unexpected. Between 1 and 2 AM I had decided on a shot outside the emergency room of one of the major hospitals in town. I had imagined traffic due to ambulances and people going in and out. So you can imagine my total surprise when I didn’t find at all what I was ready to take a shot of. One of the most quiet and sane nights in town. No ambulances, no people in need of a visit. Nothing. At last I took a shot of a biker who turned out to be a nocturnal worker at the hospital. A shot apparently taken in the middle of nowhere.

Night Shift

‘Night Shift’

This wasn’t the only unexpected situation I had to face during the marathon. For instance, I found no living soul in the 24 hour supermarket, and a military parade in the most famous square of the city, piazza Duomo, right where I had planned to shoot people idly sitting on the churchyard. There were no art watchers at the photo exhibition, and no street carts when I would have needed them. Many shots couldn’t be posted because they were taken too early or too late. But I think this need for improvisation in a bunch of minutes, after so much planning, was the cool part of the story and what still makes me satisfied with my performance. A new chapter next year, no doubt about that. So rather than echoing Jeff saying “We Shall See,” I am for ” You Will See”.

 Make a Wish

‘Make a Wish’

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If you’d like to learn more about the 24 Hour Project, visit their website: 24hourproject.org

Tehran, Iran: A City of Contrasts

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Photo Credit: Ako Salemi

Tehran is a city of contrasts. Photography from Tehran has its own restrictions and sensitivities. Despite the problems, mobile photographers like Shahram Sharif and Ako Salemi have been photographing this city for several years.  In this interview they tell us how they got to know each other and will share with us their experiences of street photography in the capital of Iran.

Tell us about yourselves? When did you start and how did you become interested in mobile photography?

Shahram: Well I’ve been working as a Technology journalist for a long time and I’m currently working for  one of the well known financial newspapers in Iran. Photography and Cinema have been two of my priorities in life. However, I gave up film making very early after a few experiences in making a short films. Unlike cinema I continued photography passionately. It’s now 17 years that I am taking photos and my favorite fields are documentary and nature (although these two are totally different). Now that I look at my archive I see that as a technology lover I have had photography experiences even with my first basic smart phones. However, they were not significant experiences and low quality of cameras was disappointing. In the recent years quality of mobile cameras has dramatically improved and the wide variety of applications have transformed the world of photography. My first serious experience of mobile photography happened after I joined Instagram. I saw good photos taken by mobile phones on Instagram. This made me think that it’s possible to take good photos with mobile. Moreover, I found Instagram filters very interesting.  Despite this many of the Instagram photos where loose selfies and it made it difficult to think of serious mobile photography. I was astonished when Ako first showed me the Hipstamatic.  The afternoon I first started to take photos using Hipstamatic was the same as the first day you go photographing with a new camera. Watching a film by Koci on Linda, seeing the black and white street photos of some of the Instagram members such as Dan Cristea and also seeing the Wearejuxt website made me think What an ideal place.

Photo Credit: Shahram Sharif

Ako: I became fascinated by cameras ten years ago and I started walking and taking photos in the streets of Tehran with my pentax analogue camera. It is now eight years that I am working as a photojournalist in some of the famous Iranian newspapers.  Walking around in the streets and taking photos of people has been my passion for years. This habit has provided me with a moving photo studio. Big size of SLR cameras and the attention they attract was one of my concerns during all these years. It even caused me troubles a few times. Two years ago I got an ipod touch and took a few photos with it just for fun. At the same time I joined Instagram and I was lucky to see photos of Koci and Elif. Little by little I became more serious in taking mobile photos and sharing them on Instagram. I was also very excited when I first used Hipstamatic and its black and white films. I then got an iPhone for its camera quality. Over the past two years I gradually became an iPhoneographer. Now I only use my camera when taking photos for the newspaper I work for.

Photo Credit: Ako Salemi

What are your subjects for photography? Has mobile photography made any changes to your photographic vision?

Shahram: I like buildings and places. Cities are remembered by their buildings. However, in my work I try to capture presence of people in the streets. I basically document the life going on the streets of my city. I like nature photography. When photographing the nature I usually use wide lenses and capture vast areas. Photography from nature feels like reading a poem or listening to a soft music. However, I feel like mobile and street photography makes me more realistic. Using normal lenses takes you closer to the subject. You can capture every movement of your subject and the beautiful or ugly reality in front of the camera. I don’t put any effort for making the truth captured in the photos better or worse but I try to find frames that seem unfamiliar at the first look.

Photo Credit: Shahram Sharif

Ako: I still don’t know why streets and people motivates me for photography more than anything. Although I have tried many different fields of photography street photography has remained my main area of interest. I sometimes think this interest comes from my childhood when I spent most of my time playing with other children in alleys of the small town I was born in. I was interested in watching people and following their actions since I was a kid. Graphic connection between people and their surrounding, shadows, light and reflections in windows have always been the main attraction of a scene for me. That’s maybe the reason why I pay less attention to the colors and see my environment in black and white.

People usually don’t notice you when photographing with mobile and even if they do they won’t take you seriously. My photos are therefore more natural. I act faster and little time is wasted for preparing the camera. Most importantly I can easily share my mobile photos on the web. I am however aware that I miss on quality of the photos and I have less control over light  in using a mobile instead of a camera. But I think these aspects are of less importance in street photography.

Photo Credit: Ako Salemi

How did you two meet and what do you think of each other’s works?

Ako: I’ve been working for a financial newspaper as the editor of the photography group since 4 years ago and Shahram was the editor of the technology desk of the same newspaper.We were just colleagues until I realized that Shahram also shares his photos on Instagram. We talked to each other about street photography. We started going out together for photographing after working hours. Shahram doesn’t pass any visually attractive wall without taking a photo. His stranded and confused people well represent the reality of everyday life in this city. Accurate compositions and the fine balance of black and white makes his photos spectacular.

Photo Credit: Ako Salemi

Shahram: َAko and I were just colleagues for years. One of those colleagues you pass by everyday with a smile. Mobile photography  became a reason for our friendship. It’s now almost a year that we are taking photos together while walking in the streets of Tehran after work time. He usually borrows my portable charger! We sometimes use the lunch times at work to show our photos to each other and get feedback. A few months ago we formed a group for Iranian mobile photographers  named Fotomobers and we organised a few mobile photography training sessions for interested applicants.

Photo Credit: Shahram Sharif

Why is the theme of your work so close? And how do you think you two have influenced each other?

Ako: We usually show our photos to each other and sometimes even edit them together. That’s why the atmosphere of our photos have gradually become close. However, despite photographing sometimes even similar scenes I believe each of us has kept his independence and has his our own photographic vision.

I think one of  Shahram’s important strengths is his ability to make positive contacts and I have learnt a lot from him in this aspect. His motivation, encouragement and valuable experience were also vital for forming the Fotomobers.  As for my influence over his work I think my black and white style has mostly affected Shahram’s taste for photography.

Photo Credit: Ako Salemi

Shahram: I think this similarity is because of two things.Firstly the environment we work in and secondly our vision to photography. Yet these similarities are only in appearance.We have different styles of photography. When I am taking a photo I mostly pay attention to the background and composition of people in the frame. But in Ako’s photos the emphasis is on the relation between elements. I love Ako’s work. He grabs the subjects and doesn’t miss his favorite subjects like birds or pedestrians wearing a hat. I confess that I sometimes envy his photos.

Photo Credit: Shahram Sharif

What is the Tehran you are working in like and how do your photos portray this city?

Shahram: Tehran is a vast city full of contrasts. This contrast is not only the contrast of lights, urban areas and the weather but a contrast is also evident in very different lifestyles and behaviour of people. You may find the most elegant buildings next to the houses of the poor. The happiest and the most nervous people pass you by at the same time.On the other hand street phptpgraphy in Tehran is not at all an easy job.In many of the streets you see the “No Photography” sign .”No photography” sign has become a part of urban culture. Even in some cultural places such as the Book City you are not allowed to take photos. Most of the shopkeepers don’t like to be photographed.Interestingly these people love photos in their personal lives.Nevertheless, despite the political and social restrictions photographing Tehran can be a very joyful experience. It is a beautiful city and as a photographer you find many interesting and beautiful subjects for your photos.Mobile photography gave me the confidence and ability it takes to get closer to the truth of this city.

Photo Credit: Shahram Sharif

Ako : A big city like Tehran with more 20 millions population,various districts and buildings,different classes of people and a dynamic environment is a rich source of inspiration for me.We have four different seasons in this city. Tehran’s snowy,rainy,sunny and cloudy and even polluted days make a variety of subjects  and situations for photography.However as any other place photography in Tehran has its own problems. I usually try not to draw attention when taking photos and mobile helped me alot with this. The reason some people don’t like to be photographed is that they think their photo will be misused. This may cause troubles for the photographer. It might even become dangerous if you a government building is in your frame by accident. Therefore, photography in Tehran must be done with caution and it’s basically a risky job. Despite all the risks  photography in this city is very attractive and these risks have not discouraged me. My love for street photography provides enough motivation for me to face these problems. I don’t have the experience of photographing in other big cities in the world so I can’t compare but I’m sure it has its own problems everywhere but the only thing than make everyone to carry on is love and passion for mobile photography.

Photo Credit: Ako Salemi

You’ve been among the 24 hours project photographers. How was 24 hours of photographing Tehran and did you encounter any problems?

Shahram: 24 hours project was a great idea however I think  it was more than anything an opportunity for us to  examine ourselves to see whether we are able to take 24 good photos during 24 hours. I believe the most significant aspect of this project was the time pressure on photographers. One hour is a very short time and fatigue of mind may disturb one’s concentration.The other problem that Ako and I had in this project was that Tehran doesn’t stay up late into the night and we had to capture half of our photos during the night. I personally didn’t think it will be this difficult to photograph in the streets of Tehran at night. Despite its difficulty the 24 hour project was an amazing experience. We are planning to  exhibit some of  these photos in the “1st Tehran Mobile Photo and Film Festival”  in Tehran as agreed by Renzo and Sam.

Photo Credit: Shahram Sharif

Ako: I had not followed this project over the previous years so when Renzo first explained the project to me the project was somehow unknown to me. According to local timing Shahram and I had to start after the photographers in Australia,Japan and Indonesia. It did not seem to be a difficult task to post one photo per hour on instagram at first. However, after the first hours of the project and as we became more picky about which photo to post it became more difficult and sometimes even stressful. As the project happened at the time of the Iranian New Year holidays we faced a quiet and rather empty Tehran. This was a challenge for us since we are very much interested in capturing people in our photos.Nevertheless the emptiness of the streets helped us to take photos of almost  all the important places in Tehran without getting stuck in the Traffic. At the end I should thank Renzo and Sam for the management of the project and also other photographers in other countries for their participation that  made this somehow difficult experience also fun. I should  also thank Brad and We Are Juxt website  for giving us this opportunity to share our experiences in mobile photography.

Photo Credit: Ako Salemi

Contact Information:
Shahram Sharif    IG | eyeem |flickr
Ako Salemi   IG | eyeem | flickr | FB

#24HR13: Street Photography from Around the World

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The 24 Hour Project: 2013
Created by Street Photographers Sam Smotherman and Renzo Grande.

On March 23th, 2013 65+ Street Photographers in 35+ Cities and 5 Continents plus other 245+ guest partcipants shared the human aspect of their city story with 1 photo, every hour for 24 hours. This year’s theme was Ethni[city].

This is a powerful, communal marathon utilizing the power of social networking showcasing the best in street photography from around the world.  The project began in the winter of 2011.  The mission of the project is to show through both real time photos as the event unfolds and allowing an artist to review their work to show their best pictures captured of the city the photographer lives in with the world we all share – one hour at a time.

Mobile photography has democratized the world of photography.  The social network platforms like Instagram, EyeEm, Backspaces, and many others have assisted to solidify relationships with photographers from around the world.  Enthusiasts, amateurs, and professional photographers have all joined in the 24 Hour Project to showcase their cities, their streets in real time.

The goal for the 24 Hour Project after the marathon event, is to push the idea of mobile photography and street photography into our own communities. The project is looking to expand to workshops and presentations, publications, and exhibitions around the world. The starting point will be from June 8-15, 2013 at The Space Gallery in Pomona, CA.

The project needs your support. Tell your family, tell your friends.

Visit the 24 Hour Project, download the press release, find allies who would like to support this project. For any inquiries of partnership and/or sponsorship, please contact Sam Smotherman or Renzo Grande.

The 24 Hour Project
Instagram / Twitter / Backspaces / EyeEm / Flickr / Facebook / Website

Read about the 24 Hour Project on Juxt from 2012 and 2013 #24HR13

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THE PHOTOGRAPHERS!

Sami Alramyan, Kuwait
 IG / Website

4:38am “Who’s this guy with a camera at 4am?!” Alfajr Pray, Kuwait

11:21pm, “Super Hero, when the world forgot him”, Kuwait

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Aikibengchia, Singapore
Juxt / IG / EyeEm / Twitter / Website

1st 12 Hours,  Singapore

2nd 12 Hours, Singapore

Sam Smotherman, Los Angeles, California
Juxt / IG / EyeEm / Twitter

“It’s all been a learning experience.” – Lesley, Los Angeles, California 2013

Mary (red haired) full Mexican and Megan (blue hair) mixed Mexican and white – cousins. They are dressed in mild cosplay as charters from the Japanese video game Persona 3, Los Angeles, California 2013

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Tilman Haerdle, Munich, Germany
IG / Twitter / Flickr

15:41. “Satisfaction”, Munich, Germany, 2013
Description: Taken at the Hofbräuhaus. This guy let me willingly take his picture. He’s one of several people visiting the Hofbräuhaus in their traditional outfit. While the Hofbräuhaus is a tourist trap, it still has reasonable prices, good food and beer and service staff that is not more unfriendly as absolutely necessary.

3:55. “Too cold outside”, Munich, Germany
Description: This homeless fellow stood right at the door at McDonalds close to Marienplatz. Later he took a seat inside. About 15 minutes on a waitress came and asked him if he wanted something to eat. Now he’s having a softdrink and some fries on the house. As I visited several public locations I always saw homeless people sitting in diners and fast food restaurants. Seemingly the owners or employees leave them undisturbed or are helping them – it’s -2 degrees outside and I couldn’t imagine being outside for the whole night.

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David James, New York City, New York
IG / EyeEm


1100 “the Spine” Union Square Park, New York City


1500 “Liber-three”, Battery Park, New York City

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Flor Montes, Madrid, Spain
IGEmail / FB

01.43 am, Night-watcher, Madrid, Spain

01.59 pm, Woman on Top, Madrid, Spain

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Giulio Giacconi, Trieste, Italy
IG / EyeEm / FB / Email


#1, Trieste, Italy


#2, Milan, Italy

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Claudine Moitie, Paris, France
Juxt / IG / EyeEm / Flickr / Twitter / Backspaces / Website


2AM, Paris, France

Description: This one was taken around 2am, it was pretty cold in Paris, and we were in a large street where there was no one! But, fortunately, from time to time, a bike was passing through. I made this panning shot.

6AM, Along the River Siene, Paris, France
Description:  I was taking a group of 4 young people, then they began to call me “Hey, are you taking our picture? Aren’t we so beautiful, lady?” I was just about to meet Ilan and his friend. The 4 were full of love, probably high or too in lack of sleeping. Then, Eros and Latife join us and we all speak together… and took their portrait. Here is Ilan.

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Agus Siregar , Singapore
IG


1am “Soap Bubbles And The Street Vendor” Location , Little India Singapore

6pm, “21st Century Singh” Chinatown, Singapore

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Aurora Michavila, Madrid, Spain
IG / EyeEm / Twitter


01.16am, “When nothing else matters”, Plaza Santa Ana, Madrid, Spain

10.09am, “Saturday mornings are meant to be spent in bed”,  Subway, Madrid, Spain

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Robert Stacy, Los Angeles, California
IG / EyeEm / Website


1246 AM, David eats food he retrieved from trash can., Los Angeles, California

101AM, Bernard, aka Amnesia, is a gangster for God., Los Angeles, California 

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Georgi Tsekov, Sofia, Bulgaria
IG / Twitter

1st 12 Hours, Who Watches the Watchmen, Sofia, Bulgaria

2nd 12 Hours, Love Birds, Sofia, Bulgaria

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Giovanna Taddei, Milan, Italy
IG / FB / Email

Robert Doisneau, Milan, Italy

Fashion Victims, Milan, Italy

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Latife B, Paris, France
IG / Twitter

09 am, The orange seller, Paris, France

06 pm, The mother, Paris, France

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Sheldon Serkin, New York City, New York
IG / EyeEm / Twitter / Flickr

3:00 AM, “Libation”, New York City, NY

6:45 AM, “Rahul”, New York City, NY

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Jason Flett, Melbourne, Australia
Juxt / IG / Twitter / FB

5am, Early Morning Noodles, Melbourne, Australia

12pm, Fishy Tales on Smith Street, Melbourne, Australia

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Fabs Grassi, São Paulo, Brasil
Juxt / IG / EyeEm / Twitter / FB / Website

00:00 am, not alone,  São Paulo, Brasil

11:00 am, pointing bubbles, São Paulo, Brasil

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Andrés de León, Barcelona, Spain
IG / Freaksbcn

0500am, Barcelona, Spain

0700am, Barcelona, Spain

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Carol de Britos, Barcelona, Spain
IG Twitter / Website / Freaksbcn

08:43, “Post office”, Barcelona, Spain

04:42, “Passing by”, Barcelona, Spain

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Vlad Chirkov, Portland, Oregon
Juxt / IG / Twitter / Tiny Collective

#1, Portland, Oregon

#2, Portland, Oregon

The 24 Hour Project: EthniCITY 2013

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A creation of Street Photographers Renzo Grande (@) and Sam Smotherman to document the human aspect of multiple cities in 24 Hours.

On March 23th, 40+street photographers  in 35+ Cities and 5 Continents will share capturing their city story with 1 Photo, every hour for 24 hours. Building on the success of 2012’s event which was an extraordinary experience of sharing multiple points of view by city local street photographers. The project this year works to keep in mind the the ethnicity of of the city or spaced experienced within a day. A gallery show is scheduled at The Space in Pomona, Ca on June 8th with speakers who have participated in one or both years of the event: Richard Koci Hernandez, Travis Jensen, Brad Puet, Robert Stacey, Benjamin Heath, Sam Smotherman, Tony Marquez and Tammy George.

A work shop is in the works with the featured panelists the following day in Los Angeles – details forthcoming.

Read about the 24 Hour Project on Juxt from 2012 and 2013 #24HR13

as well as by following on:
Web / Instagram / Twitter / Backspaces

Press Release The 24 Project  (download)

Partners
Juxt / Backspaces / EyeEm / Hipstamatic

Read 2012 Juxt Articles
Los Angeles / Singapore / Seattle / New York City / Sao Paolo, Brasil / Leeds, England / Berlin, Germany

“No one looks back on their life and remember the nights they had plenty of sleep” dont know who said this, but it worked for this project. – Fabiano Grassi, São Paulo – Brasil.“no one looks back on their life and remember the nights they had plenty of sleep” dont know who said this, but it worked for this project. – Fabiano Grassi, São Paulo – Brasil.

Great – and yeah brilliant idea. Loved doing it – the whole get a pic for the hour constraint really pushed us to keep trying – no resting on the success of one hour.  – Lafletcher, Melbourn – Australia

Photo Credit:  Aurora M, Spain

Photo Credit: Richard Koci Hernandez, Bay Area, CA

Photo Credit:  Tammy George, Oakland, CA

Photo Credit: Fabs Grassi, Sao Paolo, Brasil

24 Hour Project: Los Angeles, CA by 24 Hour Project Co-Founder @WhittierSam

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This is the last article for the We Are Juxt coverage of the stories from the amazing 24 Hour Project that Renzo @aliveinnyc and Sam @whittiersam organized on March 24, 2012.  We Are Juxt has a few photographers who participated and in celebration of such a worldwide event, wanted to give you summaries of their 24 hours in their respective cities. To see some more of the work of over 65 photographers, in 35 countries, and 5 continents, visit @24hourproject.

24 Hour Project:  Singapore

24 Hour Project:  Seattle

24 Hour Project:  New York City

24 Hour Project:  Sao Paul, Brazil

24 Hour Project:  Leeds, England

24 Hour Project:  Berlin, Germany

My 24 Hours:  Los Angeles, California

Before I start with the write up of the events of the 24th I have to confess that I lied about this project. When the invitations to the participants went out I wrote that “I hate sleep” – I was lying.

The concept of this project was initially just a personal project. I was planning on shooting my city or LA but had not set a date or personally committed to it. It was still just an idea and not a plan. When I read a post of @aliveinnyc – Renzo –  about him being open to project ideas I thought this 24 hour project would be perfect for the two of us. We both are very interested in street photography, an approach which allows the subjects to tell the story of their city through their actions.  We emailed and talked to clarify the project and I’m glad it became a  true collaboration as the project became more defined, creative and bold. It grew from a plan of two guys, into a world wide event with over 60 participants. I’m still amazed at the list of participants and honored that so many talented photographers agreed to join in.
When I got home from work it was near 10PM Friday the 23rd of March. It was a long day made longer by little sleep the night before. I was up several times through out the night thinking about the project and how it was going to turn out and what exactly my game plan was going to be. I still did not have a route planned of where I was going to be at any specific time and that worried me. I tried to take a nap before I left and was able sleep for about 20 minutes but woke up again excited and nervous about what I was about to do. I left home with a kiss from my wife and a brown bag lunch she made for me and started to drive.

I took the long way into LA taking side streets looking for stories, starting to warm up my shooter’s eye. I will admit the night scene in Downtown LA is not something I had been personally involved with in recent years. When I had been there before it was different – more dark and less lively. Now as DTLA (Downtown LA) is going through a revival, I walked around for about 2 hours while the bars were still open and folks were in abundance. This shooting was easy.  There was enough light, enough people and plenty of energy, but I couldn’t stay here all night so I headed out, driving somewhere to try to catch some folks for my 2 AM shots. I made a few wrong choices for locations and came upon empty streets and finally somewhere in Hollywood pulled into a 24 Hour convenience store. I was starting to get tired and as the shots weren’t coming quickly enough or with much quality. I was getting a little discouraged so I headed to a famous all night diner not too far from where I was to get some food and some shots of post-bar people as bars in LA close at 2AM.

Now the hard part 4AM – 6AM. This was the least productive and again the most discouraging hours. I wanted to get my sunrise shot at the ocean with SCUBA divers exiting the water – this was one of my few planned shots. Having dove at this location I was betting that there would be some night divers ending near sunrise but this meant I had to drive quite a ways. I rushed my 4 AM shot of men unloading a truck at a famous Southern California hamburger joint. The two workers did not take kindly to me snapping pictures of them at work and gave me conflicting information as one stood behind my car taking down my license plate number and the other one telling me to leave. I told him I would as soon as his friend was done standing behind my car so I could safely back out. This caused more discouragement and the need for sleep was becoming very apparent. I passed a few all night places and gas stations and found a parking lot near the dive spot debating with myself if I could pull off this idea of mine and finish the project.  I slept for a while. I woke up and found an open restaurant – a great post dive eatery where I had been several times before. Then it was off to find the divers but when I pulled up to what seemed an empty lot and locked bathrooms I was very bummed until I payed a little closer attention to the water. I started to see two lights bobbing around near the surface. I was happy to see the lights getting closer and closer to shore and finally two body’s emerging from the calm water. I noticed one of their cylinders was lose and he plopped down a few feet away from me while his buddy fixed it.

Now it was off to meet a someone who agreed to spend some time with me – my nephew @dev24. It was a great time to talk with him about photography as we had never had a chance to go shooting together before that day. It was great to have someone with me. 7AM – 9AM was some of my best shooting of the day. Around 10AM we took a break near USC but when we went to walk around we found the streets to be rather empty. Again I would have to settle for this. By this time I was ready for another nap. I set my alarm for 45 mins and woke up in terror thinking I had over slept again – I bolted up and looking at my clock realized I had only slept 15 minutes. When we headed out again I was rushed for my shot as we headed up to a Jewish neighborhood. Drive time stole opportunities but that is also a big part of the story of LA – the drive, the commute, the car culture. While I do not live in LA proper and much of what I shoot would be outside of “Los Angeles”-the part of the city that makes Los Angeles Los Angeles. It is made up of many LA’s. Where other city’s are broken up by neighborhoods LA is broken up and understood by cities, Hollywood, Silver Lake, Venice Beach, large generalities of West LA, The Valley, South Central LA and East LA

It was hit and miss from 11 AM till about 2 PM with only a few minutes of excellent shots. It was time to drop off my nephew and meet another IGer, @dayzdandconfuzd . By the time I met up with him, exhaustion had settled in and stringing together a sentence was becoming difficult for me which Dave noted right way.  We were in an area of town we had shot together in before and there was a lot of foot traffic at this time. We had a very productive 3 hours walking around DTLA. It was good to have someone to offer suggestions and walk with – which was becoming physically painful. The shots seemed to come in waves of extremely prolific shot’s then periods of nothing. This is where the challenge of selecting one per hour would prove to be very difficult. As the light was fading we walked around looking for patches of light. We were ending up where I had started almost 24 hours before coming full circle but rather than walk around alone I took the train with @dayzdandconfuzd as he headed home. This was a great opportunity to rest my feet and to get some train shots. When off of the train I was on my own again looking to complete the last 3 hours – the end was in sight but the view was painful. I lasted about another hour on the streets of DTLA then decided to head home and get my last shot in my city – where I knew of a birthday party being held. I will admit my last photo – and some in between – was more of a limping stagger to the finish line rather than a chest out head high arms back, breaking the tape at the finish.

I was proud of the day. It was difficult, very difficult, with wide sweeps of emotion, focus and opportunities. It was great at times to read the emails coming in from around the world talking about how they were holding up or were finished. Some did hurt though especially as I was on the last time zone and bringing up the rear and they were excited about being done or close to it – I would check my watch and count the hours and the pain would worsen. There was conflict in reading these, they didn’t just hurt, but it also allowed me to see others had done it and I could too.  What was also encouraging was to see the IG feed @24hourproject live and what folks were shooting. A big thanks to Renzo’s wife @gothamkitty who filled in the hours to keep the feed live! This was an amazing experience made much more so with the addition of all of the participants and folks just joining in. The end project as it stands now has totally exceeded and blown away my initial vision. I will say the editing has proved to be very difficult for me, sticking to the parameters of the project – the process of telling a story of a city and not just selecting the “best picture. I hope I have put together a good story of LA – There are more to be told and I’m excited to find them.

I can’t wait for the next 24 Hour Project…it’s coming so stay tuned!

24 Hour Project: Seattle, Washington by BP

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This week We Are Juxt will be sharing with you stories from the amazing 24 Hour Project that Renzo @aliveinnyc and Sam @whittiersam organized on March 24, 2012.  We Are Juxt has a few photographers who participated and in celebration of such a worldwide event, wanted to give you summaries of their 24 hours in their respective cities. To see some more of the work of over 65 photographers, in 35 countries, and 5 continents, visit @24hourproject.

My 24 Hours:  Seattle, WA

First of all BIG thanks to Renzo and Sam for their hard work in getting us all organized and ready to shoot for 24 hours straight.  What a task! Gotta say though it definitely pushed me to shoot low light situations and forced me to figure out how I wanted to document my city.  It was rough since I was the only one that I knew of from Seattle actually doing it and so big shouts to those who came out for a bit to shoot with me and especially to those who supported me doing this.

Shoutouts

Before I jump into this, I want to let ya’ll know I centered my DB (Ryan Coleman) when writing this, thus all the hyper-links (I especially like the Seattle Hot Dog Link)…if you know whats good for you as far as history lessons with a dash of humor, a dash of awesome, a dash of “OMG”, and some serious mobile and big camera photography you will go up to the top and search his articles. Check his latest with the Nirvana Series – a personal favorite! BAM, if he had a book, you best buy (get it)!

Got to shoot some night shots with @thisguyfel and he let me use his tripod for the rest of the time I was shooting.  Also to close out @boohi_bronson came out with me on the last leg of the project.  Also, I have to shoutout Sam (LA) and Tony (Detroit).  For the most part, we were in contact every few hours on how we are doing and what our energy levels were like.  Tony and I were the only ones in our city (I was in contact with) shooting so we kinda had this unsaid thing to check up on each other also.  Some of Seattle isn’t safe for shooting especially at night, and for damn sure Detroit has its parts where it’s not that safe.  Seattle has had a spree of cell phone muggings and I didnt want to be a part of that, Tony was my text homie to keep in contact with.

So…

The first 12 hours started with a bboy/ bgirl competition held at the HG Lodge which is a local nightspot in Seattle.  Some folks I knew promoted the event and although I looked silly to some folks with my mobile next to the big camera shooters, I was still proud to be able to say I got a few shots that we’re ok during those low light situations.  Not only was it dark out, but in the club I was really looking for the light situations and trying to position myself where the light was more prominent.  ON top of that shit, I WAS REALLY enjoying the idea of bboys/bgirls from my city teaming up with amateurs and drinking with them and still comin up with some crazy style and power moves.  LOVED IT.  Between each and every round, each participant took a shot of Jack Daniels. YO, pure entertainment!

After the competition and the club closed down, I thought why not stay up on Capitol Hill and get the folks who club and then get hungry.  Their drunk asses had to look for sustenance right?!?! Each corner practically had a food vendor and Seattle is known for their hot dogs with cream cheese in them.  If you’re ever out on the town in Seattle and you’re hungry after a night of drunken foolery and pickin up on the opposite or same sex, get yourself a cream cheese hot dog and truly be satisfied with a night complete of fun times.  @thisguyfel and I walked up and down Pine Street from Broadway to 14th and back down. Lots of folks getting their eat on. Some drunk folks macking.  Some drunk folks reliving their night.  Some drunk folks meeting other drunk folks to figure out what drunk folks are supposed to do after getting drunk. Yea lots of that stuff.  The cops were walking their beat.  The food vendors were making their money.  Folks were getting their Romancing the Stone on.  What a better way to say I love you and Want YOU than leaning against a stop sign whispering sweet nothings and how your about to tap that…ok…you get the point…

The First 12 Hours

We decided to leave this drunken splendor and go to a city lookout.  We went up to Jose Rizal Bridge which is south of the city on its way up to Beacon Hill.  We decided to try and practice our night/city shots with the slow shutter app.  Some folks were able to pull off some great stuff with long exposures on the big camera and slow shutter tries to do the same for the iPhone.  Unfortunately the shots didn’t come out the way we wanted.

Well this died out pretty quickly and @thisguyfel ended up leaving me and I was running the streets solo.  Now I forgot to mention earlier, that I hadn’t gotten any sleep since that Friday morning waking up for work.  So by this time I had already been running without sleep for 21 hours.  I had to get a power nap in. So I got in the car and went to Lake Washington and posted up for an hour nap.  I had to =)

I did get some sunrise shots from the lake and decided that those were my own to keep.  Plan on printing them and getting them to my boss (my wife) for dealing with me missing for this weekend.  She was a trooper and so I hope that not only will she be cool with a sunrise print, but not rack up too many points towards a shopping spree that I know I owe her, YEA thanks a lot RENZO AND SAM!! =)

After this I had to take the son to soccer and do the dad duties for a couple hours so there were some missed opportunities I’m sure, but did get some more kiddo portraits and action shots of my little Pele’.

The last 12 hours I ended up walking downtown in crazy zombie fasihon. I took the train in from the Southend and got dropped off in Chinatown in hopes to capture the morning elders at Hing Hay Park and morning deliveries.  From there I ended up going to as many portions of the downtown area I could.  Chinatown, Pioneer Square, Waterfront up to the Sculpture Park, back down into the city through Westlake and Pike Place Market, then back down into Chinatown to get ready for an afternoon meeting at Mercer Island with the Juxt partners.  There were the typical Seattle tourists and street performers, very minimal Occupy Seattle coverage (which honestly really disappointed me since the day turned out to be real beautiful).

The day was sunny and in the late 50’s low 60’s.  IT was great for chasing light.  I’d say the bulk of my submissions for the project will probably be from during this time.  My energy was pretty high considering I was really working towards almost 40 hours with only 1 hour of sleep.

 

The Final 12 Hours

After the Juxt partners meeting, @boohi_bronson and I went out and I had already planned what I wanted to end up doing.  Seattle iconic shit.  The Space Needle, the Pacific Science Center…as much of Seattle Center as I could and end it at Dicks on Broadway.  There’s always people there on a Saturday night before midnight.  I broke out the tripod and set up shop.  These last couple to few hours of shooting is where I got the most interaction from strangers.

“Is that, is that an iPhone on that tripod?”

“I’ve never seen that done before.”

“REALLY?!?! you need a tripod for that?”

“Can I see some of your photos?”

“You did that on an iPhone?”

“That’s from an iPhone?”

“REALLY!?!?! that’s from an iPhone?!?!?”

Through all these discussions I was able to throw out some of the projects like #Fuck_Racism and #HomelessInSeattle and definitely got them to start out on the social networks and get them involved with some of the photowalks by Igers Seattle and get involved with other mobile folks…It was pretty cool to meet folks who were interested.  One woman in particular is a student at Cornish is working on getting me to talk to her class.  She’s a photography major and the big thing they are talking about now is how viable is the art created by mobile devices.  So I gave her my contact info in return for her flipping me the bird for the Fuck Racism Project with Marco and in support of the Trayvon Martin murder.

Closed out at Dick’s, and I didn’t get no burger and fries and large coke.  Got some photos, got some good conversation, then bounced.

The 24 hour project was a really cool experience.  Would I do it again? Possibly.  The answer would be certain if I had folks who would do it with me. That way we could individually cover the city, meet up, chat, and then go back out again. I think that’ll definitely sway me to the HELL YEA answer.

Again thanks to Renzo and Sam for organizing.  They have a lot of plans for this project and We Are Juxt is in full support.

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