by Jessii Powers | Jun 11, 2014 | Stories
Read about the origins of Chloe
The moon soaked us with its gaze. The brush of skin, the soft pressure of lips battling for their place in space but a destitute universe between us
What have I done?
His call shook me. All of me. After so many years the simple sound of his voice and I reverted to yesterday. Thousands of yesterday’s past.
A glimmer, my light. Alfe wants to fill the dark spaces, my dark and vacant spaces and the ignorant, pleading side of me wishes he could but I know better. Only I can fill my void. I battle my own darkness.
My world feels empty though. I feel empty. I am empty. How do you fill emptiness with more empty and light the darkness with more dark? Why does the heart always sloth behind will, intentions and desires? The heart…the perpetual tortoise to the mind.
I walk alone, shoulder-to-shoulder in a crowd, the entire weight of the ocean fixed atop my chest, stealing moments of life with every suspended breath.
To wade out. Into it. Submerged whole until I’m left with only the beating vibration of my heart pelting in echoes the entirety of my head.
This. My new desire.
by Natalie Maddon | Jun 10, 2014 | Stories
Restoring American Beauty with Chuck Lang by Natalie Maddon
I stumbled upon Chuck’s project possibly by accident, but I like to think it was fate. Maybe it is just me being selfish and thinking the world revolves around me. I, like many women, struggle daily with feeling insignificant, less than, and sometimes downright ugly. In my heart, I don’t believe it. But when I look around and I see or hear the way women talk about themselves or other women, it is hard to block out. It is hard to find beauty in something that we are engrained to believe is not so beautiful. Don’t even get me started on accepting the changes that happen when babies are born or how years are tacked on like badges of shame. Women should be able to feel pride when they see the marks that their children have left on their bodies. The lines created from years of laughter are nothing to hide from. My grandpa always tells me that freckles are angel kisses. Don’t try to convince me any differently. The phases that occur when turning from a girl to a woman are priceless.
The project that Chuck is working on aims to enforce the principles of natural beauty. Accepting the physical traits that were so perfectly constructed at your birth can be a lot to take on. This is a baby step. It is a baby step that can lead to giant leaps. The sky is the limit, my friends. I will hold your hand if you would like.
N:Natalie C:Chuck
N: Before we get started with your project, tell us about you, Chuck. Who are you? What do you love?
C: It all started with adventure. That’s how I was pulled into photography, by documenting my trips and the beautiful people along the way. People matter, so I like to tell their story through my photos. I just love exploring and meeting new people, so that’s what I do most of the time. Right now, I’m 24 and I’ve lived in all three states on the west coast. I haven’t told many people this yet… but when I set out for my trip this summer, I’m not coming back to Seattle. I haven’t decided yet, but I’m thinking maybe Nashville or Austin. I keep hearing about all the good vibes there.
N: Your project, Restoring American Beauty, seems to be gathering quite a bit of attention. What is the project?
C: Natural beauty is close to my heart, and it’s something that our culture is losing sight of. I want to bring awareness and light to the natural skin we’ve been given. The idea behind Restoring American Beauty is to get back to basics. We tend to get off track, and sometimes we just need to remember to keep things simple. I like to photograph people in a natural way, just the way they are. I like freckles and the texture of skin, so why cover it up? Our culture has set some pretty ridiculous standards and ideals of what it takes to feel beautiful. Not much of it just tells you to be you. I want to remind you that you’re beautiful just the way you are.
I’m crossing the country, and taking photos of people in a natural way. I want to connect with as many different people as possible. If you look at the project on kickstarter, anyone can be a part of it. I’ll be traveling in my car from Seattle, all the way to New York for six weeks. I’ll be making stops all along the way and connecting with people primarily through instagram, as well as the backers from the kickstarter. At the end of it, I’ll be creating a book that encourages and empowers natural beauty. I’m really excited for that, because I really believe in the power of a photograph. It will be special to have a book that you can hold, and keep, and look through as a reminder that you are beautiful just the way you are.
N: How did this idea come about? Where did it start?
C: I have always been drawn to light in dark places, and finding beauty in the breakdown. For me, light is a symbol of hope. I also love the mood that natural light can have in these different settings, and each one is unique. I started to appreciate natural beauty more, because the settings I was shooting in were so raw. It just made sense to see my subjects naturally as well. When working with models, I always tell them to wear little or no makeup. It’s true… less is more. So one day a few months back, sparks flew and everything I had been working on came together. I knew that I wanted to empower natural beauty, and I knew that I wanted to cross America. I didn’t even think twice about the name for project, Restoring American Beauty.
I’ve been completely blessed by the community and support in my social network. I knew I couldn’t create this book myself, unless it was only for me. That’s not what I want. I want it to be impacting and shared with many. So building a Kickstarter was the next perfect step to making this project happen.
N: What drives your passion behind this mission to restore beauty through photography?
C: Many of the people I would shoot with would later thank me for capturing them so naturally. Some would be surprised that I made them feel beautiful without doing hardly anything at all. I wasn’t using a makeup artist, or any fancy lights… just the sun and their natural skin. There’s something empowering about that. A girl can get all done up, shoot in a studio with “perfect” lighting, then the photos get retouched, and pretty soon it’s not real life anymore.
Naturally, that will leave a person with insecurity, because they don’t feel like they match up to these unrealistic ideals of beauty. The commercial industry can impress these standards that turn you into something you’re not. It feels good to be accepted for who you are. We all want to feel beautiful. I’m here to remind you… you are.
N: Do you have any formal photography training or are you self-taught? What or who influence you?
C: Initially, I got into photography on my own and was self-taught. I was working at a coffee shop and one of my regulars happened to be a big time photographer. He shoots celebrities and all that jazz. He started following my Instagram and he told me my photos were awesome. I was stoked! So I asked him if I could work for him. He said yes. So I bought a more professional camera and he then let me intern for him and his studio for the next six months. At that point, my style was already fairly developed. So I learned a lot about studio etiquette, and the business end of photography. That was the first time I consciously made the decision to pursue photography as a dream.
N: Where can we find more information about the project?
C: The Kickstarter is currently live until June 12, and that’s how the project is being made possible. The funding is all or nothing, so I have to reach my goal of $10k or I can’t create the book. I need all the support I can get as the funding period comes to a close soon. You can also follow my instagram @chuck, to follow the project as it happens this summer. Thank you so much for your time, and I hope you’ll join the movement. Let’s create something beautiful.
by Jeff Kelley | Jun 9, 2014 | Jeff Kelley, Stories
Grryo Storyteller Series: Justin Johnston by Jeff Kelley
When we were asked to find a storyteller to interview, I immediately thought of Justin Johnston. He is the social media manager for the Mextures app, and his posts are often accompanied by brief pieces of writing that I’ve always found fascinating. I decided to corner him via email and ask him a few questions….
—–
Jeff: Let’s start with your username. Can you verify that you are THE Justin Johnston? Also, tell us a little bit about your mobile photography journey.
JJ: Well I’m sure there are a few Justin Johnstons besides myself on Instagram and I will happily beard wrestle them to keep my “the”. At the end of the day, I’ll keep my “the”, and have made a new friend. It’s a win-win. (Also, googling “beard wrestling”.)
I got into mobile photography a little over a year ago because I needed a new hobby. I was bored with wrangling grizzlies and catching fish using only my beard as a net. I needed something new. I had some friends on Instagram who were taking pictures of things other than themselves in the mirror or their salads, and I thought to myself, “I’d like to take pictures of things other than myself in the mirror, or my salads.” And so I did. And I’ve learned a lot and had a ton of fun along the way. I’ve made so many really great friends all because I have a phone and fingers.
When he reached the door he knew not what he would discover behind it. He took a bunch of keys from his pocket and selecting one, which he had cut himself, he turned the lock. The door opened to his pressure with a stiff and grating sound like that of some ancient tomb. And indeed, that is what this place felt like; some forgotten burial ground for wishes and dreams. A place where the darkest and densest secrets were done away with. What little light that existed in this place broke through cracks in wood and windows revealing years of dust and degradation. But it wasn’t evil that lived here. It was simply spoiled goodness. He believed it could be made right. It could be remedied. It could be redeemed. With that and the sound of rain pinging off of what was left of the tin roof, he began to unpack his bag.
Jeff: Can you tell us a little bit about Mextures (for the three readers who’ve never heard of it) and talk about your position there? Also, I think you should consider making the Mextures motto “Will make even your pictures of salad look awesome™”.
JJ: Well, Mextures, to me at least, is the most powerful photo editing tool available for the iPhone. It’s more than just adding a preset or a filter to a picture. It’s the ability to totally reconstruct a picture. If you looked at some of my Mextures edits and then looked at the original picture, you’d have a hard time believing that they were the same photo. With 9 different packs of overlays you can change the texture, the lighting, the coloration and pretty much every aspect of a photo. And it really has become a very cool and supportive community of loyal users, especially with everything that was added when we released version 2.0. And you can even edit mirror selfies!
My position with Mextures is pretty simple: I do very little and get credit for way too much. Seriously. Merek, the creator of Mextures, is a genius. Not to mention he also has a great beard (not near as luscious as mine, for the record). But what I have the privilege of doing is working primarily with the Instagram crowd. I spend a lot of hours in the #mextures and #mexturesapp hashtags sifting through thousands of images; liking pictures and selecting images for Instagram and Facebook features as well as the Inspiration Feed we have inside the app. Because of this I’m constantly inspired by what others are doing with the app. And yes, I have seen a few salad edits as well.
He unpacked his few belongings into a dresser long abandoned. Its paint peeling back in long strips as if it were transitioning into some prehistoric creature. He placed the one picture he still owned… A memory trapped in amber that he refused to set free for fear of losing it…. against the wall and started at it for a moment. For a moment he travelled back into time and felt those same feelings and smiled that same smile. But reality is cruel and quick and forced him home. Forced him back to this home. If you could even call it that. More of a cemetery really. Every inch of the place creaked and groaned and fought as the wind outside pushed against it. Like an elderly man fighting with all of his might just to move from sitting to standing. Yes. This house was quite elderly. And like any elderly person, so full of stories. Some insignificant and rife with missing pieces. But some… Some worth sitting and listening to… Like a child on a grandfather’s lap. And that is exactly what he aimed to do. To sit. To listen. No matter the time it took. Because the fickleness of time no longer mattered to him. And so the storytelling began.
Jeff: Your edits are often accompanied by what I would describe as ‘one paragraph novels’. I’m going to choose to believe that they are all 100% true stories. But feel free to dash my dreams on the rocks.
JJ: I guess that every “one paragraph novel” that I write has some truth to it. That has been one of the fun things about writing them. People relate. It may not be truth for me, but it’s truth for someone reading it. And now I’m kind of hooked on writing them.
It spoke to him in the silence. Through aged floorboards, peeling wallpaper and spiderwebbed window panes. Through rusted nails, fragments of glass and faded portraits. Here the days were like nights and the nights were like solar eclipses. It spoke through dead memories and forgotten laughter. It spoke to him in whispers. And in the whispers he heard the repetition of a phrase that decades later would echo in his mind each time he closed his eyes. It spoke, “I am married to darkness.”
Jeff: How would you describe your process when you write one of them? Is it like a creative muscle that needs to be continually worked? Or a garden of ideas, of sorts, that can’t be stifled? Wow, those were slightly lame. I’m sure you can do better.
JJ: Hahaha! Yes. It’s like a rainbow of words and letters and I’m the proverbial leprechaun at the end of the rainbow stealing the pot of words strung together to make sentences strung together to make paragraphs. There’s something about a unicorn in there too. Or so the legend goes. It actually started out as a joke. Whenever I would collaborate with someone and edit one of their photos, I’d create some ridiculously fantastical backstory about their life. But as things go, eventually I became a little more serious when writing them. I wouldn’t necessarily say I have a process. I’m not that organized. Some days I have a phrase stuck in my mind that I build the story around, but most days I sit down and write the story just before I post. I look at the picture I’m going to post and my overactive imagination does the rest of the work. And then some pictures I string together for a series of stories. Those are fun because, since I know what direction I’m taking the story ahead of time, the story influences my editing process.
Jeff: One of the things I really like about these is that each one leaves the reader wanting more, yet at the same time they are totally able to stand on their own. Is that hard to do, or are you just naturally a genius at finding the right balance?
JJ: I’m not a genius. But I was probably the smartest kid in my class through most of high school. Side note, I was homeschooled through most of high school. You do the math. That wasn’t really intentional but it makes sense because I wrote them all separately. So I guess the shape of the stories really depends on my mood at the end of that particular day. And with this particular series, with different angles at different times of day with different edits, you really catch a different vibe from the photo.
It wasn’t the house that he was trying to reason with; that, ultimately, he was trying to destroy. It was everything that it stood for. His dead and dying memories and the rest that so eluded him. And as that terrifying phrase echoed over and over again, I AM MARRIED TO DARKNESS, he realized that it was no longer a whisper crawling up from between the floorboards, it was inside of him. He was a part of this house as much as the nails and beams that (barely) kept it standing. And so he whispered back…. To himself… To the walls…. To the boarded windows… To the crumbling drywall…. I never stopped looking for you. I never stopped looking for you. I never stopped looking for you. And the haunted love song carried on.
Jeff: So then it’s safe to say you don’t know how this story will end?
JJ: Well I have a pretty decent idea of what direction I’m going to take, but I’m not sure how many more “chapters” I have. We’ll see how it all ends up unfolding. So, no. I don’t really know how it’s going to end.
Jeff: *pauses* sorry, I got lost in your beard for a moment there. Do you have any favorite writers/story tellers that have influenced how you write? Traditional or non-traditional.
JJ: You wouldn’t be the first. It’s a natural response. I have so many favorites, but the two who have influenced me the most by far would be Kurt Vonnegut and J.D. Salinger. Those two have influenced me, not just in my writing, but in the way I view life as well. The first time I read “The Catcher in the Rye” I identified with the main character, Holden Caulfield, so much. Since then I’ve read it at least 5 times. And Vonnegut was such a brilliant man and writer. He experienced so much pain and sadness in his lifetime and yet he was still so intelligent and full of humor. I’ve read basically everything he has every written.
Jeff: Actually, I meant I was literally lost in your beard. Thankfully I found the way out! Small door by the left cheekbone. We’d better wrap this up before it happens again. Any closing comments or advice?
JJ: You’ve discovered the secret passage to my heart. I don’t really have any advice because I don’t really know what I’m doing. But to anyone out there trying to find their “voice” on Instagram, I would just say stick with what you enjoy. Don’t let people or “followers” dictate what you post or how you edit. Do what you love. In the end that’s all that matters. Also, eat Oreos. Lots and lots of Oreos.
Justin Johnston
Professional human being. Unprofessional and unpolished photographer and storyteller.
Website
by Sam Smotherman | Jun 6, 2014 | Stories
A retrospective: The 24 Hour Project by Sam Smotherman
What’s it like to shoot street photography for a day? You walk a lot of miles. You miss shoots, you get frustrated with the misses, you smile about the gems. I’m not talking about a work day of 8 hours, but a full 24 hours straight.
Here is a story of my 24 hours shooting the streets of San Francisco.
My imagination is good enough to make the short flight from Los Angeles to San Francisco an uncomfortable one. So starts a few days of little rest, a world to monitor, and a city to shoot. I was challenged to shoot a new city by fellow 24 Hour Project participant Vlad, as he would be shooting SF for the first time this year also. The night flight on Thursday turns into early Friday morning conversations. A short rest and a couple of morning naps. I hit the street taking the train from south SF into the city proper.
Not to miss any opportunities to shoot in the city, I head to a photo walk for The Hundreds lead by SF Street Photographer Travis Jensen and Hundred photographer Van Styles. The photo walk starts around 2 and logs about five miles from China Town to the Fairy building. With the group starting from and swelling to over 80, then dwindling to about ten. The SoS Mobb. We head to Mission. I am able to rest for a few, catching a nap about for 20 minutes.
It’s near 9 o’clock Friday evening. In three short hours, my time starts – my 24 hours in SF.
The world has already been at it for hours. Starting in New Zealand, who are now deep into the project. I’m checking the feed @24HourProject. Excitement growing. The plan of where we are going to shoot and when still hasn’t been made. When we have a rough sketch with input from the SOS Mobb, @vladadat and I head out.
From the Mission, we head to the Castro. Easy place to start off. Lots of people and lots of light. A good place to start things off. I start things off asking IIldio to take her picture – she asks me to watch her bike while she gets a pastry. The Castro proves to be what we thought; pedestrians, club goers, and light. The evening has starting off well as we head back to the Mission for the second hour.
I found some good light with an outside Torta place off 16th. Something I would be looking for all day and especially during those dark hours. Now clubs and bars are closing. The great last debates, challenges, offers and promises are made – few want to go home alone. Vlad and I have our own challenges as we work with a group of women to get their pictures. The men who were hanging around them tell us to leave, but when they step a few feet away we grab a few and head to the car.
Vlad is a man who likes to challenge himself. “I’m only going to be taking square shots using the native camera,” He tells me as we drive off, feeding our phones as we head to North Beach where the scene lasts a little later than most of the city. “I don’t use a GPS. I’m trying to learn the city.” With a full 24 hours of challenges Vlad keeps pressing to do better.
North Beach was more sparse than I had expected. We decide to stop and have the first meal of the day. Pizza. After food I get my next shot – a woman who works next to the pizzeria lets me take her pic, Kimber. I’m already bad with names and so when I hear a new ones, even if simple, it takes me a while.
We walk around the area for a while. Crossing the street is an elderly gentleman who doesn’t want his picture taken but promises that if we come back tomorrow, he can shine our shoes. A shine that will keep for 3 months. I would have rather had a nice portrait of him, and I was wearing sneakers.
Vlad strikes up a conversation with a man in a doorway. Interesting man. A Vietnam vet, who’s been in the city since his war ended. He insists that we use our phones to take his picture and is reluctant to have me use my Canon DSLR. He’s also reluctant about telling me his name and offers two possibilities, Jim was one, but I forget the other one. He gets disappointed at me several times when I don’t get his references and jokes. He was a quick witted man for someone standing out in a doorway a 4 AM. He asks me to take his picture with his glasses on. “But I need to be reading something…like a newspaper.”
“Like that one?” I ask, pointing to one bag with a newspaper sticking out of of the top.
“Oh Yes.” he says, picking it up and then pretending to read.
He allows me a few shots with my DSLR and I feel bad when we have to move on, cutting the conversation a little shorter than I would have liked.
While the 24 Hour Project is one project, there are 24 deadlines, and participants are to post one picture per hour to a social media. One can’t rest on the shot they just took. You need to keep moving. Keep pushing. This sometimes leads you to post a shot that is not the best in the hour, but it’s a place holder. But for me when it was posted that was it, that hour had been covered. Still working on getting a better shot but the pressure was off until the top of the next hour. Having done this for 3 years I have some strategy about when to post and use the time to decompress.
From North Beach we head to the Harbor, I think. Somewhere near the water and boats. It’s a little more suburbia here. Most people inside, few buses or cars out but we hear music. We walk towards it. It keeps moving, further down the road. We talk to a night manager at a hotel who is also out looking for the source of the music. On the job at 5 AM dealing with complaints, no doubt.
We meet Angel who was willing to stand in front of Jose’s car, whose music we could hear a full city block away. They had just gotten off work and were letting off some steam listing to some music, when I asked about the cops.
“They were just here a few minutes ago, They know we aren’t here to bother anyone, “let them make noise,” he says, quoting the cops, or guessing what they might have said just that.
A quick meal. First cup of coffee I’ve had on the project. Trying to save its power for when I really need it.
On the road. We second guess advice to stay out of the Tenderlion at this hour and wander around.
We meet a “Naomi” out working.
“You got to have a job and a hustle to make it in the city,” she tells us. There are a few others out hustling. It’s gotten a little cold and I’m starting to get tired. Keeping a watch for people keeping a watch on us.
Someone didn’t like their picture being taken, and has some words for Vlad, and Vlad has some words for them. But that’s all, just some words and we walk way. We have a deadline. The next hour. Only 18 more to go.
From the Tenderloin we head to the Ferry Building to catch the sunrise and the bridge. There is a jetty you can walk out into the the water on. That’s where Kevin is. He had the same idea we did, to watch the sunrise. He came from the East Bay to watch it. I ask if I can take his pic. “I don’t care.” He says the views here are nothing like his Midwest home. “The people are different too, they are more diverse and open minded.”
Not too long after the project, I was talking to a noted photographer about this shot. He told me that his friend’s advice to him was “don’t be that guy.” Don’t be the guy who takes pictures of people smoking. Quick little lesson: Not everyone is going to like everything you do, some might not like anything. You have do to it because you want to and I will be that guy who takes pictures of people like Kevin.
It’s fully sunny, and some part of my body is hurting. A short stop to get some water and pain meds at a very busy mini mart. Getting up or going home this early seems to hurt other people too. I’m not alone.
We hop in the car to find another place. A higher vantage point. Less people to see but the whole city to view. Beautiful. The time ticks. Deadlines loom.
This year I had the luxury to not drive. I didn’t realize how much that took out of me. Driving. The moments in the car were beautiful. Recharging my phone and me. Selecting a car shot for this hour. It somehow said more SF to me than the few portraits I took and coffee shop snaps. A green smoothie drink for early breakfast. Keeping the food light.
Back to the Mission back to the SOS Mobb. I meet Grandpa Tupac on 16th. Animated and ready to pose. One of my favorite shots of the day. Hooking up with about 10 other street photographers from the SOS Mobb including @travisjensen and @rastadave52.
A light meal of eggs and bagel- the Mission takes me back about 20 years. when I would regularly travel up to the city to visit friends. It’s changed. Changed a lot. But several times I felt as if neither the city or I had really changed at all in the last 20 years. The feelings were fleeting.
Walking from the Mission to the the Tenderloin reminded me that I was not only tired but tired of walking. Keep on. Time’s ticking. Deadlines loom.
On the walk to the TL I shot a portrait of Rasta Dave. This was a trip that couldn’t have happened without the hospitality of folks like Rasta Dave, Vlad and Travis. It’s been amazing the connections that have been made via mobile photography. I’ve met a lot of great people and learned so much from them. This is one of the best parts of The 24 Hour Project, the life connections that have been made. Getting to the the real ‘social’, of social media.
by Rebecca Cornwell | Jun 2, 2014 | Rebecca Cornwell, Stories
Real Life Fiction by Rebecca Cornwell
This is a work of fiction; at least that’s how I like to think of it…
I can never decide if I should tell this story from the beginning or the end. Would it help you to know there is a happy ending? Would you prefer a mystery? Or even a comedy? This is the problem I have. If I had been able to see the end, I would never have jumped into that whirlpool but I couldn’t help it. Once you get to be my age, you realize time is running out. Fading looks, increased baggage, the inability to make any space for anyone along with a heightened fear of growing old alone. Somewhere along the way I missed the memo that we’re supposed to pair off and board the ark.
I rattle around in my house eating pretzels for dinner and I’m kind of content. This is what I tell myself. Despite this, I blindly enter in to these ill-fated relationships again and again. I can’t breathe and I feel society and my upbringing in the back of my head screaming that without a partner (preferably a husband) there must be something wrong with me. Probably there is but that’s not this story, is it?
This story is about Stan and you never know when you might find yourself in this position. You should try to be prepared. I certainly wasn’t. To say he was charismatic wouldn’t be accurate, although it might have served as a decent explanation or even an excuse. I love charisma. Something that is confident and glittery and draws people in. Someone who can tolerate darkness and still remain intact. I married my husband because everyone liked him. He was easy going, which I was not. He didn’t rub people raw, the way I did. He made me look better just by proximity. Politely, he ignored my depression and my inability to go with the flow. He encouraged me to smile and pull myself up by my bootstraps. God, I would have loved to be able to do that, dust myself off and get on with the day. I was always swimming upstream, making everything harder than it needed to be. I liked to stir things up because I didn’t fit in. I justified it by pronouncing that I just had strong feelings about things. After a time, I think this will exhaust a person. Exhausted with me. That’s the way I remember the end of most of my relationships.
When I met Stan I felt he was like that, like my now ex-husband. Quiet and confident, laid back but not charismatic. He had a way of hanging back and blending in. I’d met him online, the bars of the technological age. In one of his photos, he had an impish grin that made me think of a little boy who had just eaten cookies that were off limits. The look wasn’t so much a guilty look, but a look of having gotten away with something. He was exceptionally pleased with himself.
On our first meeting, he turned the tables and did this thing that women learn to do from reading articles in women’s magazines titled things like, “How to Get and Keep the Guy.” They would give advice like; “Ask him questions about himself. People love to talk about themselves. Make him think he’s the most interesting person you’ve ever met.” It’s not real…mostly women aren’t that interested in what men have to say. Mostly, they just want to be liked. Stan left all the air in the room to me. I talked, he listened. I talked more. Rambling on about only the stories that make me look good. Nothing unflattering crossed my lips that night. Truth is- I like to leave that stuff out always. I’m never quite sure if even a humorous story about your drug addicted parent or the weeks you’ve spent in bed battling depression are ever very flattering and I knew at least enough not to share them on a first date. Anyway, he seemed utterly charmed by me. Truthfully, I am pretty charming or at least I can be. This is a little trick I learned from my father- the drug addicted one. You can be the biggest asshole on earth but if you have charm, you can disarm almost anyone. Never, ever, underestimate charm. My father was a charming troll of a man who went out for a loaf of bread when I was two years old and never came home again, at least that’s the version of the story my mother likes to tell. She’s probably kind of bitter though.
Psychologically speaking, having any man think I was the most interesting person on earth was the easiest way to fill the void that has lived at my core for as long I can remember. That’s a strange thing to admit at this point in my life and not at all flattering. Non-existent fathers can leave gaping holes in their daughters. We end up spending so much time trying to be good enough for anyone or everyone. Some of us become over achievers while others of us rebel. Some of us harm ourselves and live chaotic, risk taking lives while others of us become self centered and narcissistic. It’s complicated. So many self-help books and so little time.
But back to the story- the one I want to tell about Stan. Just like my father knew that charm was a great manipulator, Stan knew that filling voids in women got them right on the hook. I’m embarrassed to tell you how easily I took the bait. I didn’t even realize what had happened. I like to think of myself as so much savvier than that. In fact, I like to give advice to my friends about how they are making bad choices or have they thought about this, that or the other? I’m just a fountain of therapeutic advice and really I should be. I have been in and out of therapy for 26 years. I’ve made every mistake in the book. I’m a textbook case. In my defense though, this mistake was a new one for me, sort of.
The romance started slowly. He was methodic in luring me, steady, always listening, encouraging me to open up, without ever showing any of his own cards. Masterful. When I look back from the end of the story, this all makes sense. I always felt a little off kilter, never quite knowing where I was. We went through the motions of a relationship because by this time we should know how.
The funny thing is, in a lot of ways I couldn’t stand him. Stan was a critical and judgmental. He disapproved of me the way my mother did. “Is that what you’re wearing?” She would say when I showed myself first thing in the morning on my way out the door. I knew instinctively she didn’t like my style. Neither did Stan. Truth be told, I couldn’t really stand his either. He had this late 80’s early 90’s casual, albeit too casual, thing going on. Short-sleeved button up shirts with khakis. Only the shirts weren’t cool or nerdy, they were outdated. These were the clothes he’d liked 20 years ago and they were here to stay. He wore t-shirts that advertised, “life is good” or “ I’d rather be FISHING”. I adored listening to him tell me what a disaster his daughter was, raving about how she couldn’t turn on the windshield wipers in her new car, so she idiotically drove home, unable to see in the pouring rain. “Life is Good”. He wore flip-flops, which, by their very nature, confuse me. Why bother with shoes? Just go barefoot. Take a stand. Flip flops aren’t shoes. They aren’t anything and this isn’t the beach.
I wanted his approval regardless of his terrible sense of fashion and the lie of his t-shirt slogans. I worked so hard to get it. I chameleoned myself. I listened closely to the things he said. One day he told me, he liked women to dress down, wear a baseball cap and jeans, so I did. He was a recovering alcoholic. He didn’t drink, so I didn’t either. I did drink when he wasn’t around, though. In fact, I drank a lot, like my dad. Drinking helps me turn down the noise in the void. I couldn’t hear its echo quite so loudly and on top of that, drinking makes me more charming.
I’m a 50-year-old woman not a 16-year-old girl with a crush. Really, had I learned nothing in all this time? Like you, I’m wondering how and why. I’m strong. I’m a survivor. I’ve been through some shit. I’ve been hooked and thrown back enough times. Somewhere around 10, excluding high school, which isn’t real life anyway, but who’s counting? My memory isn’t that great. I used to be able to remember the visceral details of every experience. How things smelled, the leaf on every tree, the way the light in the room was both warm and made me think of my lonely childhood all at once.
When Stan suddenly disappeared, I felt both confused and relieved. Abandoned again. I’ve come to expect this kind of behavior. You never know when or how but sooner or later they go out for a loaf of bread. Sometimes I can’t wait to see how it will play out and other times I know it right from the start. This one was a new one for me. Stan left me for his ex-wife. He had two and this one happened to be the second.
In hindsight the second ex-wife makes perfect sense. I’m the kind of person that will ask a hundred million questions. Stan did not find this charming. In fact, it exasperated him. He would just say “you can’t ask anymore questions about this”, referring to whatever the subject of my current interrogation. Ex-wife number two was completely off limits as a topic but my curiosity has no manners. At the risk of more disapproval, I asked about her. He only said two real things about her, both of which unnerved me and both of which I remember clearly. “She was my prize and I took her,” he said one night while I was cooking dinner. Like cookies you aren’t allowed to eat. I didn’t question the statement. I peeled carrots, staring at the bright orange shavings against the dull worn white of the porcelain sink. So many things were going through my head. I wanted to ask at least a hundred questions and I didn’t want to think about the idea of being with someone who thought about women this way. My prize? Like a ribbon? Or a statue? Maybe a trophy, like an academy award? I imagined her perfect – gold plated, wrinkle-free and flawless, not at all like me. I imagined him worshiping her perfectness and parading her for all to admire. Her arm in his, her mere existence in his world made him feel better about himself. Just by proximity, she made him look good. He’d traded up and he couldn’t believe his luck. I did not get the sense that he felt that way about me. I knew that she ended up throwing him back. He was a bitter little Napoleon who had treated his first wife badly. He told me when his second wife, the golden prize, left him “he got his.” Those were the words he used. We were driving on the freeway and he was staring out the windshield at the cars ahead. He said it with such sadness, the only real sadness I had seen in him. I felt sorry for him. He said it was divine justice. He believed in God. He was in AA and he liked to spout AA dogma. My Higher Power. This kind of chatter always made me smirk inside. He controlled everything. There was no higher power. You can’t ask any more questions about that.
Ten years into my marriage, my husband had an affair. When you’re in the dark you develop other senses beyond sight. I felt the nervous energy come off of him. I felt the uneasy tension in every gesture. He looked sideways when he was shaving. He couldn’t sit still in front of the TV. He swallowed too hard when he drank his coffee. There’s a way in which men act when they are unfaithful. I think they can’t help it but they wear it like both a medal and a noose. That’s when I started to look for clues and evidence. It was everywhere, receipts, emails, phone calls, the smell of her lingering perfume mixed with the regular smell of his alcohol and cigarettes. He threw me back too, but not for her.
When Stan went back to the gold-plated prize, everything seemed to make perfect sense, at least to me. She was his desire and I was completely inadequate, as usual. This is the void that sits there. It mocks me, reminding me, nothing is enough. I am not enough. This is the bullshit girls learn to tell themselves. This is the shit the TV wants me to buy. This is the culture of scarcity. Honestly, I looked pretty good on paper. Kind of a catch even. Smart but not too smart, independent, easy enough on the eyes, and in case you forgot, charming. But once I’m caught, not enough. Not big enough, colorful enough, just not enough. Certainly not a prize! So, Stan threw me back. Of course. Who expected this to go any other way?
Surprisingly to me, I could breathe. Knowing you are going to get tossed back, makes it easier to tolerate when happens…sometimes. This time I was filled with gratitude and I wished him luck. I couldn’t believe my generosity. This was completely out of character for me. I’m a depressive. Change, powerlessness, rejection – this would be the perfect time to get under the covers and cry for weeks. By every account this was a betrayal. Who goes back to their ex-wife? The one who broke their little tiny cold heart? I mourned my loss…briefly. I had never been left for another woman and I think if I’m honest with myself now, that was the worst part. I don’t like to think of myself as competitive and here I stood, the loser of this round. This is when I unwittingly entered the vortex.
Less than a week later he circled back. He’s humbled. He pleads. He’s apologetic and I’m elevated. All of a sudden I have the upper hand. We’re chasing our own tails. Suddenly, I’m the trophy, mounted and put on the wall. I’m the winner. I’m gloating. I’m big enough. I get to ask all the questions I want now. I’m elated.
Really I don’t know what happened when he went back to her. I didn’t even bother to try to ask. It’s also possible that he told me and I forgot. Some memories wont stick no matter how hard I try to recall them. I can only guess that she threw him back, again. Probably then, he wanted to feel better about himself and I’m an easy catch. He knows that. He dangled the bait. I didn’t even question, I just opened the door. Come on in. Please someone. Fill the void. I promise I won’t ask any more questions.
The idea that he was a sociopath never occurred to me. So far this is just a typical tale of a breakup and get back together. Philosophically, I think people that get back together after a breakup are foolish. I’m foolish. I’m naïve and trusting. I’m a blinding optimist; at least I still was at this point in the story. I know this from my past already: when something is lost and then found, you hold onto it, tighter than ever. Don’t lose it again. Get control of things. Stop swimming upstream.
You think I’m delusional. Didn’t I just say I could breathe again a couple of paragraphs back? What am I thinking? This is what I think; I won, I’m good enough, I’m the prize. I know how to do it now. Dress casually, put on a ball cap and jeans and don’t ask questions.
Even as I write this I’m shaking my head. Maybe it would help if I explained the part about Stan being a sociopath? Sociopaths are cunning and manipulative. They don’t think rules apply to them and most importantly they lack empathy. I, like a lot of women, brushed aside the parts of Stan I didn’t like. I ignored the details that didn’t gel with my idea of love or whatever. This isn’t out of stupidity. It’s because I wanted to fill the void. Win, get control, have peace. You’re getting older. Time is running out. Everyone is screaming and I can’t breathe. Do what you’re supposed to do. Get on the ark.
Sociopaths do things to other people just to see if they can. The second breakup blindsided me in a way I had not been blindsided before. If you didn’t already know this story was true, you might not believe it. I wouldn’t, if I were you. Seven weeks after the first break up, I found myself having a romantic weekend in Belize. Stan and I arrived hand and hand. The water was the most perfect shade of blue, and the sand smelled of hot salt and decaying fish. I find myself getting comfortable. This is paradise. What can go wrong? This is the beginning of my happily ever after. I got the memo. You can stop screaming. The bungalow is beautiful. It looks as if it’s straight from the pages of a travel magazine. Picture perfect. Everything is perfect. The room, the beach, the crystal clear blue water. Perfect, really, trust me. Breathe. Relax. You don’t even need to ask questions.
On the second day, or the first, I can’t remember which. Stan made a big deal about taking a business call at 10a. I think I was 10a, maybe it was 2p but it doesn’t really matter. The point is, Stan never takes business calls, not even during business hours. Stan has no connection to his phone. In fact, he has deep disdain for it. Cell phones don’t fit with the carefree, easy-going, “Life is Good” persona he’s selling. Stan and I had numerous discussions about phones and phone etiquette. The fact that Stan hates his phone is relevant to the plot. We’re in a tropical paradise and he’s taking a business call. He also has his phone with him at all times. He’s emailing and texting someone with regularity. This is highly unusual for Stan. Only now does this obsession with the phone make sense. At the time I rationalized it. Maybe leaving kids at home? Maybe a big deal is brewing at work? I don’t know and know better than to ask. Stan doesn’t like questions. We know this. I suddenly I feel like I need to be on my best behavior. This is perfect paradise. I’ve been left in places by men, restaurants, and airports and once on a hiking trip through Thailand. He just left me with my backpack in a foreign land. I’m learning to keep all my questions under wraps. He’s a small man with a bit of a Napoleon complex. He needs to control things. I know better than to mention this as well.
I’d begun observing Stan after the break up. Up until the time of the trip, he seemed more connected to me, more open with his feelings. More tolerant of me and my idiosyncrasies. At the time, I thought he regretted breaking up with me. I think now, he wanted just to keep me on the hook. I’m an easy catch. I’m cynical now, in a way I wasn’t then.
At dinner one night, Stan described, in detail, the story about how things ended with his first wife. I wish now I had listened better because you and I both know people don’t change. The story he told made him look like a jerk that had driven her crazy. He seemed to take pleasure in the idea that he didn’t have remorse about doing what he had done to her. He was having an affair. He didn’t return her calls or communicate with her while she was devastated by his disappearance. They had a small child and she was not a strong woman. Run. That’s probably what you’re screaming inside your head. You weren’t there that night and clearly I’m swimming around in the dark here. I sank deeper.
The next day as 10:00 am or 2:00pm approached, Stan set me up with a task that would keep me from the bungalow for the call. I was to get snorkeling gear and a kayak so we could paddle out to the reef or was it bikes so we could ride into town? It doesn’t really matter. After completing the task, I waited. Patiently. Still. Quiet.
It’s terrifying for me to know that memories are not accurate record of our history, and that memory is malleable and that the mere act of remembering alters the memories. That afternoon the waves were hypnotic. I stared out into the sea, thinking of my history. I could hear Stan’s voice floating through the air from the open windows. He has a beautiful West Texas accent that makes me think of dusty wind. There was pleading and hushed words. Somewhere in the breeze it occurred to me this was anything but a business call. I heard him say sweetly “I promise. The second I get back, Julie. I promise”. I considered walking slowly and quietly into the sparkling blue of the water. It didn’t seem cold and dark but warm and inviting. Glittering and confident, just the way I like it. Clearly, I didn’t walk into the ocean. This is what I did: I walked into the bungalow. I picked up my purse and my passport and left Stan in a foreign land. At least that’s the way I remember it.
by Jen Bracewell | Jun 2, 2014 | 1000 Words, Jen Bracewell, Stories
1000 Words, Instagram Vol. 1 June 2014 by Jen Bracewell
Welcome to our very first themed Instagram 1000 words showcase! There are many talented artists on Instagram and we wanted to tap into their creativity and showcase their work here. I chose “Double Exposure” as the theme for this showcase. It’s a favorite and I’ve seen so many gorgeous double exposure images of late, whether shot as such or blended in post-processing, double exposures are a fascinating way to juxtapose images and weave a tale.
Grryo believes that mobile photographers/ artists tell stories through the photographs/ images and art that represents their families, their environment, themselves. This is important because of the level of communication that is portrayed in imaging today.
We want to support the mobile arts community by having a place for artists to share, discuss, and critique (if requested by individual). These dialogues help the individuals and the community to grow.
We look forward to you and your art. We thank you for your contribution to the mobile photography/ arts community.
I chose these images based mostly on gut reaction to them. I love an image that leaves you wondering, wanting to know more. These images are technically brilliant, mysterious and there’s a story behind each one.
To find your courage you must find your fears.
Apps used: iPhone5 native camera | Union App | Mextures
Inspiration: when dealing with any situation in life we sometimes build roadblocks for ourselves and create blind spots that limit us in some form or fashion. Periodically we are shown these roadblocks an realize some of them are fears that we’ve protected ourselves from by simple avoidance. It’s in these moments that decide where we will go from there and test our courage if we decide not to stay on the path I least resistance and find out if we’re brave enough to move forward. – Brandon Walking the beach is something I do on a regular basis.
Early morning and late afternoon are my favourite times. This shot is special because it’s a rare photo taken when my daughter came home to visit. She lives in another state and it is rare that she allows me to take a few photos. You can just see our dog in the frame walking behind her. It is moody and dream like. The random figures in the distance lining up with a double headland echoes a different journey. The main shot was taken in hipstamatic Florence lens and Irom 2000 film and then layered in using Diana app using another beach shot. I used Ghost filter. I like Diana’s random selection as it forces me to look at different compositions. It can be a slow process as there are many images not used. You can also load them into the app by selection. My camera roll is full of beach shots and blurry movement shots where I move my iPhone set on HDR setting. I don’t mind the flaws of imperfection. I think that is what makes it interesting. Using dxp has always been a favourite technique and with so many apps giving you this ability to explore there is endless possibly. – Glenda My son was given a toy plane while wandering on an east bay beach, San Francisco looming in the background. The mechanism that controlled the propeller was broken and he was determined to fix it then and there. I wanted to juxtapose that idyllic childhood moment with the idea of future and expectations for our youth, exploring the legacy that we are leaving our children on this damaged earth with the hope that they will build something better. I used an image taken with Hipstamatic in downtown SF to layer and mask over his silhouette in Image Blender. Texturing and color palette manipulated in Mextures. – Heather This edit was inspired by words / as almost all my edits, as I am huge words lover. Words I wanted to paint here, describe love in really romantic way , as it should be, as we all dream to meet in our life :
“I carry you with me into the world,
into the smell of rain
& the words that dance between people
& for me, it will always be this way,
walking in the light,
remembering being alive together”
This work is really simple. First I edited two pics in Camera+ tokay them as dark as I could and then blended in app called Blends. – Basia
For this image, my sisters and I (@theladysbug and @withrobots) were all taking group/sisterly selfportraits in the bathtub. (I love cropping people out) I was learning, and expirementing with mirroring an image by blending images, instead of just reflecting the one image. (The original of this self portrait was posted over five times, in many different versions in my feed, only two made the cut This image in particular, I mirrored with Reflection and then I edited the mirrored version in Mextures, trying to make each half a different color scheme. Then I used MultiExpo to blend each half of the image with the other. I touched it up a little with Snapseed, and that was it! – Catherine
This image “Oh Theodore” is part of a series of images I’ve created using photos I’ve taken of my legs in various poses and fashions. Not sure why I started this series, but I think it has to do with my love of fashion, especially as used for self expression. As for my editing process, I started out with the photo I took of my lower legs wearing leggings and black boots, I then isolated this image in Superimposer and saved on a white background. I then blended that image with another image (flowers on a letter I created in Blender and Snapseed) in the Blender app using the setting Plus Lighter and adjusted to my liking. I then moved the image to Snapseed for final adjustments on color, brightness, etc. And that’s it, the story of “Oh Theodore”. – lorenka
It was
Sunday afternoon, the sun was shining and I could smell the fresh cut grass in the backyard. Sundays remind me of a day for relaxation and just taking it easy. I immediately knew what image I wanted to create. This is an image of my son and the grass in the front yard…before it was cut. I liked the long single blade of grass and the seeding piece just off to the right of it, it looks like a closed eye. The single piece reminds me of headphones. It’s as though he’s listening to music, eyes closed, and enjoying the smell of the fresh cut lawn the breeze brings through the window on a Lazy
Sunday. –
Ginger
About my edit, i really don’t know what to say about my edits, (im a few words guy), but i can say: my inspirations are: minimalism, nature, geometry, architecture and human body and the relationship between them. Juan
As a fact: i started doing those edits after seeing the:
“Experiments: Photoforge by Oveck”
First of all it is an honor to be a part of this group. Big Thanks to
Jen for choosing my image for the feature.
What i can say about this photo… It is a part of the series named
“Between presence and time” and it represents My absence. With this
series my main drive was to express an old and ancient sorrow that is
going out. A bleeding shadow. The hidden part of my being. And this
photo represents my absence. The in between. A place where i can
taste, touch, smell and see a pure essence of my being. A place where
an endless chatter of human mind is silent.
Thank you very much for giving me the opportunity to share my Inland
World with this beautiful family. Much Love.- LJ
by Anna Cox | Jun 2, 2014 | Anna Cox, Stories
As storytellers, our hearts take on many forms through our work. Our dear friend, Alessio, started a book called “Life of Chloe” but sadly passed before he could finish his work. As friends and peers, we have taken on the task of finishing his work in the only way we know how- together. We are a collective, friends, artists, lovers, mothers, and fathers and as such we all bring our own experiences to the table every time we tell a story. Alessio loved the mobile community and sought to bring us together to form stronger bonds. The Life of Chloe was a labor of love for Ale and it only seemed fitting to continue his story with ours as his light was snuffed out way too early.
In this article you will find the original chapters that Ale wrote and we are using these as a stepping stone and prologue to the collaborative book Grryo is writing to honor Alessio and his passing.
We do hope you will continue on this journey that Ale started and see the world through Chloe’s eyes.
——————————
The Life of Chloe
Chloe loved a married man…
no plans, no holidays, no random calls just to say Hi, I feel so bad today…
everything had to be pre arranged. All the times.
The calls, the meetings in faraway places, the hidden love.
No room for spontaneity and sharing.
A lot of Past, some Present but no Future…
Chloe amava un uomo sposato…
nessun programma, nessuna vacanza insieme, nessuna chiamata improvvisa solo per dirsi Ciao, Mi sento giù oggi…
Tutto doveva essere preorganizzato. Sempre.
Le chiamate, gli incontri clandestini in posti lontani, l’amore nascosto.
Nessuno spazio per la spontaneità e la condivisione.
Tanto passato, un poco di presente, ma niente futuro…
The hardest thing to learn in life is which bridge to cross and which to Burn”…
Chloe thought of her Mum when this sayin got to her Head, she was the one who first suffered from wrong choices in her Life.
“Hey, it’s almost Christmas” Chloe thought
“i HAVE to call her”…
“La cosa più difficile nella vita è decidere quale ponte attraversare e quale distruggere…”
Chloe ripensò a sua mamma quando questa frase le tornò alla mente, proprio lei era stata la prima a soffrire per decisioni sbagliate nella sua vita.
“Hey, è quasi Natale!” Chloe pensò
“devo chiamarla subito…”
“Am i really ready to give up on this?”…Chloe wondered…
“Let’s face the truth, Chloe! He will never accept the idea of starting new again. Not with me”
In that very moment, a chilly breeze blew her hat away.
And she felt devasted as never before…
“sono veramente pronta a rinunciare a tutto questo?”…si chiedeva Chloe…
“affrontiamo la verità, Chloe! Lui non accetterà mai davvero l’idea di ricominciare tutto daccapo di nuovo. Non con me”
In quel preciso momento, una ventata di aria gelida fece volare il suo cappello.
E si sentì devastata come mai le era accaduto…
…Many years passed since that winter day.
Chloe took what was left of her life, and never turned back.
Sometimes, early in the morning, she finds herself staring at the safe eyes of the mountains outside her bedroom window.
Not a noise. No regrets.
Chloe feels warm inside
and holds in her arms the son of that far away man.
And thanks God once more…
…Molti anni trascorsero da quel giorno d’inverno.
Chloe prese quel poco che le era rimasto della sua vita, e non si voltò indietro.
A volte, presto al mattino, si ritrova a fissare quegli occhi sicuri e protettivi, di quelle montagne aldifuori dalla finestra della sua camera da letto.
Nessun rumore. Nessun rimpianto.
Chloe avverte un piacevole calore dal di dentro
e stringe tra le sue braccia il figlio di quell’uomo ormai lontano.
E ringrazia Dio ancora e ancora…
Hello World.
I was born today.
After you tried to kill me all those times before, i can still walk under the rain.
Hello Rain and Thunderstorms. Wash my skin today, because i have no fear to stay here naked under your eyes.
Hello Blacks and hello Whites. Both sides of me are now one, and no one will take the colors away from me again.
Hello Sea. Where would I be without you near?
Hello Death. You tried to win over me, maybe you put baby in the corner, but you missed your chance to beat me down.
Hello Life, i’ve been to my funeral and i watched them all. You taught me where my limits end, and how to rise again. Like a Phoenix.
Hello you.
My name is Chloe. And I was born today, Tuesday 7 august 2012…
August 14, 2012
“start a new day, but not alone…” The radio was playin that song and it was too early in the morning.
When was the last time i woke up with someone who really cared about me?
When was the last time i woke up with someone at all?
When did i open up the window to see the first sun rays of a new day?
When were you here with me the last time?
It feels like forever.
This scar on my ankle is pulsin blood straight to my heart now. It lives there to remind me how evil can transform you, how it spreads fast inside you, like a virus in need of fresh human skin. That scar is your scar, your legacy, your tied knot. It is not hurtin today, must be the sun and my inner peace to let you finally off of my body.
The weather forecast is always wrong with me, they never seem to understand the heavy responsibility of their predictions on my life.
I am addicted to weather. I can smell the rain before you even run for shelter, i can listen to snow falling for hours without uttering a sound, i can see through the fog.
But not today. I will soak up the sun today…
“There is Life, even after a Broken Heart…” (“Broken Heart”, written/performed by White Lion, 1991)
Monday, August 20, 2012
“have you heard from Chloe?”
“No and i miss her. I really thought i would find her yesterday night, at our long awaited reunion dinner… did you speak to her on the phone? Texted her?”
“Tried to call her in the weekend. Phone rang unanswered. All the time…”
One month was just passed in those familiar and close surroundings.
ALL the one lifetime friends did come and say the words. The paths of the childhood were all bypassed with a smile on their lips and a sense of belongin in a dreamy tale.
The elder, the newborns, the classic players and actors in that small Town theatre Set, all of them somehow updated to these new, confused and crisis-full times.
But one thing was still and strong out of the picture.
Time
Nobody seemed to understand how complex and precious that was.
And kept wasting it.
Like a free unlimited bonus earned in some lottery.
And she could not take this anymore.
So she wrote her usual two words to say Goodbye to the friends of her past and decided to take the long walk across the beachline.
The family was in silence, busy in moving and caring of the child. No loss of anything. Focused on their task, at that very moment.
“Thank you!!!” – CHLOE said from the distance.
“You gave me that TIME”…
So Mike called Today
(…more than a feelin…)
So Mike called today. i was lost in the guitar riff singing loud at the entrance of the graveyard. There is nothing more than a rock riff to show my presence in the land of the whispering ones
“Chloe? Chloe?…Hey Amore ci sei? Is this the right number… Are you okay, its…how much… maybe more than…Listen, i know…”
Only in that moment I realized it was him.
Michele.
The voice from the past. The Only One Man who ever made her lunatic head go bump and bump against the Walls.
“Mikey what you want. Why You callin’ me now? Call your Wife. We closed this long ago.”
“YOU closed this”
YES. I waited. I Looked. I Burned. I Closed.
“Call Her. Call Alice. I know she is waiting for this call now.I can Feel it. Call Her Michele.”
Oh, look! There is a Man fading away today. He looks NOT in peace. I have to go and See him.
Wait!
“Ciao Mikey, that man needs my Help”
Chloe moved to sing her song of strength to that Man in Agony! She realized he was a young Father, as soon as he saw a little man playin with a flower just next to him.
She asked him “What is your Name?”, but remained astonished from the answer she got.
They shared an earphone. The guitar riffs were gone.
Chloe got closer and sang to his ear “Sweet Child Of Mine” and the pain went away.
No frills.
An old man.
A long gone small tower down Italian history.
Senza fronzoli. Un uomo anziano Una torre antica in un antico villaggio italiano.
A Sunday spent “with the top rolled down”.
With a friend.
The one friends that count the most. More than relatives.
The cloudy lights and warmth and wind. The serenity of someone who blocks your heavy thoughts.
Who caresses the anxiety?
The meaning of bonding.
In the small and big things of LIFE.
Alfre entered in Chloe’s LIFE from the back door but it really looked like he was with her to stay…
Luci grigie e nuvolose di un cielo e del vento. La serenità di chi blocca i pensieri più pesanti e l’ansia. Il significato di un legame nelle piccole e grandi cose della vita.
Alfre entrava nella vita di CHLOE dalla porta di servizio. Ma tutto faceva pensare ci sarebbe rimasto a lungo…
by Joel Aversing | Jun 2, 2014 | Joel Aversing, Stories
The Fleeting Summer by Joel Aversing
As the heat rolls in and the days grow longer, the unmistakable sounds of summer emerge: the sizzle of meat on a hot grill, the splash and laughter of the kids in the pool, the distant sound of your neighbor mowing his lawn and more personally, the sound of my son repetitively bouncing his basketball on the pavement, as he strives for the perfect shot.
As I watch him, I realize that he’s at that magical age, a few weeks shy of 14, two months away from high school, a time of much change in his life. He is straddling the line between childhood and becoming a full-fledged teenager. Sure his age makes him a teenager already, but his actions, rolling around in the backyard with his dog, cuddling on the sofa with his mom, tell me he’s not quite there yet. Though, there are some days where his attitude and constant texting with girls remind me that he’s on the cusp.
This summer will be a journey of self discovery for him. It may be his last summer of freedom as next summer his hours may be filled with a part-time job. He’s old enough to stay home alone now and for us to trust him to walk to his friend’s house unaccompanied. I’m grateful that he enjoys exploring the outdoors just as much as he enjoys exploring the worlds in his video games. Above all, I hope he takes the time this summer to enjoy his last few months of childhood, digging holes, poking things with sticks, exploring old buildings and shooting his favorite basketball shot over and over again before this time is gone forever. One last crazy summer of freedom, and I’ll be there every step of the way with my camera capturing each moment of his transition from child to young man.
All shots were taken using the Lumia 1020 WindowsPhone. Post processed in Fantasia Painter and Oggl.
by Natalie Maddon | May 9, 2014 | Stories
The term painterly, among other things, refers to a type of painting that is blurred, broken, or imperfect. I tend to be drawn to photographs that have a painterly quality to them. There is something about the fluidity of watercolor that makes me feel like I am in a dream. When executed well, a photograph can make you feel the wind in your hair or the sunlight on your face. I tend to take a more dark or dramatic approach but I still appreciate some sunshine and softness every once in a while.
Texture is another aspect of imagery that can be really intriguing. I have been exploring more ways of adding texture in the post process editing. I have found that many apps make cheesy textures like those brick overlays or the ones that look like sandpaper. I found one called ArtRage that is pretty cool. You can use your picture as a transparency under your painting or drawing. It allows you to select the type of paint, brushes, etc. that you would like to use. You can trace and make an image that flows well with your photograph. Once that is done you just layer it on top with an app like ArtStudio.
I feel like this is a way for me to combine my long time love of paint with my new love for photography. A vivid color added to a soft photograph creates such a stark, unexpected, and appealing contrast. I like the idea of knowing that each brush stroke is like a roadmap of where the hand has been. It tells a story that many forms of expression just cannot compare to. So, why not have my cake and eat it too?
by Bridgette | Apr 23, 2014 | Stories
It’s FIESTA TIME, ya’ll!
Congratulations to all the photographers who made it into the Spirit of the NW photo exhibit!
For the last few weeks, Instagramers Seattle, New Belgium PNW and We Are Juxt, put a call out for submissions and more than 4,000 pictures were tagged.
A huge thank you goes out to all the judges and partners who sorted through the #SnapshotPNW gallery to narrow it down to our top 61 images!
On Friday, April 25th, we will celebrate community, the Pacific Northwest and toast to New Belgium’s Snapshot Wheat!
It’ll be a chance to meet fellow photographers and help raise funds for Urban Artworks while listening to music and grabbing a bite.
DJ Phosho will be spinning music all night and here’s a free download to get you all warmed up!
Pssssst…. word is that Outside the Box will be serving pork belly with cauliflower and rice, carnitas with lettuce wraps, loco moco and veggie kelp noodle stir fry – a menu that surely won’t disappoint!
If you have already RSVP’ed please note that there will be an all ages “happy hour” from 5 – 7PM; the party continues for those 21+ until midnight.
Let’s have fun!
The Photographers
- Al Garman // Instagram // Flickr // twitter // tumblr // Facebook
- Andrea Osborn // Instagram // Website // Facebook // twitter
- Angela Garcia Pattee // Instagram // Facebook
- Ashlee Langholz // Instagram
- Berty Mandagie // Instagram // twitter // tumblr
- Bethany Popkes // Instagram
- Bridgette Shima // We Are Juxt // Flickr // Instagram // twitter // tumblr
- Cade Waud // Instagram
- Cecily M. Caceu // Instagram // iphoneart
- Chandler Erisman // Instagram // Website
- Cody Hanson // Instagram
- Danny Owens // Instagram // tumblr // twitter // Facebook
- David Ryder // Instagram
- Deborah Heffley Jones // Instagram // twitter // Website
- Denise Heaps // Instagram // Facebook
- Dmitriy Shpak // Instagram // Twitter
- Dr. Gary Marshall // Portfolio // Instagram // Facebook // Website
- Dylan Furst // Instagram
- Eric Mickelson // Instagram // tumblr // Website
- Erica “Spin” Gonzalez // Instagram // tumblr // Twitter // Facebook
- Glenn Galinato // Instagram // 500px
- Grayson Andrus // Instagram
- Holli Dunn // Instagram // Website
- Jackson Leavitt // Instagram
- Jefté Sánchez // Twitter // Instagram
- Jenny Valdez // Instagram
- Jeremy Veach // Instagram
- Jonas Amos // Instagram
- Jonathan Shipley // Instagram // Twitter // tumblr
- Josh Trujillo // Instagram
- Jordan Stead // Instagram
- Julie Morgan // Instagram // twitter // Oggl / // VSCO // EyeEm
- Kai-Huei Yau // Instagram // twitter // Website // Website // Tri-City Herald
- Kara White // Instagram // twitter
- Kelly Hasenoehrl // Instagram // Flickr // Facebook
- Kory Khile // Instagram // Website // Facebook
- Lisa J Nelson // Instagram
- Linzy Witherspoon // Instagram // tumblr // Website
- Manesseh Ferrell // Instagram // twitter
- Martina Machackova // Instagram // Instagram // Website
- Merryl Pohl // Instagram // Twitter
- Michaela Lincoln // Instagram // tumblr // twitter
- Morgan Ascanio // Instagram
- Paul Marsh // Instagram // twitter // Flickr // Website
- Paul May // Instagram // Facebook // Twenty20
- Paul Rudolph // Instagram // Website / // Facebook // twitter
- Phillip Hennings // Instagram
- Rachel Sarai // Instagram // Flickr // fine art america
- Ray Duker // Instagram // Website // twitter
- Saki Jane // Instagram // Website
- Santiago De Hoyos // Instagram
- Sasha Barr // Instagram
- Sean Reed // Instagram // VSCO
- Shane C. Robinson // Instagram
- Stefanie Krach // Instagram // tumblr
- Taryn Arslan // Instagram
- Todd Gillman // Instagram
- Tri Tran // Instagram // VSCO
- Valeriy Poltorak // Facebook // Instagram // Twenty20 // twitter
- Victoria Wright // Instagram // twitter // Website
- Whitney Whitehouse // Instagram
by Andres Tardio | Apr 18, 2014 | Stories
In November 2013, Luis Merlos decided to take a short trip to Seattle, Washington; a trip that would inspire him to revisit memories of his past even though he had never been there before.
“Seattle has always been a place of interest for me because growing up in Los Angeles, I took a liking to their Grunge music and I have to admit, I enjoyed watching the Seattle Supersonics,” Merlos, who goes by @deadpool167 on Instagram, says. “Also the Space Needle is cool.”
Merlos packed some bags and hit the skies with Cynthia Casillas, who goes by @cynn33 on Instagram. He says he enjoyed “having someone help you explore and kick around ideas.” Plus, he adds, “She also didn’t mind me bugging her to be the subject in a few of my shots.”
Once in Seattle, Merlos found what he’d long been hoping for, the Space Needle. Perhaps the city’s most photographed landmark, the Space Needle stands at 605 feet high. Built in the 1960s, the Space Needle has become a symbol of Seattle, one that Merlos found a compelling challenge to photograph.
“I think taking a picture of the Space Needle and editing that image was the most gratifying,” he says. “I know it can be a cliché shot to take, but I wanted to challenge myself and provide a fresh and unique take on it and I was happy with the result.”
The result finds the Space Needle behind a portion of architect Frank O. Gehry’s EMP Museum. To add flare to the image, which already features two architectural marvels, Merlos captured three birds in flight through the grey Seattle sky. This tone, the mood of the image, is characteristic of many of Merlos’ Seattle-based photographs, a quality he appreciates.
“I think Seattle provided a perfect playground for subdued images,” he says. “Even though I enjoy shooting vibrant long exposure images and sunsets, I prefer darker images because I feel they add a sense of mystique and story.”
This atmosphere is precisely what Merlos was looking for. “I envisioned the grey skies providing a perfect contrast in my shots,” he says. “I shot pretty much at any time which is something I don’t do in Los Angeles.”
Being away from Los Angeles also provided several unknowns, so Merlos looked to locals for guidance.
“I asked [Seattle-based photographer] @jeko_1 via Instagram while I was in Seattle about a couple locations and he offered to show me around,” Merlos says. “That made my stay complete. Wouldn’t have found some of the gems of Seattle without him.”
Meeting @jeko_1 allowed Merlos to see another angle of travel photography, one that local guides can help provide.
“If you can meet up with someone in their city I believe you should,” Merlos says. “You can Google and research on your own, but every city has great locations that visitors can easily miss.”
Some of those gems included a drive through the city that featured a view of Kurt Cobain’s old home, another nod to Merlos’ appreciation for the city’s Grunge scene of the 1990s. From the Space Needle to the details that many Seattle visitors often miss, Merlos’ short trip to the North West has left a lasting impact. The trip, he says, made him eager to see new places.
by Todd Leban | Apr 6, 2014 | Stories
Welcome to the fourth edition of the We Are Juxt 1000 Words Facebook Showcase! Over the past few months, we have seen the group grow and watched their inspiring work being posted daily. We are happy to be able to showcase some of the outstanding work that is being shared.
We Are Juxt believes that mobile photographers/ artists tell stories through the photographs/ images and art that represents their families, their environment, themselves. This is important because of the level of communication that is portrayed in imaging today.
We want to support the mobile arts community by having a place for artists to share, discuss, and critique (if requested by individual). These dialogues help the individuals and the community to grow.
We look forward to you and your art. We thank you for your contribution to the mobile photography/ arts community. To submit your work click here.
My selections for this month not only display a variety of textures, but a sense of atmosphere and depth. The artists brought forth this sense of atmosphere and depth through the use of composition, and a thoughtful editing process. Portraits, blended images that forge a new reality, and vacant landscapes all leave us wanting to know more. I had the pleasure of getting to know more about the stories and thought processes behind the images, and am excited to have the photographers share their stories with you. – Todd
“Violet” by Erika Carrillo
Instagram // Facebook
In this particular piece I used Superimpose to place the image on a violet background. For a second step to blend in the colors and variety, I used SnapSeed. Then, using iColorama, I was able to accent the image with Flow and Raise, and for texture and final blending of colors, I used Stackables and Mextures. As a result, I was able to acquire my vision of youth, via expression of magical coloration and aura, around the innocence of a child
“?” by Andy Alexandre
Instagram
Apps used: Mpro – XnView – Afterlight – Mextures.
“I love improvisation when I take a pic, and I usually do not make many images with landscapes. This day I was alone in this park. It was the good moment. I tried to use the landscape and create the mood of a lost world.
I use Mpro for some b&w pics as I can play with contrast. To add this blur effect I used XnView, Retro 20 in Retro. I used afterlight to add more contrast in the sky and to have this gray atmosphere with “coal” filter. Finally, I used Mextures to add some scratch. I don’t really remember the filter, but you can find it in the folder grit and grain.
“Ashland, OR: Pay No Attention to the Man Behind the Curtain” by Meri Walker
EyeEm // Flickr // Twitter // Tumblr // Website
“Living in southern Oregon is a paradoxical experience for me. On one hand, this part of the northwest is sparsely settled and naturally beautiful. Ashland is famous for its wonderful restaurants and shops and, of course, the Oregon Shakespeare Festival. Some highly educated people have moved up here from the Bay Area and there are interesting bookstores, lectures, and some good music to serve them and the thousands of tourists that flock here in the summer to see the plays. On the other hand, some pretty abject poverty surrounds the expensive tourist attractions. Few jobs that aren’t minimum wage. Lots of homeless people on the corners. Children living in the woods – without parents. And that’s just the way it is.
Because I was a photojournalist early in life, it’s impossible for me not to see all kinds of things. Even in tourist towns. For the close to seven years I’ve lived in this area, this dilapidated old sign has been part of the landscape as you approach Ashland from the northernmost exit off I5. Not exactly the kind of image Ashland wants for itself. Ironically, no one has bothered either to take the sign down or invest in the vacant land.
For years, I thought I would stop and shoot the scene. March 9th I did it. Late in the afternoon. Bleak light and mud everywhere. I shot with Clear Cam originally because it was pretty windy and I wanted to be sure to get a steady handheld frame. I took all the color out when I got home and used Oggl to square up the composition and add the muddy edge. Not satisfied with the feel of the neutral monochrome I got from Oggl, I used Monokrom to punch up the contrast and add a smidge of green drama to the black-and-white.”
“Within Reach” by Jeffrey Simpson
Facebook // Flickr // Instagram // Website
“The inspiration for this shot, like most of my work is pretty simple. A strong black and white self portrait to capture and express all that feels just within ‘arms reach’ for me. Even though it’s not all clear (me, slightly out of focus), I keep a steady gaze, arms reaching and ever ready.
Process…
This self portrait is a pretty typical edit for me and feel it captures both me and my style of work. I have a ‘less is more’ approach with the apps I use, to achieve the classic black and white look that I love. I shoot in Pure Shot, which allows me to keep a high file size because it is in tiff format. (some apps really kill the file size!) I then used Filterstorm to convert to black and white. Filterstorm has a great ‘curves’ feature with a dynamic range of contrast and in this portrait, I really brightened the brights and darkened the darks. I also used the Blur tool to enhance the depth of field.
“Pond In Winter” by Paul Cutright
Facebook // Flickr // Tumblr // Twitter // Website
My inspiration for this image to begin with was visiting this pond. It is beyond some trees in our back yard and we can only see the pond when the trees are bare of leaves. It is in a hollow on our neighbor’s property and from our back deck it kind of glows in the shadow of the trees and surrounding hillside.
When I was at the pond it was small and surrounded by a lot of undergrowth as you can probably see in the image. I just knew that this scene could be the makings for an interestingly mysterious image. But, I wouldn’t know for sure or what the image would be like until I started working on the photograph.
I don’t usually have a preconceived idea of what I want an image to look like when I am done. I work intuitively, experimenting until I get something with which I am pleased. I like to create images that are mysterious, ambiguous and pull the viewer in to wonder and find their own meanings and interpretations beyond the literal. I also like to create painterly images in a painterly, impressionistic style.
I shot the image with Hipstamatic, Yoona lens & Blanko film, and edited it first in Snapseed. Then I opened it in DistressedFX and finished it there. I don’t usually document each step of the process when working on an image, so I can’t always give a step-by-step explanation of what I have done. I used to do that when I first started with iPhone photography, but found it slowed me down and interrupted my “in the moment” inspirations. All images and editing are done on my iPhone 4s.”
“Departure” by Anthony Hutchinson
Facebook // Flickr // Google+ // Twitter // 500px
“This ship was abandoned about ten years ago along the shores of Lake Ontario. Apparently it is a replica of the “Grand Hermie” used by the famous French explorer Jacques Cartier during his explorations of Canada between 1535 and 1542. Living in Toronto I have made numerous trips to Niagara Falls where you can clearly see this ship from the highway, but I never had the opportunity to stop and explore it until I finally decided to make a special trip. During the winter, because of the frozen shallow water it is standing in, you can get right on the ship and I therefore had the opportunity to explore it from every angle. It was a very rewarding hour I spent, including having to run back to the car to recharge my phone! (And I have to thank my wife as she patiently waited for me). Given that it is only a replica of a historic ship, it does’t have a lot of stories to tell, but you still can’t help but wonder what life must have been like for the original explorers on a ship such as this. How did they survive the harsh conditions of sailing such a small ship across the Atlantic to a land they had never been to, known then only as “The New Word”, not knowing what they would encounter? You can’t help but think about what stories the original sailors would have told. It’s all somewhat eerie.
This image was processed in Leonardo and Handy Photo, and because of the minimalistic nature of this image, processing was fairly straight forward. I use Leonardo almost exclusively for the bulk of my processing because I like to work with multiple layers and masking of details. After converting to black & white within Leonardo, I first went about adjusting contrast and brightness in specific areas of the image and in particular I wanted to bring out the contrast and depth of the rocks in the background and darken the ship. Fog was then added using Handy Photo. I had to play with this quite a bit to get it just the way I wanted it. The reason for adding the fog was not only an esthetic one but for me it was a way of emphasizing the “mystery” of not only the ship, but the mystery the original sailors must have felt when heading off for the New World.
“Behind These Walls” by Ginger Lucero
AMPtCommunity // Flickr // Instagram
-Behind These Walls-
Tattered and torn in the state of confusion, she hides behind these walls, it’s just an illusion.
She puts on a brave face and takes cover behind her smile, she’ll tell you she’s okay, but is dying all the while.
It’s not the first time he’s made her feel this way, her happiness depends on his mood, for it changes every day.
He’ll tell her he’s sorry and didn’t mean to cause her any pain, and she’ll tolerate his lies so others won’t think she’s insane.
But the walls are crumbling down, the sheet rock is wearing thin, and soon she will see that this is the beginning of the end.
She can’t take it any more, for it’s all just too strong, she’s beginning to feel like she doesn’t belong.
Behind these walls all torn and tattered, a woman is being abused, a woman is being battered.
“When I created this image, there wasn’t any idea in mind. The inspiration for the image came after it was made. It spoke to me of abuse, abuse that is either physical, emotional or mental. The kind of abuse that no one should ever feel. Women, men, children – we all feel, we all matter.
The photo was taken using ProCamera7. Snapseed to make the image black and white.I then used Faded to get the squares in the corners. Added texture from Camera Awesome, and used Imageblender to blend the texture to the squares themselves. Repix for the black drip. Finally finished with Stackables for added grit and final touches.”
“Toxic” by Rob DePaolo
AMPtCommunity // EyeEm // Instagram // Website
“This image was created out of the synthesis of two different creative impulses on my part. On one hand, as anyone that has followed my work for a while will attest, I have a bit of a “thing” for photographing people (mostly myself) in various masks. There’s something about how the wearing of a physical mask calls attention to the fact that we are all wearing “masks” of some sort throughout most of our lives. On the other hand, I also set out to make a statement about working life and how, for so many people, the corporate environment is a toxic one, and the mask (notice it’s missing a filter) represents our honorable, yet ineffective attempts to shield ourselves from the “toxins” that we are exposed to daily.
Like most of my mobile work these days, this image was shot with an iPhone 5s using PureShot in TIFF mode and edited exclusively with Filterstorm Neue (preserving the image file as a TIFF throughout the entire process). As far as the editing process, it is actually quite simple. I cropped the image square, converted to B&W, blacked out the eyes using the Curves feature of FS Neue along with the masking brush tool, then tweaked the overall contrast and brightness, added some heavy vignetting, and that’s about it.
“Blue Hotel” by Emma Amar
EyeEm // Facebook // Instagram
I was taking my self-portrait with the native camera on the iPhone4S, with stand by. I also took a pic from my city Cannes (french riviera) with the hipstamatic combo Jane and BlacKeys supergrain. Then I tuned the image in Diana to make a blend. I chose the filter ‘rave on’ and that’s it. I love to try different apps. It depends on the mood of the day. Thanks again to wearejuxt for helping me to find inspiration.
“Untold Blasphemy” by Ioannis Sidiropoulos
Facebook // Flickr // Instagram
“Untold Blasphemy is the result of a challenge that I’ve put myself to do – edit with more of a romantic touch than my usually dark edits. The apps that I used are blender to blend the main subject that is the portrait with other images like flowers, walls, woods etc. and the result is that. I used iRetouch to crop the image, and I used filterstorm to adjust the contrast.”