a Beginning, a Middle, & an End

a Beginning, a Middle, & an End

a Beginning, a Middle, & an End by Miranda Kelton

My name is Marie.

I thought about not mentioning it, because at first I imagined that my choosing to remain nameless would help add to the overall sense of anonymity that appears to have become my role in this book. Maybe it’d leave more creative room for those attempting to interpret my character, I thought. But then, as I considered the idea more, I decided that perhaps knowing what I’m called could help someone feel like I’m personable. More relatable, I suppose. Maybe they’d connect with the material more.

This is my story, and I don’t know why I’ve written it down.

Torrance, Los Angeles, CA.

Summer, 2012

Portal

Chapter One

I stared at my right hand and watched it shake uncontrollably.

Completely neurotic.

I held my fingers up to the window and watched the sunlight reflect off of the vibrating tendons underneath my skin. I’d always been sickeningly fascinated with myself in these moments of mental/physical disconnect where I had no control over my own mind or body. I felt guilty for that sometimes, but it had never stopped me from reacting any differently.

I could tell my muscles were tensing, preparing to cramp at any given moment. I took my left hand and mashed the heel of it over my right down onto the windowsill. The smothered hand twitched, resisting, but I could feel the spasms releasing and after a few moments, the quivers stopped. Cautiously, I removed my left hand and bent down to watch my right, anticipating the moment when it would start again.

My hand looked smushed and dead, like an air – drowned fish. It even acted like a drowned fish. Well, a fish in the process of drowning. Except that it never completely died. It always came back to life when you least expected it to, right when you thought the fight was won and over and it was safe to leave it alone on the river bank. That’s when it would start to flop again, desperately trying to fling itself down into the river before you could notice that it hadn’t died yet, regardless of the fact that you’d beat it over the head with a rock more than just a few times.

Fish. I used to have a fish. It was blue and it sparkled and I used to sit and watch it just as I sat watching my hand now, waiting for it to speak to me or attack or do something drastic. The difference here was that I had trusted my fish, it never did anything unexpected, only swam in circles and tread water behind the fake green water plants.

I picked up my index finger, bent it, then slowly moved my wrist up and down until I felt relatively confident that my hand had stopped shaking for the moment.

I clenched that hand into a fist, flexed, and clenched again. Pressure.

I took a deep breath, and moved both of my hands out of the sunlight.

Straight Blue

TBD SCENE: (Chapter Number Yet Unknown)

I vaugely wondered what the world would be like if people’s ceilings were all painted a greenish – blue color. You’d always feel as if you were underwater, safe from being pummeled by waves and ships and wind and everything that goes on above the surface. Yet, at the same time, it might make you feel like you were suffocating, that you would never be able to twist upwards enough to escape the constant canopy of silent color.

“Tell me something, will you?”

I blinked, and my imaginary ocean was  absorbed by the swirling cloud of smoke that now slid over my head.

“Why aren’t you up on a gallery wall, or getting your illustrations published in books? How come you’re not traveling the world, and using your artwork as a way to advance your life?”

Momentarily, I wished I was deaf. I inhaled slowly, and the airborne smoke was drawn downward in a funnel, even closer to my face. I liked to see how close I could pull it without breathing any in. I looked for my sea-ling again, but it hadn’t come back yet.

Exhaling reluctantly, I propped myself up on my left elbow in bed, pulling the covers over my bare shoulders. I didn’t feel cold, I just felt uncomfortably vulnerable, especially with the question i’d just been asked.

He blew another cloud of smoke into the air, and i watched him reach his fingers out towards my face through the haze. I smiled, just because I felt like I should.

There it was. Deep, blue-green and constant. Denny’s eyes looked up at me with a trusting, curious expression. I knew I must have looked distant as I stared back, but I tried to hide it by laughing nervously and burying my face down into the surface of the bed.

Black. Black, dark, and suffocating. Yet somehow, safe.

I felt Denny’s fingers on the top of my head, and he slowly trailed them down the back of my neck and back up again. I felt chills running across my stiffened shoulders, and I did my best to swallow the slight uneasiness that automatically rose up in me. I usually hate to be touched.

But this wasn’t really happening, no one would ever know. So it was okay to let someone in for just a little bit. Just this once. It wouldn’t hurt.

“Really, why? You’re more than good enough. You know you’ve got more talent than anyone, than all of the halfrate, egotistical, self-proclaimed artists you see everywhere, all trying so hard. Why are you spending your life being someone so normal, when you’re clearly miles above everything you do for a living now?”

He didn’t say it in an accusatory tone, but I still felt accused. I came out of my cave and flipped over on my back. I tried not to look at the ceiling, or think about drowning, or swimming, or anything but this moment.

I stayed silent for another few seconds, trying to think of something to say that would make sense. I felt trapped, like I couldn’t move. Everything but my head was underneath the blankets, and I wasn’t touching anything but the bed I was lying on. Detached, as always.

I pulled together my scattered thoughts and rolled over to look him straight in the face. “Den,” i ventured – “Are you going to tell anyone?”

Denny bit the end of his cigarette and dropped it in the stale waterglass that sat on the windowsill. He looked serious, concerned. Too involved, really. “What, about this? About us?”

He reached out and brushed the hair back from my face. Why are men so obsessed with touching things? I nodded my assent and he pulled his hand back. “Do you not want me to? Tell anyone, that is? I don’t have to if you’d rather I not.”

I couldn’t tell if he felt hurt, confused, or both. “It’s not like that,” I said, in what I hoped was a reassuring tone. “Besides, I’d never want you to feel like I was asking you to hide anything, or that I was ashamed of you.”

His fingers began tracing the folds in the sheets as he broke our eye contact. Den was definitely unsure of what I was asking him. I had lost sight of the ocean again and realized I was probably saying all the wrong things.

I just wanted him to kiss me as if he wanted me.  “It’s all complicated,”, I responded. “And  I’ll never want to talk you out of me, so I’ll never want to talk about it.”

This wasn’t supposed to be a love story, after all.

———
MirandaKeltonProfilePicMiranda Kelton
Website // Instagram // Flickr // Facebook // Twitter

I’m Kelton. I make things and I like carrot cupcakes and Frank Sinatra and photographing jungles. I am an Artographist, which basically means that I try and do it all.

Visit my website – www.keltonkat.com – to learn more about the types of work I do, read an extended artist statement, and find out all about every project that i’m currently working on.

1000 Words Windows Phone 7th Edition

1000 Words Windows Phone 7th Edition

Welcome to 1000 Words Showcase for Windows Phone via the Windows Phone Experience Flickr group.

This group has many great artists and photographers and along with many mobile photography communities is rich in story.

We Are Juxt has asked a these great photographers to help curate this showcase and are very happy that they agreed. Please put your hands together for Aman, Sony, and Jean Brice. Their bios and contacts are below.

We hope to showcase the great diversity and beauty of the work shown to continue to inspire other mobile (connected) photographers/ artists within our community. 1000 Words is titled under the premise that “a photograph says a 1000 words.” We Are Juxt believes that mobile photographers/ artists tell stories through the photographs/ images and art that represents their families, their environment, themselves. This is important because of the level of communication that is portrayed in imaging today. We look forward to you and your art. We thank you for your contribution to the mobile photography/ arts community.

If you are a Windows Phone photographer please feel free to contribute to the Flickr group.

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peacemaker
The Peacemaker by Dr Pajchiwo aka Wojtek
Nokia Lumia 800 (on Windows Phone 7.8)

I took the photo while my daughter’s class was playing on a mini ramp. I set “a capture in motion” on my Lumia 800 and shot a series of pictures during the kids were running and jumping. The one looks exactly how I planned: expressive and dynamic character in the foreground. For post-processing I used mainly the great app Fantasia Painter (selected blur and “white point fix” adjust).

Grupa Mobilini // Flickr // Instagram

BWBruno
Pão de açúcar – B&W by Bruno da Cruz de Moura
Nokia Lumia 1520

I took this photo on the first day of work at my new address corporative, my days got better after I work facing this wonder. As like other photographs in black and white, I decided to record the moment and also eternalize it that way. Make corrections in Lightroom and then do the black and white effect in Photomatix.

Linkedn // Facebook // Twitter // Flickr // Instagram

Lumia_1020_DC

Blue Hour by Daniel Cheong
Nokia Lumia 1020 + camera grip + tripod (Gorillapod).

ISO 100, focus to infinity.
Used the auto EV bracketing function of the 1020, 5 exposures -2ev to +2ev by 1ev step.
Then I manually combined the 5 exposures in Photoshop using layer masks.
This is one of my favorite spots in Dubai Marina, I have shot this view with my D300, then my D800. So I really wanted to shoot it also with my Lumia 1020.

Website // Instagram // Facebook

roughsol
A Rough Soi 1 by Juha Lappalainen
Nokia Lumia 720

Bangkok is full of interesting looking rough streets. I was walking around one day and noticed this particular soi (side street) and a man happened to be walking on it. I took out my phone and got this photo. I converted it into black and white and did some basic adjustments (contrast etc.) in Photoshop.

Website

fromadarkness

From a darkness to the darkness by Mateusz Jaszak
Nokia Lumia 520

This picture was captured in Toruń (german Thorn), central Poland. It was last Saturday before an examination session-very difficult time for every student. I was sick of it all, so I’ve broken away from learning. Photographing is meditation for me. It is an escape from negative karma that destroys everything which I aspire. I thought about it and I wanted to show on a picture. I had stood 10 minutes before I took good photo. Why a human being and a church is on the pic? The church- a house of God, is an escape from negative karma for many people. Dark parts of the picture mean negative karma, bright part- positive karma.

I processed this picture in Snapseed. I’ve changed contrast, ambiance and then I added a grunge filter.

EyeEm // Instagram // Flickr // VSCO // Grupa Mobilini // Twitter // Website

cuocsong

Untitled by Cuộc Sống Vitamin
Nokia Lumia 1020

I took this picture on 02/16/2014

Early in the morning dawn while the fishermen going out to sea, on the image that you see, they use the wheel to transport a small boat.

Exif data:

Nokia Lumia Cameras 1020
Exposure 0.002 sec (1/498)
Aperture f/2.2
Speed ​​ISO 100
Exposure bias 0 EV
On this picture, I used the app on Windowsphone: Fotor

Facebook

Processed with VSCOcam with k2 preset

Stay In Your Lane by Corvida Raven
Nokia Lumia 1020

As a Miami native (born and raised), winters in New York City are bittersweet. It’s ridiculously cold (even the sidewalks are frozen), but the beauty of the city continues to flow like hot tea and warm honey.
The contrast between the gritty NYC building on the left and winter wonderland on the right grabbed my attention. The railroad and people in the middle are what made me pull the trigger. Why? Because this contrast is an interesting analogy of how I see NYC: buildings and long blocks interrupted with glimpses of nature and a transportation system that does one hell of a job of connecting people moving through the city to everything in and around it.
This was shot with my Nokia Lumia 1020 and edited with VSCOCam on my Moto X using the k2 preset. I increased the contrast a little bit to bring out a more gritty and almost harsh feeling that accompanies NY winters.

Instagram // Flickr // VSCO // Twitter // Google+

The_suburb_of_Saigon

The Suburb OF Saigon by Trần Nam Phong
Nokia Lumia 1020

This is random photo taken while I am going for a picnic with my friends. This place is not very far from city center. At the time making sense of the connection of wild and modern beauty which occurred when I recognized the bushes and the behind city center’s night scenes, I recorded that moment. I used 1020 to capture, used the Nokia Camera app, chose bracketing, chose 5 photos to take from -3EV to +3 EV, then mix them together by photoshops and customize them in order to suite my hobbies.

Flickr // Twitter // Instagram 

———-

Curators

Aman G., Germany
Twitter // Flickr // Tumblr // 500px // Mobile Photography Blog
Born in Ethiopia, escaped from a civil war as a child in the end ‘70. Grew up in Germany… loved the Nokia N95 8GB with its fantastic Image quality back then, but my real mobile photography obsession began late december 2012, when i bought the Lumia 920. I shoot to freeze the moment, …addicted in details. There’s no real concept behind my photos… i see the moment and love the fact to have my weapon in my pocket to catch that moment…. Any where… any time.


Sony Arouje, India

Flickr // Tumblr site of my Lumia 920 photos // Instagram // Twitter // Facebook
By profession I am a Software Architect working in Banglore, India. I am very passionate about photography. I started clicking from 2007 when I bought my Nikon DSLR camera. I never explored mobile photography until I bought the Nokia Lumia 920, it got an awesome camera. I realize the power of mobile photography and I kept my DSLR aside and started shooting in my Lumia 920. I love street photography and majority of my photos are from the streets of Bangalore.

Transversing Trails and Frontiers

Transversing Trails and Frontiers

Transversing Trails and Frontiers by Star Rush 

A little more than 2 years ago, I started splitting my time between Seattle and rural Pacific County, about 150 miles southwest of the city. The county is one of Washington state’s oldest, having been founded by the government of Oregon Territory in 1851. The geography is marked dramatically by the Columbia River as it empties into the Pacific Ocean.

The landscape is characterized by expansive natural resources, historic drama and layers of memory. Here, Lewis & Clark Expedition cited the Pacific Ocean for the first time in 1805 and found what they sought when they left St. Louis the year before. The party had been hunkered down along the Columbia River for weeks in what is now named “Dismal Nitch.”  These days, it is ironically a rest stop along Highway 4 with a heritage marker and picturesque views of Astoria, Oregon, and Megler Bridge. A mile west is Middle Village Station Camp, ancestral home of the Chinook people, who have lived and traded along the Columbia for thousands of years. When the Expedition arrived, Clark used the area as his survey station, mapping the river’s mouth. More than 20,000 people live in Pacific County today. Throughout the county are communities preserving the cultural and ethnic heritages of emigrants from Sweden, Denmark, Switzerland, Norway, and Finland as well as the ancestors of the Chinook people, who live in the towns of Bay Center, Chinook, and Ilwalco.

Military forts remain as ruins, remnants of a former purpose: to guard the strategic mouth of the Columbia from the late 1800s to their closing after World War II. The forts are now state parks, popular with visitors camping, site seeing, and enjoying the outdoor recreation. Gun stations stand still. All that’s left of bunkers are concrete outlines of their foundations, lookouts giving expansive views of the Columbia and what are now suburban shopping centers, open fields, and campgrounds.

Towns in this county include its largest, Raymond, its county seat, South Bend, and a number of smaller ones whose economies had thrived upon the natural resources of timber and fisheries at one time-and now-tourism and recreation. Their historic downtowns are weathered, the old Sears & Roebuck sign on a brick building slowly disappearing. Willapa Bay, an estuary separated from the Pacific Ocean by the Long Beach Peninsula, is known for its biodiversity and is a working bay, supporting a local oyster and seafood industry. Here, oyster men and women grow nearly 9% of all oysters in the U.S.  The estuary and rivers are habit to a diverse ecosystem of woodland, grassland, and coastal plants and animals.

Photographing in this geographic and cultural landscape has me navigating new terrain, not just in terms of land- and seascapes, but those of my imagination. I’m interested in memory as performative flux and renewal. I’m curious about the juxtaposition of civc history markers of Manifest Destiny and its products of economic prosperity and growth, cultural appropriation and annexation, territorial occupancy, and annihilation of indigenous peoples. Remnants remain of a time when robust commerce and industry fostered thriving economies and also environmental exploitation across this expansive-and still present-ecological grandeur. The “thens” and “nows” blur among artifacts of natural and built landscapes, of found and constructed objects that leak both an imagined and real cultural and social legacy. These are disjunctive narratives that transpose cultural tropes against a complex socio-historic landscape.

Raymond, Pair

Raymond, Repair

Raymond, Mental

Raymond, Service Station

Hills roll above the Willapa River.  They can look haggard and depleted as timber sales lay them bare. Clear cuts regularly scar the route on Highway 101 from Olympia toward the Pacific Ocean. Along any stretch of the highway, my car window frames gothic Sitka Spruces and Bald Eagles. Around the bend, trees have been amputated to splintered stumps and strewn limbs, the land ravaged as hawks circle above. In summer, a stream of campers, motor homes with names like, “Prowler”, “Bullet”, “Elite”, or “Expedition” and trucks pulling boats make their way west to the Pacific Ocean. They’ll drive by Middle Village, Dismal Nitch and Cape Disappointment to beachfront boardwalks, salt water taffy, ice-cream and bright windsocks all along the sunny holiday shore.

Highway 101, South Bend

 

Photos captured with iPhone 5 between 2012 – 2014

 

Star Rush is a photographer, writer, and educator, whose background is in journalism, marketing, composition and rhetoric, and poetry.

Her mobile photography has been exhibited in the United States, London, and Europe and published in magazines Actual Colors May Vary, Askar Magazine, Camerapixo, dodho.com, as well as Resource Magazine, wiete.it, and Volksrant. Her writing about connected mobile photography has appeared in iPhoneography.com, wearejuxt.com, dprConnect, EyeEm.com, iPhoneogenic.com, and others.

She has been faculty and educational administer in higher education, teaching and writing, and currently serves as Special Assistant for Teaching & Learning at Cornish College of the Arts in Seattle.

Work and contact information: starrush.net.

 

 

Streets of Toronto

Streets of Toronto

Streets of Toronto by Matthew Wylie

Toronto is one of the most multicultural cities in the world, with almost 50% of its population foreign born.  As such, the richness of its streets – from inhabitants, architecture, and city life – creates such a palette for the eye on any given day.  The city is truly a tone poem.

Shooting quickly and usually from the hip, I focus on single subjects in the attempt to isolate and accentuate a moment and I do not focus on captures that will lead the viewer to an obvious story. I want only to provide the impetus for one, which the viewer, not I, can tell.

The following photographs are meant not to encapsulate Toronto’s richness or diversity, but simply to provide an impression, from the hip, of her streets, her people, and the possibility of her narratives.  

“To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world.” – Umberto Eco

 

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Processed with VSCOcam with b4 preset

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Valle Nevado, Horror Series from Chile

Valle Nevado, Horror Series from Chile

Valle Nevado, Horror Series from Chile by Mauricio Hoyuelos
1
Valle Nevado Horror Series 1/3
It was an easy job.
The hotel would be empty, just an old guard watching these works of art underground.
The most valuable of the Third Reich waiting to be transformed into a dance of millions.
It was the wind, the unusual east wind , had the perfect plan to transform horror
(Samsung SGH-F-480L + Silver Efex Pro 2)
2
Valle Nevado Horror Series 2/3 
His hands were worn, snow and wind had burned parts of skin.
Two meters high he’s not as intimidated like those fat and gross hands.
It’s able to easily break a bone, a skull.
(Samsung SGH-.. F-480L + Silver Efex Pro 2 Mac in April 2010 Valle Nevado, Chile)
3
Terror in Valle Nevado Series 3/3 
He looked horrified at the slow death of his companions, but could only think of the strangeness of his own end.
He raised in the air for such crude solid hands and then was crossed by water.
(Samsung SGH -F-480L + Silver Efex Pro 2 Mac in April 2010 Valle Nevado, Chile)