by Jen Bracewell | Mar 6, 2015 | 1000 Words, FEATURE, Featured Articles, Stories
Welcome to our fifth themed Instagram 1000 words showcase! There are many talented artists on Instagram and we wanted to tap into their creativity and showcase their work here. Fun combo theme this time! My Favorite Things and I SPY. Remember those books? Each one of these images has a hidden element, a little surprise, something beloved to the artist and a great story behind it.
Grryo believes that mobile photographers/ artists tell stories through the photographs/ images and art that represents their families, their environment, themselves. We want to support the mobile arts community by having a place for artists to share, discuss, and critique (if requested by individual). These dialogues help the individuals and the community to grow. We thank you for your contribution to the mobile photography/ arts community.
Korea’s second city has become known for its dazzling skyscrapers, film festival, and popular beaches, but Busan’s hills are not to be missed. To the southwest of the trendy Haeundae district and the sights and smells of the old harbor’s Jagalchi seafood market, the colorful ‘village’ of Gamcheon beckons with its maze of public art and narrow stepped-streets leading to pocket plazas and views of the sea.
The steep terrain was mostly uninhabited until refugees pouring into Busan during the Korean War (1950-1953) began to seek somewhere to call home. Followers of an indigenous religion, called Taegukdo, settled as well, and as they built, they made sure to not block anyone else’s light or view. The result was a poor but vibrant neighborhood of stacked houses that has been compared to Rio’s favelas, Greece‘s Santorini, and even Machu Picchu; due to its colors, Gamcheon has also earned the nickname “Lego village.
In recent years, artists have moved in, setting up impromptu galleries and installations in abandoned homes, along with boutiques and cafés. Photogenic murals and sculptures abound, but this is still very much a working neighborhood, where you may well come upon grandmothers washing vegetables in the street. Visitors are requested to keep their voices down, and to leave by dusk so that residents can enjoy a quiet evening…
I took the photo with my iPhone5s. I used Snapseed for some initial processing, and then the Hipstamatic TinType app for finishing.
Annette W. – @dawa_lhamo
I shot this image out the front of the Palace Hotel in Broken Hill, a remote town in the Australian outback. Several scenes in the wonderful Aussie feature film “The Adventures of Priscilla, Queen of the Desert” were filmed inside the hotel, it’s main feature being wall to ceiling Australiana slash Renaissance style murals. I took this image just before we walked through the door, so I was full of excitement. It’s interesting to me that the white conservative exterior does not give away any hints as to what lies behind it’s doors. I also enjoy the connection here between the figure on the inside and the person striding by.
Yoshihisa Egami – @YOSHIBOWORKS
The wall in this picture is a thing of optician. The optician is a shop my wife go well. And I had much wanted to take to photograph the beautiful wall sometime inthe best possible way. One day, I went to the optician with my wife and son. When my son stood in front wall, beautiful sight was spread in front of my eyes. Beautiful shades of the wall complemented his charm! I took a photo, engrossed. And I finally got the work convincing!The scene in this photo is a moment of the common everyday life, but a moment like treasure of my life.Time is everything to me.For you?
Title: Buddy
Device is iPhone5s
Taken with iPhone 5S Hipstamatic ( G2 Lens , Ina’s 1969)
No edit
I titled this photo “Museum Series: Interactive Light”. This was part of a number of photographs I took while touring the Denver Museum of Art. The exhibit consisted of beams of light streaming from the ceiling and shown on a screen. These beams were dormant until a figure enters the room and interacts with the artwork. The man in the photo is my husband, who I had dragged to the museum as a reluctant participant. He is shown bathed in light, reluctance forgotten, becoming one with the art, illuminated as both subject and object. As he moves the ropes of light ripple and sway in reaction, a complex web, leading to a total acceptance of his presence.
Ming – @anonymouskraken
I was wandering around Sutro Baths with my friend when this pair caught my eye. Their clothes matched their bikes so I quickly took a photo. I only took one photo and it happened to be when they stepped exactly in line.
A mirror in the window of a rather shabby upholstery shop caught my eye. I took a few pictures using Oggl, doing my best to ignore traffic behind me.
I had taken this shot with my Lumia 1020 of these two old TV sets at an abandoned shoot a few weeks back. After a little editing and cropping in Snapseed I didn’t do anything with it. They were kind of boring. I wished I’d had someone to put in the scenes at this shoot to make it more interesting.It was valentine’s Day and I’m thinking about how to do something a little extra for my sweetie. Hmmm…why not put us on TV? So I pulled up those televisions in PS Touch, found our anniversary photo from a few months back, and layered it over the front set, and blended it into the dust and shadows. Now we are a romantic comedy appearing in our 33rd Valentine season!
Suzanne B. -@_suz4nne_
This photo was taken in Bolinas where I spent an unusually warm. January morning watching my son surf. I really like the two torpedo-shaped silhouettes mirrored here–the guy and his surfboard walking in the background and this unlikely beach-bum dachshund in front of me. It was taken with Hipstamatic (Lowy lens, BlacKeys Extra Fine film, no flash). I warmed it up a bit in Snapseed after.
I took this picture at the M. C. Escher: The Mathematician exhibit, currently mounted at the National Gallery of Canada in Ottawa until May 3. In the picture is my daughter, Maia – running around as usual no matter where we are or what we are doing, and another museum goer, in front of one of the exhibit walls.
Maia and I visit the Gallery fairly frequently – it’s a beautiful place where there are things for each of us to do. She loves doing arts and crafts, running down the Grand Hall to her heart’s content (I have a couple of photos of her running down this hall on my feed), and simply just wandering with me from exhibit to exhibit – she particularly loves Janet Cardiff’s 40-part motet in the reconstructed chapel (photo on my feed).I of course enjoy the artwork, but am also fascinated by how others ‘interact’ with the artwork and the space, and how they interact with other visitors… Here, an almost 4-year-old was ecstatic to spend a day with her mommy. It didn’t really matter what we were doing – she was happy just running around, stopping when she spotted something of interest to a 4-year-old which was frequent. (The artwork in this exhibit in particular are smaller and therefore hung above her height so they didn’t capture her attention in the same way as the much larger pieces.) At her age, the things that are of interest are other kids, ice cream, lollipop, and shiny, sparkly things, etc. In this instance, she spotted the shiny red motorized scooter. And she wanted to get her hands on it. She ran toward me and asked if she could play with it. To her, it was a a shiny ‘car’. It is not much different from her car toy at home, except her car toy is made of plastic and lacks that sparkle of shiny metal, and she has to ‘walk’ her feet to ‘drive’ it along. This shiny red car drives on its own.
To her, the vehicle looked like fun and absolutely fascinating. To the man, that scooter is a necessity, a must-have in order for him to wander the Gallery freely and take in the artwork – something most of us take for granted. Unlike my daughter, the man slowly and methodically made his way from one room to another (the exhibit comprises several rooms), looking at each of the displayed work. To me, there is a variety of opposing ‘motions’ at play in this shot.
I take photos of things that speak to me.
Pia – @contentwithsilence
My Name is Pia, I’m from Germany and I’m 35 years old. The story behind the “selfie” of my dog and I – I saved him and he saved me:
Since I was little I wanted to have a dog at my side. There was always something that spokes against having a dog: Parents, time, landlords, money.
Early in 2011 was diagnosed with depression. I had a difficult time. So I thought about my life and about what my heart is longing for. It was a dog. So I started searching for a new apartment where I could have a dog, I found one, too expansive, but I didn’t care. I reduced my working hour from 40 to 30 hours a week. And didn’t care. Then I visited the local shelter in April 2012 and totally felt in love with Cody #herrkotmann. He was a one year old, wild, chaotic, had no manners and is supposed to be dangerous just because of his breed – it is called “Kampfhund” in Germany. But I didn’t care. He taught me, and still teaches me, lessons in patience and confidence and makes me smile so much. He still helps me through my bad days, when I totally wanna isolate myself from the rest of the world. I took this picture in 2013 on a rough autumn day in the fields, with my smartphone and edited it in Snapseed and VSCOcam.
Silhouette Friends – This photo was taken end of January, the first day of winter, when there was snow and beautiful sunshine at the same time. Cody and I met our friends Noma (a ten year old sheepdog mix-breed) and her human Kati for the first time in 2015. We had a great three hours walk together, talking, giggling and playing. Cody adores Noma and she’s is so patient with my big chaotic boy. I took this photo with my Olympus OM- D E-M10 + M.Zuiko 45mm 1:1.8 and edited it in Snapseed.
Stef – @sanikdote
We traveled to west coast of Florida and were able to catch the last few seconds of the sunset.
My husband -the one with the hat in background ,said-‘we missed it ‘.
I had no clue what he was talking about because from my POV- this was good enough.
I loved the way the water and sand contrast and the remnants of sunlight.
This photos does not justify the actual scene. However, I was pleasantly surprised in the heavy contrast of land and humans.
It wasn’t my intention to capture people. Their presence was the benediction of keeping my eyes open.
There is no edit on this other than a crop to fit IG. Taken with a Samsung Galaxy S4.
by Grryo HQ | Mar 4, 2015 | Stories
ARTmobile is an editorial project by Alberto Makusikusi, aimed at publishing, in book format, the work of outstanding photographers who capture and edit their pictures on smart phones. A pioneering book unique in its genre, different from those books published so far, in which each author will have a wide number of pages to show his/her best pictures, as if it was a personal photographic exhibition.
Our aim is to publish a pioneering book unique in its genre, different from those books published so far, in which each author will have a wide number of pages to show his/her best pictures, as if it was a personal photographic exhibition.
The book is the basic unit to participate supporting the Project, and the principal reward for our patrons. One thousand copies of high quality in square format 21×21 cm, with over 200 pages, bound in paperback
Featured photographers:
Christina Nørdam Andersen (Copenhagen)
Jeanette Hägglund (Stockholm)
Luis Rodríguez (Madrid)
Marianne Hope (Amsterdam)
Naomi Meran (Zurich)
Niall O’Leary (London)
Sébastian Pélegrin (Paris)
Thomas Kakareko (Berlin)
From the crowdfunding platform ulule.com, the micro-finance system allows us to simplify the process and focus on what really interests us: to recognize and encourage the work of these eight mobile photographers, with the added power to reach many people on different locations, a value that traditional publishing and distribution systems can´t do.
Participation as a patron in ARTmobile involves not only acquiring a fantastic book in square format, 21×21 cm, with over 200 pages of high quality, plus prints for the most enthusiast ones, but it also means encouraging our artists to accompany them in their process of creation, in their understanding of the art of photography and their vision of contemporary society.
As a project, we believe in Artmobile and we want to share this enthusiam with you!
If, like us, you are passionate about photography and you like our proposal, please help us transform this publication from a dream to a reality. Whether you participate financially or not, you can also help us spread our message on social networks, in your circle of friends or among your followers. With your support we can go far.
Help fund ARTmobile by heading to Ullule now.
by Anna Cox | Mar 3, 2015 | Stories
Momdom. That’s where I live, where I hang out in yoga pants and a ya’ll sweatshirt. I am the queen of the kitchen, the laundry wench, the seamstress, and the schoolmarm. I am the queen of my own castle, but man, most days it looks more like a hoarder’s house with toys in every corner and mail strewn across the floor. Most moms can understand the multiple roles I play because they also have many more roles than any human should. When asked to write about what my day looks like, I decided, instead of boring you with my days, I would entice you with my nights. Sounds exotic, no? Keep your pants on. It isn’t. My nights look like getting up every three hours with my youngest son and literally wrestling my older child into bed each night. I am simultaneously the comforter and the disciplinarian.
I read a lot of self-help books. It is actually slightly addicting to invite these strangers into your head and life to dissect you with their words and charts. From early on with my youngest, I read to be in-tune to his needs, because he had a touchy personality, among other variances. I doubt you have met a 6 month old that can make grown ups mad, but Liam could. He refused to smile at strangers, or coo, or really do anything other than deadpan stare at them. It was actually pretty funny. Though, I was usually the only one laughing. Following the advice from a few different books over the last three years has led me to the belief that unless you have that perfect child all the authors list first in their charts, you are just screwed. I was screwed. My kid didn’t eat, didn’t sleep, wasn’t friendly, and could scale refrigerator shelves at 9 months. Oh, the shame of it all. Fast forward two and a half years: he is at least friendly now. He still doesn’t eat or sleep well but, hey, I will take one out of three. The odds are at least looking up and I don’t think he is an old dog yet. I still remember driving to my in-laws and listening to a pediatric doctor on the radio. She spoke directly into my heart when she said that some parents would just be happy they got their children in bed without stitches each night. She also said if you were one of those parents, good job. I sat there savoring the affirmation that my job, my only job, was to get my kid through the day in one piece. Her advice has stayed burrowed in my heart for almost two years.
Recently, he has started having night terrors. Night terrors are baby nightmares which, you, as the parent, can do nothing about until they wake themselves up. It is the most heartbreaking thing to endure. Imagine, you are sitting beside your wailing child and they literally do not register your presence. They are panicked and crying and you can just sit there. You are totally helpless. The one thing you have always had, if nothing else, was the calming presence of just being momma. What do you do when that doesn’t help?
The funny part is — and really it isn’t funny — I feel totally helpless most of the time with my kids. Both are at different ages and stages and I find myself more and more helpless to deal with what they bring to the table. I guess as a parent we feel that way so much of the time. It is all a balancing act. How hard do I push? Am I supportive enough? I find myself saying more and more, ‘I just don’t know’. That razor’s edge I feel poised on for different reason with the boys is exhausting. It is a different kind of exhaustion than the sleepless nights. I am almost used to those, and have found I am a high-functioning zombie most days.
I have decided that raising children is a lot like a series of night terrors. You have 10 hours with them a day (until they go to school) to be loving and compassionate. Then darkness falls, and the terrors come, and all the hugs and kisses and encouragement don’t matter for those few minutes. I view sending my kids into the world as a sort of protracted night terror. I can only wait until they wake up from their selfishness or rebellion to comfort them. I can pour myself into both of them but there are times they are just on their own. I can’t be there to push or encourage, that’s not my role. I have to trust that they will wake up and turn to me. It is funny how comforting it is to me to equate my older son’s bumps and wrinkles to night terrors. I can put a name to it. It is no longer floating anxiety. It has a name and a function and my role is clearly spelled out. I am to wait patiently until they wake up. I am to sit quietly in the dark, with my heart hurting, until they turn their eyes to me for help.
I can do that.
I can wait.
by Grryo HQ | Mar 2, 2015 | Bridgette Shima, FEATURE, Featured Articles, Stories
Each week we ask the community to tell us a story based on a photo. We have compiled a few into a month digest so you can enjoy them all in one place. Please join us on Monday mornings to tell your story.
Story credit: Laura McCann
Photo credit: Graeme Roy
The Story
He felt the slices of sunlight on his back and neck; undulations of heat and emptiness. Should I? Shouldn’t I? If I do, it will devastate her. But then again, if I do, maybe I can make it up to her. One day. Yes.
Story credit: Christine Benner
Photo credit: Devin Graf
The Story
Eighth time I’ve shoveled this effing car out…I should have sold it when I had the chance. I’m so over this winter. I wonder what Amy is up to? I really need to clean out the garage. I’m feeling like chicken for dinner. Sigh, ok, let’s get shoveling.
Story credit: Rebecca Cornwell
Photo credit: Maki Tabusa
The Story
Words are so unnecessary when it’s enough to see, hear, smell and touch. I hadn’t seen her in almost 3 months. Her absence was felt deeply in the house. Sometimes we missed her easy chuckle and quick wit while other times there was relief in not feeling subject to her judgment and chaos. She had become impossible to read, sometimes lost and other times angry. Looking back now, I can understand the mental illness that was gripping her but at the time I thought it was just normal teenaged rebellion. I had raised her carefully, eating only organics, refraining from alcohol and caffeine during my pregnancy. This hyper awareness of her needs, wants and constant and unflinching protection continued through childhood. The
first time we found her unconscious I thought it was an accident or a reaction to something she had eaten. She was secretive. The second time when we discovered her, fully clothed, in the tub with the blood pooling around her, I saw in her devastation so complete, I wondered if any of us would ever recover.
Story credit: Rose Sherwood
Photo credit: Fabio Giavara
The Story
These people have been riding the same subway route daily. Nothing out of the ordinary happens until today, when this person boards and starts yelling obscenities at everyone. Some riders are surprised by the behavior and others don’t care. It’s the insanity of living in a large city. People sometimes disconnect because the craziness will surround you and drag you into it….
by Anna Cox | Feb 24, 2015 | Anna Cox, FEATURE, Featured Articles, Stories, Storyteller
Captain and the Kid written by Cally and Grandreopening
The following is a true story, only the names have been changed to protect the guilty. It’s a story about a girl and a boy on the subway, right and wrong, life and death. Actually that’s not entirely true; this is just a very short story about Captain (C) and the Kid (K).
(K): Four schools in four semesters. It’s not a record; we set that in grade school; 3rd through 4th grade. To be specific, Ms. Elwood, Mrs. Derringer, Mr. Dicks, Mr. Raji, Mrs. Bergdorf, Ms. Gutierrez, and I think there was one more with a Spanish-sounding name, and I’m pretty sure she was really nice to me but I honestly can’t remember.
But this is now, that was when. When there was a reason. There is always a reason, always some never-seen emergency. Ma says I’ll make new friends, like the ones I made at the last school, at the last “Buy-the-Week” Inn which she insisted we call the ‘apartment’. It was nothing but another shithole motel and Ma will never understand the only friend I have is Tiger. Tiger is black and white and ugly, just like me but he’s the only friend I’ve really every had.
(C): Captain’s Log, Star Date 68557.5. It’s been one a hell of a night. I’ve been walking for five hours in the horrible cold and strange frozen precipitation, and still no sign of Lieutenant Cox. Never hire a man for your communications officer; they refuse instruction and ignore directions. Neither the tricorder nor the communicator is functioning property, apparently disallowing our return to the ship. I should never have let him out of my sight, never mind the novelty of alien porn. I’ve taken temporary refuge in an arcane transportation system that appears to simply crawl around in circles on strange metal tracks attracting what I deem their plebian citizens. Again, Cox dropped the ball on the civilization research. We were supposed to be observing signs of mating and/or fertility, but all I’ve actually seen is this ugly ass dog dry humping on one out of every five beings entering the car. Seems random, yet somehow very focused and specific (insert bookmark here for further review). I’m beginning to feel like the ship’s transporter isn’t even functioning or someone surely would’ve beamed me out of this shithole, Cox or no Cox.
I will now attempt to coerce one of the natives to aid me in a physical respite (primarily sleep and nourishment) outside of this rolling tin can. Captain out.
(K): I’m on my way the “Diss”, that’s what everyone calls D.E.H.S.; Who ever heard of a ghetto high school being named after Dwight D. Eisenhower? I take Tiger because Roy in maintenance lets him hang around his shop in the boiler room. I don’t trust my Ma and the folks she has over; not that they would hurt him on purpose, though a few that might, no, most are cool, they’d likely just get drunk then something dumb would happen to him.
This ride sucks. It’s a two-train jump that starts early, and in this neighborhood the early trains still tend to smell like puke. Sometimes all the bangers’ are still coming home drunk and mean; god they suck. Its been pretty mellow lately, which is nice. This morning it’s strangely empty except for this weird-ass woman behind me. An empty car and she’s been leaning on the door murmuring under her breath. She keeps looking around all twitchy, it’s like she’s looking at everything around here for the very first time. Fricking weird.
(C): “Pssst, hey kid.” Kid looks up at me like I’m some kind of freak. “Hey, I need help and I’ve got barter material. No I can’t show you here but take me to your place and maybe we can strike a deal.” I wasn’t too sure whether this was a good idea, especially now that I can see the look of stoic, yet frightened indignity plastered across his face like a half-assimilated Borg. Kid turns around, clearly lost in thoughts that might include jumping up and racing away or pissing his pants and deflating into a ball of liquid alien goo (not pretty−I’ve seen it before). The dog just stares at me, lower jaw jutting out, slow trickle of saliva shining on its slightly trembling lip. All of a sudden the dog emits a low, yet surprisingly menacing growl, and leaps from Kid’s lap, through the near-empty train, just as the train slows to a stop and the doors begin to open in a bizarre, slow-motion screech. Kid looks at me with wild eyes akin to a Klingon in heat, screams “NOOOOOOO, TIIIIGEEERRRR” and panic ensues.
(K): “NOOOOO, TIIIIGGGGER!” I scream. “What did you do you crazy bitch?” Fear and anger seized me. I hate it when it happens, it reminds me of Ma, how she loses it sometimes. I guess I’m the apple and she’s the tree; that anger bug that’s been chewing her trunk forever has me now. It bites deep and hard as I see Tiger bounding down the aisle, tail between his legs then out into the blur of legs on the platform. He’s never done that; he always stands his ground when the drunk bangers start to push and shove on the early train. Something is wrong.
I shout “crazy bitch’ and shove her hard. I’ve never done that, to anyone, much less an adult. I feel like I’m watching myself; this is so weird. Then I turn and run, tears streaming down my cheeks, to find Tiger…to find my only friend in a city of 15 million.
(C): Damn. The little shit pushed me. But, seized by the anathema of empathy that propelled me into this line of work in the first place, I took off, following the kid as he ran, wailing and cursing. I ran, thinking I’m definitely not logging this, chasing Kid chasing Tiger through the throng of underground life. I wasn’t sure exactly where we were going or if Kid actually saw the damn varmint, but I felt somehow responsible. As I rounded a corner I just glimpsed the kid’s back as he rushed into a “public restroom.” I had, quite painfully, found out about public restrooms several hours ago and stopped well short, knowing there was no other way out, and I sure as hell wasn’t going in there. I waited, torn between internal disgust at this ridiculous situation and the haunting realization that I’m pretty much lost, stranded, and pitifully ignorant of the species I was here to observe in the first place. I started looking around at them, all of them different. Hair color, eye color, skin color, clothing, expressions, all different; some subtle, some not so much. I never knew a race so different, yet so similar. A firm grasp on my shoulder bolted me out of my daydream; it was Cox! Looking down (yeah Cox was short and quite stocky) I was at once heartened and somehow horrified to see that Cox had emerged from the public restroom, Tiger tucked quite snugly under one arm. A second later, I saw (over Cox’s head) Kid emerge from the public restroom, just as Cox whipped out his communicator, breathed in a low, throaty drawl, “beam us up,” and the familiar tingle of my own matter breaking up began to overcome my body. The last thing I heard was, again, “TIIIGEEERRRR.”
(K): I saw Tiger’s tail disappear around a corner through the salty blur of tears. I just wanted to get to Roy’s office, drop off my dog and get through another day at the “Diss” with as little attention as possible. I was good at fading through the day, at being unseen. The teachers remembered my name; most did anyway. None of the students did. I had forced, semester-long lab partners that had no clue what to call me. I knew how NOT to draw attention to myself. Now I was crying and wailing on the subway station chasing my only friend.
He went into a restroom—thankfully it was the men’s. I race in to find him and ran into the chest of a thick bald man. He’s not mean looking but has distant, faraway eyes. They are raincloud blue, his eyes. Ma always said ‘the eyes tell no lies’ but this guy’s eyes were mute, maybe deaf and mute because it was like I wasn’t even there, in front of him, like I wasn’t tugging on his sleeve and blubbering. He just gently brushed me away like I was a cat and he was done petting and walked out. He walked out with my best friend whimpering under his arm.
I follow him out, getting mad. That molten coal that had burned before, glowing, starting to sear my guts. I charge out, around the corner and he’s there, talking to that same crazy woman.
“What the hell is…..” Then they start to glow, a little, then more. There are people everyone in the station but no one is noticing, only me. It’s like they are fading. I don’t think. I yell “TIIIGGGGER” and leap, the last thing I remember is grabbing that crazy black bitch’s pant leg, and then I’m glowing and fading too.
(C): Captain’s Log, Star Date 68775.5. We’ve got two unregistered, unvaccinated mammals aboard ship. Cox has been severely reprimanded and sent to the brig for disobeying orders, illicit cavorting with the native species, and several suspicious contraband powders that are currently being analyzed. I’ve ordered full medical scans of Cox, the kid, and the dog. Once cleared, I will escort our erstwhile guests back to their planet, and hope this incident doesn’t get us all (myself) into hot water. I’m stating for the record here that this entire fiasco was completely due to the incompetence of Lieutenant Cox, who I am recommending for psychological evaluation. Captain out.
Off the record, I have been persuaded to, and will in all good conscience, escort the kid and the dog to the “Diss” as he calls it, which seems to be an educational institution of questionable repute. As I learned from a hard-fought conversation with him that ended in an awkward, yet sloppy tongue kiss, the kid seems to think my mere presence will assuage his extreme anxiety that was apparently gained in the current situation, and serve to dissuade him from “calling the law” and “bringing me down.” He must know I could kill him and his scruffy little snaggletooth right here and now. But never mind that; I kind of like the little shits. At present, we are in the control room and will beam down momentarily. Having finally won him over, he smiles sweetly, hugs Tiger, and we stand quietly for a few minutes. Kid is still all eyes, still doesn’t quite comprehend where we really are, then Kowalski nods from the control panel and the tingle begins…… back to Earth
Photo credit: Sheldon Serkin
Story credit:
Cally Lence & @grandreopening
by Brad Puet | Feb 13, 2015 | Stories
It’s no secret that I’m a huge Seattle Seahawks fan. Have been for many, many years.
Just so happens that last year and this year we’ve been able to get to the Super Bowl. Last year was a lot more successful as far as taking the championship home. This year, although not as fruitful, showed more of how much heart this team has developed.
That’s not what this article is about though.
I’m writing to talk more about the community of people and fans that have either fallen in love recently or have been in love with this team since its inception. No, I’m not going to talk about true fans or fair weather fans, or even bandwagon fans. I’m going to talk about the pride that this team and its recent success have resurrected in the sports fans in the Pacific Northwest.
Briefly, let me talk about the culture of the fan in the Pacific Northwest as far as its sports is concerned. Before the Seahawks, Seattle has claimed a few world championships.
The 1979 Seattle Supersonics had taken home an NBA world championship. It was the only one it brought home. It came close but thanks to the Denver Nuggets and the Chicago Bulls, our basketball team was able to bring it back. And then in 2008, our team was stolen from us. Yes I said stolen. To learn more about that you should watch the Sonicsgate documentary. It’s truly eyeopening.
Our WNBA team, the Seattle Storm, brought home its first of two championships. This team is our most successful to date. These awesome athletes brought home a championship in 2002 and 2010.
The Seattle Sounders, our futbol or soccer team, has brought home 4 US Open Cups.
The only major athletic team to not bring home a championship yet (and I believe that we have a squad that can do it now) is the Seattle Mariners. Since 1977, the team has endured many a heartbreak. I won’t get into the details of those heartbreaks but truthfully, up until the Seahawk’s championship win in 2013, the Mariners probably best describe and define the fans and fandom of this region.
It’s hard to believe in good things happening for Seattle sports. Many times you’ll listen to the radio or talk to a Seattle sports fan and you will hear hesitation in giving full belief on some of the good things that may happen. Maybe a good cliche’ would be, “Close but no cigar.” Or another would be, “Cold day in hell.” Well, you get the point. Until that the championship in 2013, that was the Seattle sports fans storyline.
This Seattle Seahawks team has changed that feeling. For the most part, the fans or as we call ourselves the “12s”, are starting to believe that curse, that grey cloud over or city’s sports teams, has been lifted. The 2013 team has proven that. Even with the loss this year in the Super Bowl, you already hear the talks of being champions in 2015. The national take on us and our team: we are now the villains. That’s a good thing. Why? When you win, everyone who isn’t in line with you and have their own team to root for, believe you are the worst thing that has happened to them and their team. Our team is now…that team. Our fans can be or are…those fans.
My take is that the 12s can be mentioned in the same breath as the fans from the Green Bay Packers, the Pittsburgh Steelers, the San Francisco 49ers…really any other team that has gained success and has maintained that success, you will find some passionate, die hard, go home or die trying fandom. That’s a beautiful thing.
Like many other fan communities, the 12s take it past just the idea of football. They take the road of charity and philantrophy and organize on behalf of the Seahawk fan community.
When you walk around our region and you are wearing the team colors you will be be given the “Go Hawks!” similar to the greetings in Hawaii with “Aloha.” It’s a token that carries that pride far past the football field. In some crazy way, you can say it’s starting to become a way of life. The crazy fans from New York, Boston, LA, Chicago and all the other crazy sports organizations have them. Well now, Seattle has it’s own also.
That fear of failure has been lifted for the time being and should be for a long while. The Seahawks are the organization to get its due from its fans. The Mariners, the Reign, the Sounders, and when the Sonics come back, will have a fan base that now believes. That’s a scary and beautiful thing.
I speak for my 6 year old son, myself, my friends…shoot…the 12s when I say, I’m excited for Seattle and our sports teams. I hope all other parts of our region (political etc) takes heed. When you start believing, you will get some really great results.
Go Hawks!
by Jeff Kelley | Feb 11, 2015 | Jeff Kelley, Stories
My entire day consists of interactions. Well, I suppose everyone’s day consists of interactions, really, but when you are a mailman on a small downtown business route, they’re certainly more accentuated. All day long, it’s a random ‘hello’ to a passerby that I may or may not know, then directions to a hard-to-find cafe, and after that, an extended conversation with a customer that continues from the previous day.
So it’s probably a good thing that I’m an ‘ambivert with extrovert tendencies’, according to a webpage that even knows what that is. The point is, interacting with people energizes me. I’d certainly dread my job if the case were otherwise. These are just a fraction of the fantastic folks I get to talk with every day on my route.
If I were to string together my daily conversations into one long paragraph, what would it sound like? Likely, a bit schizophrenic– a discussion about photojournalism, followed immediately by talk of raising chickens. A conversation about public school policies would transition into an ongoing joke about repetitive cable company advertising. It would be punctuated with a lot of hey-how-are-ya’s and intermittent chats about everything from ‘how about this weather’ to ‘why does this company send me the same damn catalog twice a week?’ (U-LINE, are you listening?)
If I have my way, I’ll be on this route until I retire– hopefully with the ability to still climb a set of stairs. Without a doubt, there will be a completely different set of people that I interact with when that time comes. I’m sure I’ll be a different person as well. But hopefully, I’ll still be an ambivert with extrovert tendencies– whatever that means.
by Rebecca Cornwell | Feb 10, 2015 | Stories
I’m over Montana, really. This is my ninth trip. I’m here to visit my daughter at a therapeutic boarding school. A year ago I didn’t even know what a therapeutic boarding school was, never mind such a place existed or that I might find one in Montana. I never imagined I would need to know such things but a year ago I told myself all kinds of lies. I arrive at the school. Montana is beautiful. Once on campus, I look around the first time. I am reminded how being right in nature makes me feel so small and so big all at once. It’s still cold even though it’s May and looks as if it might rain. The ground is muddy from melted snow. There is a grayness in the air. I am instructed to park my rental car and go upstairs with the other mothers. The girl’s dorm is a log cabin style building, rustic and minimal. Entering the mudroom, all of the girl’s rubber boots are lined up on top of cubbies with each of their names on them. The boots are all different, fitting of the girls’ personalities. Some are pink and some are black. Some have polkadots and some shine silver metallic. There is order here. Everything in its place. Once upstairs, I am invited to be seated in a lounge area with a TV and several couches pushed back against the walls. Nothing is new here. The furniture is worn and the carpet is dingy. The room is open to a kitchen that hums with a loud restaurant style refrigerator. If I focus on the hum and stare out the enormous window into the Rocky Mountains, I can almost imagine I’m in a small plane headed straight for a plot of soaring pines. I have these fantasies more than I’d like to admit.
In my darkest places, I imagine crossing over crowded lanes of traffic into oncoming cars or jumping from an overpass splat onto the steaming concrete, most of my deaths begin in cars. I swirl in my head about who I could trust my children to after my death. I wonder, if in fact, it would screw them up forever, which is what my mother likes to tell me when I inadvertently share these thoughts with her. None of these are things I would actually do, really. By birth I’m an optimist, which is a weird place for a depressive to find herself.
I spend a lot of time trying to work myself out of my depression. Every morning I get out of bed, take a shower and put one foot in front of the other. I take pills and go to therapy but try as I might, I haven’t been able to escape my genetics. This particular defect haunts me. My father‘s death left me with only questions and the whispers of suicide that floated around me.
My father was a complicated and tortured man, who still remains a mystery to me. He was a powerful figure who used money to control the people around him all the while turning to drugs and alcohol to quiet his own darkening mind. He saved keys and letters in the most caring and gentle way, in little boxes- lined up in an organized way but he lived mostly in complete chaos. Dishes piled high in the sink. Rotting, god knows what, in the refrigerator. His OCD wasn’t visible to the untrained eye. You had to look hard to see the ways in which he couldn’t get away from his own magical thinking. From the outside he looked positively charismatic with confidence not suited to a short man. I think he used to be handsome, but now he was troll-like. Still, he was always surrounded by beautiful women. Mostly, I didn’t know him at all. Mostly, what I learned about him, I garnered from his surroundings after his death when I was summoned to clean up the confusion that had been his home for 35 years. He was a severe depressive who abandoned me before my first birthday.
The inherited depression I carry with me is a vortex. I know when it comes it will leave and I know when it leaves it will revisit me again. There is a strange comfort in the certainty that it is waiting for me. When the blackness is at its darkest, I am an immovable object. Paralyzed. Sometimes I wish for blackness. Frankly, black is rare. More frequently, I find myself in a foggy gray. Gray is the depression of self-loathing and hatred. Gray is the depression of purposeless and no future. It’s the depression that allows me to function and in the worst way. Gray is where I am the most critical and unpleasant. Gray is where I am on this day in Montana. It’s where I’ve been for a while. It’s mostly where I’ve been since this started. I want to feel something else and I don’t. The gray feels like nothing.
Imagine nothing.
I’m in the lounge with 6 other mothers and their daughters and the girl’s therapist. The therapist is kind and earthy. She has a soft Nordic features with bright, wide-open, blue eyes. She cocks her head, nods, and furrows her brow or smiles depending on what she’s hearing from the girls. She’s young and she doesn’t have any children of her own. She doesn’t have daughters who once were in crisis like all us. She has unlimited empathy and we like her. We want to trust her. We search her face for answers. We think she has the key to unlocking what demons lay in our daughters. We think she can fix us. We think she knows something that we don’t. The truth is, we know something she doesn’t. We know what it feels like to have the child we birthed, nurtured, loved and protected run headlong to destruction. Most of us watched our daughters like train wrecks, like oncoming cars, we couldn’t stop. Now we think she can save us. That’s why we’re here. The therapist and the school ask us to drag our already exhausted and frustrated bodies to Montana for these workshops 3 times a year. We are allowed other times to be with our daughters but it’s always controlled and with a lot of rules. We sign a yellow piece of paper when we remove them from campus that states that we will not have them out of our sight. We promise not to allow them access to cell phones and FaceBook. We no longer make the rules because clearly we were not good at it. Now we follow rules. We drank the Kool-Aid. We surrender and swear to return them at the assigned hour.
This is a group session and I’m the only mother without a daughter here. My daughter has left campus recently for a transition house. She’s making what is deemed “measurable progress”. I’m here with the mothers whose daughters are still on campus. We are attending the designated Mother- Daughter retreat. This name makes me smile inside. We all know this isn’t a retreat. We have been instructed by the therapist to find and bring to this session with us, a photo of ourselves that shows us as our most authentic self. The girls are chattering amongst themselves and a few of the women are discussing their respective jobs outside of this little insulated world. These are powerful, smart and educated women, lawyers, doctors and CEO’s. I’m quiet and thinking about the trees. I’m wondering if when the plane is about to crash if I will see my life pass before my eyes. I wonder if it’s a slide show. I wonder what moments my brain will choose to show me. I wonder if my brain will be gentle or harsh. Objective and fair or blaming and finger pointing. I wonder if it will show me the moments that I am loved or the times when I was cold or unfair. I stare at the other mothers in the room. The mother who sits across from me is quiet too. She looks straight at me with a recognition that I find both judgmental and familiar. Her pain shows in her face. It’s as if she has absorbed her experience deep into her and it’s made permanent scars. I know that she was once a model and she carries herself in a strong and prideful way. Her hair is long and black and even in disarray, its lushness fills me with jealousy. She is tall and sits straight up in her chair. She is stunning and I feel sad looking at her. No matter what we tell ourselves, the sadness may never leave any of our faces.
I know these women in a way that I would not know anyone else. We share the experience of disaster. We share the experience of guilt and shame and inadequacy. We share the feeling of mistakes made with the best intentions. We also share the distance we have traveled. We are all mighty in our ways, if only that we’ve made it this far and we’re still standing. We are all of us optimists.
Really.
Sometimes it’s hard not to look at my life as a series of losses. In periods of wallowing, I find that place of victimhood. Despite my immediate desire for a fiery crash in the pine trees, I’m here in the room learning how to be better, do better, feel better, at least this is what I tell myself.
I wanted to write about this moment. The moment in the photograph I’ve carried with me from Texas. This moment where I might have been my most authentic self. The moment that wasn’t black or gray. I wanted you to see the 18-year-old girl in the bubble gum pink bridesmaids dress. She’s smiling shyly at the camera. She’s beautiful and tan. I wanted you to know that this girl in the photo hadn’t made any life-changing mistakes yet. I wanted you to understand that girl didn’t know what was coming or how to spot it or even how to stop it. Blackness hadn’t come to her yet.
The truth is, I can’t tell you about all that. I don’t know my most authentic self. After 26 years in and out of therapy, I only have more questions. I want to unopen the can but I can’t. I’m paralyzed. I’m sitting in this room with these women and their daughters. We range in age from 15 to 56 and we are all cans opened wide. We’ve been cut from top to bottom and our insides are hanging out. Just there. Lying on the dingy carpet. We don’t yet know how to put them back inside and sew ourselves up. We comfort each other in how strange and painful it is. We are close and still so distant. I want to believe that this is the place where we will learn the skills to help our daughters and ourselves move forward but right now I don’t even know what that means. I’m 46 and I wonder if I’m moving forward or just getting sucked down into the whirlpool. I wonder if my insides will ever even fit back within my skin and if they do, will they ever work the same way again.
I’ve tried to make sense of how I got to this place. I write about it, talk through it and sometimes I wish it away. I’m strangely broken and I hope that the break heals and that I that later I don’t limp.
Mostly I feel gray.
Nothing.
Really.
Maybe if I started from the beginning we could look at it more objectively? Maybe if I could shed my guilt or even my shame? Maybe I could stop feeling like a terrible mother? Maybe if I could internalize the skills I’m pretending I’ve learned? Maybe if I did all that, then I could tell you why I am here?
The simplest answer is that it’s not simple. Sure, there are events that lead me here. Trips to the emergency room, threats of suicide and a stint in rehab. Those are only some of the gory details of a story that is only partly mine to tell. But, it’s not the why. The why is covered in layers, years and generations of learned behaviors and misunderstandings.
Maybe this is my most authentic self?
The one with only questions.
Looking into the trees, the sky has cleared and its blue and hopeful but I’m tired. I’m tired of thinking. I try again to imagine what the moment of impact might feel like but the thought leaves because even after all of this I am optimist.
by Grryo Community | Feb 3, 2015 | Stories
Bill Draheim became familiar with Rachel Gardner after reading her comment on William Gosline’s Spectictulive Fiction piece, The Ship, which included his photography as an integral part of the story.
Rachel then challenged Bill to come up with six photos that best exemplified her story, The Machine’s God. Bill used the surreal photos he composed on his Samsung Convoy flip phone to create a haunting abutment of words to images.
The Machine’s God
How it started:
I went to bed with a fever once and didn’t wake up for nine days. They told me I was incomprehensible, delirious, what came out of my mouth was like a traffic jam of words and animal noises. I woke on the tenth day feeling hungry. I made myself a fried egg sandwich and then I went to my workbench and built the first one.
The first:
It came to me in my fever dream. I dreamt of fire, of warm, liquid metal. There was no struggle, I simply held the material in my hands and it seemed to shape itself. I didn’t truly know what I had made until I turned it on. My sister came in the door when I had it in my hand. She lost half the hair on her head. She’s forgiven me since then, but I don’t know if I ever will.
The next:
I locked my first creation away under my floorboards. For all I know, it’s still there, under the rotting remains of our old house. The next I tried to manufacture with caution, but the work leapt ahead of my hands before my brain could object. This one scuttled away under the armoire. We didn’t find it for weeks, only its leavings. All the jam in the house missing, teacups broken, and the cat found stark raving mad in the closet. The search ended when I was putting on my greatcoat to go out one day and heard a crunch under my left shoe. I felt bad, despite myself.
The apex:
This was the one I came to regret the most. It seemed so innocuous when I finished it, made of old pig iron scraps and watch springs. I remember how it fit to the curve of my palm. But then it disappeared for a month. By this time we were used to the machines disappearing for a time after their birth, usually they turned up none the worse for wear. I began to worry when I heard the new mayoral candidate use words I myself had coined, a trip to town hall confirmed my fears. It had grown…and with growth had come a thirst for power. Before I could consign it to the dust, half the town was uninhabitable. Forgive me.
The demiurge:
By now they became as pets, or children. Small in my affections. I had created what seemed the entire gamut of terrestrial life, the insect, the dray horse, the worker bee. It was inevitable that I create something of a deity for them. It wasn’t a bother at first. It merely floated around the rafters, sermonizing the others in a series of squeaks and clicks. The others were quiet when it did that, so I let them be. Later that week I discovered a small shrine on the highest gable of my new house. The others were sacrificing themselves, hurling their tiny bodies to the ground below. Well, there was nothing else for it. I got my wrenches and went to disassemble it. The task nearly got the better of me, but in the end I trapped the thing in the furnace. The flame was violet for weeks after that.
The reaper:
I am old now, my hands have lost their surety, and I get lost in conversations I held decades ago. Like any proper machine, I am winding down for the day. A few of them, my machines, my children, pile at my feet, watching. Even if I knew how to talk to them, I would have nothing to say. They are all of them self-sufficient, and seem to take care of themselves. Yet they seem to look to me for…something. No matter. I am busy with my very last creation. It is not black, nor does it contain skeletal parts, but the function should be obvious to all who lay eyes on it. I start it up and hold my arms out for final judgment. One slice and I am machine undone.
____
Bill Draheim has spent the past 9 years working on various Honolulu-based TV shows and films like LOST, Hawaii Five-0 and Godzilla. Inspired by the sets, props, people and locations that surrounded him, a portfolio of abstract and surreal photographs emerged, all captured on an old flip phone. Some of these photos were used for this collaboration.
Website // Youtube // Facebook
Rachel Gardner lives in the part of California that isn’t LA or San Francisco. She has been published several times in the American River Review and is currently pursuing an art degree.
Website 1 // Website 2
by Rebecca Cornwell | Feb 2, 2015 | Featured Articles, Rebecca Cornwell, Stories, You Are Grryo
Every week we ask our community to continue a story based on a photo. We have been surprised and overwhelmed by the response. Join us every Monday on Instagram to lend your words to story.
Story written by Tommy Wallace
Photo credit: Kurt
Al watched the third letter from the city drop through his mail slot. He let this one lie in the pile with the others because tomorrow . . . he was leaving this place. Oh yeah, he had told himself he was going to leave before but there was the sudden return his daughter made after running from him two years before. There was also that new opportunity handed down to him from the top of the company that made him think, “maybe there was hope after all.” No, he couldn’t think of leaving then.
That all changed when just as suddenly as she had returned, his daughter was gone . . . again. The company that had become his savior had folded. He felt trapped by life. The chair that he had become a part of, and that had become a part of him, was what he detested the most. It seemed to have this power that kept him there, eating at him from the outside in. The city’s letters would continue to pile up and if he stayed the big boys would come and get him if the chair didn’t get him first. So now was the time. He was going to unglue himself from this chair and leave the peeling wallpaper and cesspool of an apartment that he wallowed in for these awful seven months. The city would no longer taunt him, the chair would release him, and he would find the freedom he longed for because there would always be tomorrow.
by Rebecca Cornwell | Jan 26, 2015 | Stories
For the last few weeks we have been asking our audience to finish a story. We have supplied them with a photo and story prompt and they have spun incredible stories. The idea originated with my friend Tommy and has grown each week. Here at Grryo we are always looking for new story tellers and this has been the perfect way to showcase talent. please join us every Monday for your chance to be on the blog. we look forward to your stories.
photo by Jim Perdue @jimsiphone
Life in the city depends on the women, kid. You’re gonna want to think real hard about shacking up with one, whether it’s for one to three nights or forever. I myself went the one to three nights route for a real long time until that last one who burned three holes in my ass with a Swisher Sweet while I was playing the sub and took off with my wallet and new croc leather brogues. Usually you’ve got to buy them their fancy blue drinks at some shitty, dark-cornered club loaded with annoying graduate students in history who know too much and do too little, and then their three-egg morning omelets (although if she’s loaded them up with hot sauce, look again, you might have a live one [or a recovering addict]), all the while making ridiculous small-talk while internally reminiscing over just HOW she gets all that in her mouth at once. No, kid, this ain’t like the hills where your ma and I were born. You want a woman who drinks beer, eats raw potatoes, and never, NEVER, plays the dom. Women here, they’ve got one thing on their minds. You know what that is? You guessed it: freedom.
Written by: Cally Lence
by Anna Cox | Jan 19, 2015 | Anna Cox, FEATURE, Featured Articles, Stories
A word from Caleb:
I’m pretty lucky to have creative friends, Nina being one of them. Last month we started talking about making a film together and the rest is history. The final product was following her around Minneapolis for a day, documenting it all. Having a mutual sense of dedication is important in creating great work and I think it shows in the film. Her narration gives insight into what inspires her photography, the style of her work and her thoughts on the artistic process.
Nina’s work inspired me to start this project in the first place and it’s been cool to see the aesthetic of her photos progress over the years. But one thing has been a constant; the way she photographs the natural qualities of her subjects. Nina turns people’s insecurities into something beautiful.
I shot this film in the same style of her portraits, trying to catch a smile or candid moment of her. Some of my favorite images are happy accidents, where it seems like the subject doesn’t realize they’re being photographed. You’re seeing a true representation of the person and that’s what makes Nina’s portraits special.
After getting to know Nina through Caleb’s eyes, I wanted to find out a few more things to share. I asked Nina to oblige me with a quick interview and she agreed.
How did you start taking photographs?
I started taking pictures in middle school. I was definitely that annoying friend who took pictures of everything, and I never really thought anything of it. They were pretty terrible. My dad encouraged me, though, and taught me a few things. I began engaging with the photo community on Flickr at the suggestion of my favorite teacher in high school, which is where I really started making major progress. By my junior year of high school I began doing senior photos, and the rest is history!
I would love to hear more about your growth through Flickr. Could you share more about how it affected your photography?
Absolutely! Flickr really helped me to understand where I stood in the photography world. There were tons of photographers who were much better than I was – and I learned from them. There were also people out there that hadn’t yet gained some of the knowledge and skills than I had. It was important for me to have those balancing factors so that I could see myself rightly in the spectrum of photographers. Flickr at that time was a thriving community filled with feedback, so I gave and received a lot of excellent critique on my work. Of course, that lead to growth. It was definitely instrumental for me in getting a better idea of who was creating what at that time.
There is definitely less emphasis placed on traditional learning now that art is more accessible to the masses. iPhones and other devices have brought photography and digital design to everyone’s doorstep. Do you think that it hurts or helps?
It used to be a little disconcerting to me that everyone was considering themselves either a professional photographer or an artist in general. As I’ve become more confident in myself and my work, though, I’ve really come to appreciate how easy it is for the everyday person to start engaging with and making art. Wouldn’t it be sad if nobody was trying to make anything beautiful except a select few who had an official title? To everyone who feels drawn to photography or art making of any kind, I say go for it! If you can add more beauty to the world, do it.
Thank you Caleb and Nina for sharing more of your craft with us. We look forward to seeing more of your work in the future.
Find Nina // IG // website //
Find Caleb // IG // Website //