by Brad Puet | Jun 25, 2014 | Brad Puet, Stories
The Departure
It was her.
Fleshed out – singed onto
cresting waves and backs of turtles
Wenatchee and Kalakala
Bremerton, Bainbridge Island, and Chief Sealth
like San Pedro, Jerome, and New York City
The metaphor upon wings
she took on as her shield
her heart beats lashed out
onto the unlikely
canvases of skin.
Elders have traveled these waters for centuries.
Elders have danced with the Seattle skyline for centuries/
The little children chasing their shadows upon the history
of the districts they will soon inherit
her pulse is deafening
she, well
she is an adjective of life.
A simple description left to complete the imaginations of her children
she writes them out, pen to pad, screaming lead onto sidewalk heavens
scribbled and etched
And these waters have cracks on the crevices she said
Canvasses of poetry wrote life she said
From each smile to every fallen tear, i watched them fight for peace
That first time
And it was beautiful
Shouts shuddered the unhidden blanks of space
even reaching the darkest of memories
Fondled each thought into circulation
she became the word
and I was unsure of the bullet each noun and verb
she had committed too
And she shouldn’t have anything to worry about
Because of her
We will always just listen
She spit spat drip drops of justice that rewrote bible hymnals and amended bylaws
She said “They will run this world with just their innocence
They will run this world with just their poetry”
And we claimed our existence in this infinite time continuum
While the walls were tagged heavily with FAT markers and spray cans that
they told us not play with
And the irony is we didn’t listen.
She told us not to
So we poets became the voice of unheard and forgotten ancestors
Scriptures that were embedded in the thralls of history
In the hallways of our rich and native stories
She helped us give composition to the faceless movement thru poetry
Independence not vengeance she said
Monstrous redemption not silence she said
Fingers strewn tightly grasping the earth,
Sweat, embossed upon the backs of those who left, and came back
Whose tear drenched, blood drenched linen are
Written gloriously upon mother earth
Its salty texture it became
The texture you feel off of an immigrants sun-scarred skin
The texture you feel when wiping your eyes of the tears she said not to shed
You can be whatever you want she said
And we are because of you.
And we are because of you, i shout this believing in our beauty, the undying love for shedding leaves in hopes to become something even more beautiful so this change we held in for centuries fearful of letting it be known that it was destiny’s calling to release these
Pent up
Need to
Be free
Reach out, share truth, believe
You are, it is, redeem
Be it, be that, teach me
Teach you, teach me,
Teach you, be free
So together we beat words into equations
Matrices turn matriarch
Matriarch live equality
She sent shudders down our spine
With each breath she gave
She loved thoroughly without anything less than pure conviction
And hindsight lessons of
Love and hate of
Heart and mind of
Meaning and shallow aesthetics
You see she fought off of the bones of history
You see she fought off of wanting and needing truth
You see she became the truth once given the chance
So together let us
notice the roots off of the trees, gnarled, exposed to the elements, and watch as it
hugs deeply sincerely,
as we all cling for dear life,
grabbing hope and love
and the blue and green earth, our beautiful earth
like us
we will always remain struggling and fighting to stay alive
while we wait for
the departure.
Rest in Power Yuri.
*For Yuri Kochiyama, May 19, 1921 – June 1, 2014
———————
Yuri Kochiyama was born Mary Yuriko Nakahara in 1921 and raised in San Pedro, California, in a small working-class neighborhood. When Pearl Harbor was bombed, the life of Yuri’s family took a turn for the worse. Her father, a first-generation Japanese immigrant, was arrested by the FBI. When President Franklin Roosevelt signed the Executive Order 9066 ordering the removal of persons of Japanese descent from “strategic areas,” Yuri and her family were sent to an internment camp in Jerome, Arkansas. Due to these events, Yuri started seeing the parallels between the treatment of African Americans in Jim Crow South and the incarceration of Japanese Americans in remote internment camps during World War II. Subsequently she decided to devote her life to struggles against racial injustice.
In 1946, Yuri married Bill Kochiyama, a veteran of the 442nd Regiment. The couple moved to New York City where her political activism would flourish. They had two girls and four boys; most of them would become actively involved in black liberation struggles, the anti-war movement, and the Asian-American movement. In 1960 the family moved to a low-income housing project in Harlem. Yuri and her family invited many civil rights activists, such as the Freedom Riders, to their home gatherings. They also became members of the Harlem Parents Committee, a grassroots organization fighting for safer streets and integrated education. In 1963, Yuri met Malcolm X and they cultivated a friendship that would strongly influence Yuri’s political career. Yuri had been listening to Malcolm’s speech when he was assassinated while speaking to the Organization of Afro-American Unity (OAAU) members. Yuri’s keen interest in equality and justice led her to work for the sake of political prisoners in the U.S. and other parts of the world in her later years. Yuri was nominated for the Nobel Peace Prize in 2005 for her tireless struggles against imperialism and racism.
Yuri Kochiyama died on June 1, 2014 in Berkeley, California. She was 93. (Blackpast.org)
by Anna Cox | Jun 23, 2014 | Anna Cox, Stories
In today’s society a storyteller’s function has many faces. In the past it was the storyteller’s important duty to pass on knowledge to help his or her people survive. They passed on their history, traditions, beliefs and identity. In modern times a storyteller is so much more. They still tell stories of our history, traditions and beliefs but they also provide entertainment and educate us
Today with the coming of the digital age each person is able to tell their individual stories sharing them with a wide audience. We want to help others with our knowledge, amuse them and share our experiences.
Stories entertain us, help us understand each other and give us a sense of belonging. We share our experiences with others and read about others experiences to make sense of our
lives, showing us we are not alone. Stories can give us a sense of hope, help us connect with one another. They can show us that happy endings are still possible.
In the past stories were passed on orally and later with books. In the modern age the passing on of stories continues thru books, magazines, newspapers, online and orally. For even now a person who can tell a great story is much beloved. They say a picture is worth a thousand words and in today’s digital age another way to tell stories is thru pictures. With the advent of the mobile phone/camera everyone can be a storyteller. A mother telling the story of her family thru pictures. Someone telling the story of an important event because they had their mobile camera with them. Stories of love, pain, beauty and joy.
Storyteller’s are still very much alive and well and needed. With so much human turmoil, so many people connected in the digital age a storyteller can show you the harsh realities of life whether real or imagined
or the possibilities for the future.
by Bridgette | Jun 20, 2014 | Bridgette Shima, Stories
Open Road with Josh Johnson by Bridgette Shima
If you’ve been on Instagram as long as Josh Johnson has been, then you can pretty much say that you’ve been around since day 1.
JJ runs one of the most active communities on Instagram. He and his team post daily challenges, features, tips and more. His involvement within the app is over and beyond – all because of his passion for photography and his love for Instagram.
I got the chance to meet JJ in person Wednesday night along with Kevin Kuster and the FIAT crew. Seattle was the first of their four city tour throughout a five day course. Photographers met near the EMP and walked around Seattle Center taking photos while getting in a few words with JJ.
Personally, I wanted to see for myself who the man behind the JJ name was and find out what he’s been up to since his last interview with Dave. I have to say though, that I wish we had more time to talk. There’s way more to JJ than what you read here…
Did you ever imagine you would become such a well know figure within Instagram? How do you keep going strong?
It’s all due to the power of the app itself – the ability to share and interact and be creative. From personal experience, I remember taking pictures with film. Shooting the pictures, taking them to the drug store and picking up the photographs and showing them to my my friends. I was proud of what I did. I messed around with different filters, the whole process was exciting. Now take the work that goes into that process and cut down the reward into minutes and seconds. Snap the picture and get the reward right away by people appreciating your work right away.
I already had experience doing workshops so I decided that this was a big deal and I wanted to be a part of it, so every day I put in a little something.
My success is due to my passion and consistency; the way that Instagram works resonated well with what turns me on and because of that I’ve stuck with it. I’ve been lucky enough to have been with it from the beginning.
We both know that it’s not just about the photos, it’s about the community as well. With so many people that you engage with, how do you keep that under wraps? Do you have time for an online conversation?
I take the whole process very seriously. This is what I do. This is my job. I don’t take any one piece of it at a time very seriously.
How do I not get overwhelmed? I recognize that I use Instagram very differently than other people. There are very few accounts and relationships that I think long and hard about protecting. Whatever comes across my screen I pay attention to. I may not interact with a conversation but I will repost images on my account even though I’m not commenting on a lot of pictures. I do make up for this by participating in other ways.
What’s your criteria when featuring photographers?
For me, I would be the first to say that a huge portion of it is personal esthetic. #1 would be for the subject of the image to be clear and relatively isolated – it’s about cutting out the background and distraction. It feels good to me when I can look at an image and say to myself, this photographer knew what they wanted me to see and took the time to frame it and expose it accurately in a way that makes it easy for me to understand what they’re trying to say. It feels like it’s been thought out and given a little bit of love.
This even includes street shots. This means that the person that shot the image thought about the background, and even though it looks spontaneous, the street photographer deliberately wanted to catch that moment in an esthetically, pleasing way.
I want to find pictures that have a clearly defined subject.
Tell us about “collaborative marketing”. How are you making it work for you?
I want to do something significant, to make an impression in the world.
A lot of times the opportunities that we get to make this impression happen when there’s change. There are changes happening now that can lead to something significant where our creativity is being sparked because of technology and more specifically, mobile technology.
There used to be a certain amount of experience and effort to be a photographer ten or fifteen years ago. There was the purchasing of the camera and film, whole process of shooting the picture and having no idea what it was going to look like and not being able to see it for three or four days. That’s what it took to realize the creative buzz.
Well, nowadays you don’t have to buy a camera because it’s in your pocket. You don’t have to buy film because it’s obsolete. You don’t have to learn about exposure because you can look at your screen and either it looks good or it doesn’t. And so, we’re saying we’re looking for change and the opportunities to make a difference. People that didn’t see themselves as being able to feel that creative buzz, because they didn’t have the time nor talent, can now get it on Instagram and feel creative and feel good. And I think this is happening to a lot of people. There’s an opportunity to help people through that process and to lead during this change. And this is what I want to do and how I want to position myself and my company.
2nd opportunity is anybody that’s in the marketing world will say that everything is changing. Certain rules don’t apply anymore. There’s been a mixed bag when it comes to internet advertising. I think maybe the human brain has the natural ability to block out ads. Marketers don’t know how they’re going to connect with us consumers down the road as this trend continues. There are billions of dollars out there that used to go towards, and not necessarily, into making this world a better place. And because the rules have changed, society has the opportunity to reset the rules. We get to decide for ourselves where these billions of dollars go.
As a community it’s fairly easy – we want to make connections, make friends and meet each other face to face. This is the very beginning. I’d like to see this grow and grow.
I’ve seen it with Alt Hotel, now that was a huge success!
Right, we had over 100,000 images submitted and 5,000 on the wall, sponsored by Alt Hotel and Polaroid.
People will have this experience for a lifetime, to say that their photo was part of an art installment is worth more than an ad somewhere.
Engaging with the community is about creating relationships, which is much more valuable than paying for 30 seconds to try to convince someone to buy a product. What do you see happening with this new wave of marketing?
Marketing is more and more about relationships.
Companies are starting to avoid talking about their product. This is because of their existing relationship with the community and the presence they have already. It’s about catering to their experience.
Do you get tons of partnership offers?
We’re not especially active trying to get business. People find us. We focus on community more than anything.
Who’s on your team?
There are 4 of us on the core team:
Kevin was the 1st person I was in contact with, he emailed me about two years regarding the shooting at the Colorado movie theater. He reached out asking if we could do something and from that interaction, we kept in touch. I was at a point where I knew I needed a business manager, which is what he does, running these kinds of events. He was the first person I brought on the team to take it to the next level.
Emily is my Director of Operations.
Michael is a lawyer and he handles the books.
Tell us more about the Open Road Challenge with FIAT.
This is our second one. The first was last fall and we went from Chicago to New York, 5 different cities total.
It’s a photowalk tour to bring everyone in the community together to meet face to face, take pictures and have a good time. We’re driving in a FIAT and they’re giving away a car. Last year there was a nomination process and there was a team which chose some photos to post for public voting. This year, it’ll be done differently.
Tag it with one of the daily hashtags for a chance to win. For example, #fiatwaterpromo.
Enter as many images as you wish – @littlecoal won it last year!
Have any future projects you’d like to share with us?
We can’t announce anything yet but we’ve got a couple of accounts that we’re working on.
One final question… which company would you dream of working with at the moment?
Roadtrek Motorhomes. I lived in a Roadtrek Motorhome for about a year, ten years ago. I’d love to spend some time in another one. How about a giant caravan trip?!
Josh Johnson and his crew are currently touring the west coast.
For complete details please visit his Instagram gallery to find the meetup location nearest you so that you, too, can be a part of the Open Road event!
Thanks to FIAT and the JJ team for putting Seattle on their map. We had a GREAT time!
And, if you ever get that RoadTrek Motorhome, be sure to reserve one for us! ; )
Image by Bridgette Shima
A special shoutout goes to Michaela with Instagramers Seattle for getting the word out.
To see more photos you can check out the hashtag or Facebook album.
Find Josh Johnson: Instagram | Website | twitter
by Todd Leban | Jun 19, 2014 | Stories, Todd Leban
To understand where Chloe is now you need to learn where Chloe began her journey and where it is headed. The Reinvention of Chloe is a collaborative effort by much of the Grryo team to realize a dream our dear friend Ale began before his death. We do hope you enjoy the journey.
———–
it was never sent…………but it could have changed everything.
Written in haste, but every word genuine. An outpouring of curse words and familiar terms of endearment riddled with the sting of sarcasm. Each stroke of the pen impressed so hard, that it could be seen in relief on the opposing side.
It still sits in this exact same spot. Neglected along with the emotions that brought about its existence.
We forget how much the past has an effect on the present until it comes back around to stare us dead in the face.
by Brad Puet | Jun 16, 2014 | Brad Puet, Stories
Storyteller Series: Matthew Wylie by BP
As a member of Grryo, I frequently look through the hashtags of #wearejuxt #mobilephotography and now #grryo on all the social networks. First I find it interesting to see what people would share on these tags and secondly its a great way to meet creatives who share commonalities through mobile photography. The new Grryo tag already has over a 1000 photos in a few days and I totally gravitated to a handful of photos that were posted on Instagram by Matthew. I wasn’t the only one as that same day, Anna (who is also an editor of Grryo) hit him up for an interview. Needless to say, Matthew’s work is amazing and great and all things awesome and we wanted to share with our readers this storyteller from Toronto!
BP: BP MW: Matthew Wylie
BP: Tell us where you are from. Tell us about your family. Tell us about your non-photo inspirations (other artists, books, etc.).
MW: I’m from Texas, where I spent most of my life. My blood family is there as well, but I have been living and teaching in Canada for the last seven years. My professional background is in literature and writing, and, since I was a young kid, I have always been very drawn to stories, words, and art in general. In terms of artists most important to me? – Nabokov, Kafka, and Borges. The enchantment that each of those writers can place on words, symbols, and the story itself has always been magical to me. So, that general aesthetic definitely influences my work. And of course Rainer Maria Rilke, his “Letters to a Young Poet,” – this work has always been such an important influence on how I approach the world and my art. The line “if your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches” is particularly inspiring to me and I certainly use this as a constant motivation to find, see, document, or create the beauty and mystery that’s out there, every day.
“The struggle itself towards the heights is enough to fill the heart. One must imagine Sisyphus happy.” – Albert Camus This photo was taken in Toronto, where I live. It was shot during the very difficult and long winter we had this year, with about 6 months of bleak, blistering cold days. I was on my way to the market when I noticed this massive billboard with the hand and I saw the subject approaching. Her body movement, her face – it just all embodied what I think we were all feeling about the winter and, despite its brutal nature, she was braving it. It was such a testament of the human spirit and I was immediately reminded of Camus’ quote on Sisyphus (see “The Myth of Sisyphus”) regarding the idea of finding meaning in the struggle, of forging our own authentic meaning, despite the absurdity and harshness of our daily lives. Meaning is not out there to be found. It exists within ourselves, as Camus intimated, and I feel like this photo illustrates that tenet.
“This will never end because I want more.” – Fever Ray Taken in Toronto near a playground where I work and pass by daily. The boy was playing with a stick as if it were a gun with his peers and I was able to walk past and capture one from the hip that. While it took a bit of editing, it ended up working and conveying this mad, beautiful sense of energy, maybe even angst (?). The audacious look on his face reminded me of the lyric from one of my favourite bands, Fever Ray. I love the coupling of the mood with the song – again, the creative exchange, at least for me, lends itself to other mediums and this one was musical in nature.
BP: How’d you start in photography and what brought you into the realm of street photography?
MW: Oh, I’ve always taken photos – I’ve just never owned a good camera. Like, I would go through Kodak disposables weekly during high school, and then moved on to cheap, handheld digital cameras that just took horrible photos! I had a Polaroid that was fun in university, but the film cost too much for me to naturally produce. Visual imagery, especially photography, has always been special to me though. I could never draw or paint very well, but I could take pictures, so that was my visual medium. However, I didn’t get serious with my work until recently, like within the last year or so, when I got my first iPhone (the 4S). That totally changed everything for me. I now had this tool in my hand that could complement my vision and help me communicate the way I’ve always wanted to and knew that I could. What got me into street photography? I’m not entirely sure, really. I have always been drawn to artwork that is a bit raw, or . . . at least not traditional. So, I think that has something to do with it. Once I started exploring the genre and seeing what others have done with it, I just knew it was what I wanted to pursue. I don’t want to call myself a “street photographer” though. I think I just use the streets more than any other subject to tell my story, or to capture the type of images I am seeking to capture and convey to others.
“Symmetry is what we see at a glance.” – Pascal Taken in Paris, France. I adore this photo because it illustrates Lange’s quote (see above) but in a different manner. When I originally saw this photo on my phone, it didn’t look like much, but after seeing it on the larger screen, it itself up to me and I was just so swept away with what I didn’t initially see in the photo. This all speaks to a larger issue I think regarding the way technology, particularly viewing art in a variety of mediums, can change the way we appreciate the aesthetic qualities of a piece of art, especially a photo. For example, oftentimes, I (we) have taken a photo and, while it seems decent on the iPhone, is only mediocre when viewed on a larger screen. However, does that discount the original aesthetic moment we shared with our first viewing? Since these are primarily digital images we are dealing with, can we not speak of a multiplication of the same image, depending on the medium it is viewed in, e.g. iPhone, iPad, Desktop, a blown up piece for a gallery wall, the way we remember the image weeks later?
“Maybe all men got one big soul, and everybody’s a part of it—all faces of the same man, one big self. Everyone looking for salvation for himself. Each like a coal drawn from the fire.”- Malick Taken in Toronto. I have always been drawn to Terrence Malick’s films. They read like filmic tone poems and this capture / edit to me encapsulates a line from one of Malick’s best, The Thin Red Line. The irony that, for me, the act of going out in the streets is such a solitary endeavor, yet, that the final outcome can provide so much connection to others, either through social platforms or whatever, is just wondrous. To the wonder . . .
BP: Your photos are captivating, as you automatically think as a viewer, “what is the story here? What is the artist’s message?” Explain to us a process for you to achieve this connection to the viewer.
MW: Thank you for that! Well, to be honest, I am not sure it is something entirely, or even remotely, conscious. But I do think of it as an exercise in reading. In my writing courses, we often discuss the concept of reading images as texts, and learning to read well is essentially the same thing as learning to see well. The world is full of texts and subtexts and sub-subtexts – just layer after layer after layer – and these texts aren’t simply written, but visual as well. We read images as texts and we’re not even conscious that we’re doing so. We’re always reading – at least those of us who are looking. So when I am out on a walk through the streets, I am constantly looking for that text that my camera will capture and will, hopefully, be able to communicate something, even if it is a recognizable emotion, or a memory even. In terms of my connection with the viewer, I am, with all due respect, never thinking of the viewer. I am not thinking a lot, actually. Just scanning with my eyes the building blocks for the story, which could range from another actual human being to a shaft of light in an alleyway to the colours in a window reflection. Once I have these tools, then I think we can begin the sharing process. I guess . . . think of it as if I have read a story and want to retell it to you. This is what the photograph is. It’s a retelling of a visual I was witness to. Once I share it with you though, it’s no longer my narrative; it’s yours. And this is the beauty of storytelling, whether with the written words or with an image. The narrative is never static.
Series: Where are you going, where have you been?
Where are you going, where have you been? This was taken in Toronto in a neighbourhood that is primarily inhabited by Hasidic Jews. It is a difficult area to photograph in for various reasons: as a visible outsider, it is far less easy to be invisible, there is a heightened sensitivity on my part for what I am capturing and not capturing, and then this sort of strange, somewhat eerie feeling of unease portrayed in the body language of the community members themselves, partially due, I believe, to a series of anti-Semitic acts / violence that the neighbourhood experienced a few years ago. The area is also not very busy, so attempting to blend in is impossible– and thus eye contact is rarely made, subjects increase the pace of their walking compared to when in the heart of the city, etc. With this particular shot, I was about to turn in for the day when I noticed the boy approaching. I did what I do and he simply looked right at me and was the only person to make eye contact with me that day. After the shot, we continued to make eye contact until he rounded the corner of the building. The moment felt special – contact had been made and it was positive and felt mutual.
Where are you going, where have you been? Again, part of the series I spoke of earlier. This is dedicated to Saul Leiter, one of my favourite photographers and one whom I am only beginning to delve into thanks to a friend (Dan Cristea @konstruktivist) introducing me to his work. This is simply my attempt at seeing the world as Leiter did in his photos. If you don’t know his work, my God. LOOK! The woman in red later led to a short story I have begun writing about a girl who can swim through glass.
Where are you going, where have you been? Taken in Vienna, Austria. The North by Northeast departure of these two subjects just begs for a storyline, perhaps one of tragedy, but perhaps not without love? The man will assuredly die.
Where are you going, where have you been? Taken in Toronto. I have not finished with this photo yet…but she will most assuredly become a character in a story soon, or a poem. Her look is music to me, Chopin maybe , and she’s looking to leaving.
BP: Your series “Where are you going? Where have you been?” is an interesting one. Can you tell us more about it and your expectations of this series as you’ve listed it as one of you favorites? Altogether, do you feel you’ve accomplished your goals?
MW: Sure! So, this series basically centers on the relationship I explore between creative writing and photography. I will usually use the streets to inspire something in my writing, such as a character, a setting, a mood, or even conflict itself, if I’m lucky. Most of my photos feature human beings who are, usually, in movement and going from one place to another. I like to pose the question, once I’ve found an interesting moment or subject, of “Where are you going? Where have you been?” – and use these questions to lead towards some type of narrative, something tangibly poetic that I can fashion into a story: “Where are you going? Where have you been? Do you believe in God? In suicide? When you arrive at your destination, will you be greeted with a parcel, a bomb, a kiss on the lips?” – and on and on the process can go, depending on the actual shot I get. So far, it’s led to a few short stories or sketches and bits of poetry I have written, but nothing definitive, and I’m not really interested in that right now. The point is that I use this exercise as a way of shooting and a way of making the creative process between writing and photography both cyclical and reciprocal. One day, I will probably put together a handful of photos and texts that they inspired together in a formal portfolio, but I am not there yet.
“The camera is an instrument that teaches people how to see without a camera.” Dorothea Lange While I have been taking photos for over 15 years, I never had a serious camera until I got my iPhone 4S. Since then, I began taking my photography and my approach much more seriously, simply because I had, for the first time, a tool that could compliment my creative vision. This Lange quote has always resonated with me because it’s just so true. Photographers and visual artists may be equally cursed in this way, but my, what a blessing it is to be able to see magic almost everywhere you look. . .
“Over” “Once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return.” – Leonardo da Vinci
BP: Who are your photographic inspirations and why?
MW: Well, hm. That’s hard to answer. There’s quite a few photographers whose work I admire and adore, both living and dead, e.g. Bresson, Gordon Parks, Saul Leiter, Vivian Maier, Dan Cristea, Markus Anderson, Amy Leibrand. But I think in terms of inspiration, it is this whole, revolutionary concept of social photography that we are bearing witness to as we speak. I mean, we are witnessing the democratization of the visual arts in a way that simply has never been seen before. Sure, there are criticisms to be made about the infinite flux of images – I get that. But you can’t deny the beauty and hope in the fact that more people have access to art and to tools to create visual arts than ever before! Photography, film, visual images – these are not just the fields of the privileged or experts or well-educated anymore. Anyone with raw talent who can afford a phone canget out there and do some absolutely amazing things with these tools! And not just that, but they can discover and reach out to other artists so easily, like we are doing now – they can learn from others, so purposefully– and all through the same device that they are using to create with! Like, ####! I think it was Koci that called this a “golden age” of photography and there just may be something to that. I mean, to think that this genre, photography, the arts, visual narratives, is so accessible to so many people now and the dialogue has grown so exponentially in terms of sharing ideas and inspiration – I think we are witnessing what will most assuredly be remembered / studied as an era of visual art production like the world has never seen. That’s just incredible to me! I just hope we embrace it now and continue to evolve with it. Think about it, can you imagine being able to travel back to the 16th century and say, “You guys are in the f###in’ RENAISSANCE! Do you get what that will mean later?” – I want us to look at what we, as artists, are experiencing now and see it as something that is significant in terms of the evolution of art in our society, rather than just a trend. And to think we are doing so much of this together! All of this, I feel, is spawning some brilliantly creative pieces and artists, which, again, begs reflection: we have the chances of seeing not just a handful of great photographers a decade, but hundreds, maybe more! This is so beautiful to me! And people are creating, producing, and communicating so prolifically. This doesn’t mean that everything is brilliant and I get the argument that art could grow saturated as a result of the influx, but who wouldn’t rather have more artists than fewer? The argument that the influx makes art less special is absurd to me because what you’re really stating with that is “there’s really only a limited amount of beauty out there to produce, or, there’s really only a limited amount to say, etc.,” which is illogical! Beauty isn’t finite, and neither is art. And let’s not get caught up in being ‘original,’ because, really, what has that EVER meant? I believe in raw creativity, and contemporary photography, especially mobile photography, is so very exciting to be a part of and witness right now and I’m excited to see where it takes us next. Again, just the fact that more people have such a powerful artistic tool in their hands than ever before – that’s just so inspiring and promising to me!
” . . . and I have not told half of what I saw.” – Marco Polo Taken in Toronto. This photo represents the inverse of the creative writing process that I spoke of earlier. For example, sometimes, I will take a photo and use it as a means to have me explore things I have read in the past. The ability to synthesize like this, between words, an image, and my memory, is quite interesting to me. I ended up with the Marco Polo quote and couldn’t stop thinking about it all night after the photo was taken. To think that Marco f###in’ Polo made such an utterance about the ‘discovery’ of a continent – and then to parallel that with the myriad of moments a photographer sees while out and about – and we only probably catch a fifth of what we see, for whatever reason. There is so much fucking beauty out there . . .
The Water’s Edge As Gabriel Garcia Marquez has taught us, sometimes light is like water. Sometimes, you tip tap into it, while at other times, you dive. Regardless, the pools are always there, wet, bright, and waiting for you. Please see his short story by the same name for advice on how to master the science of navigating on light.
BP: For new(er) street photographers, what advice do you have for them? Please provide any technical and artistic advice.
MW: Well, I am in no place to give advice, as I am still learning myself! But I can offer advice that I’ve either been given or just learned to give myself as I’m developing. So, shoot a lot! Shoot every day and learn from your mistakes, as well as others, even if by observation only. Study light and learn to make it work for you. Shoot for one month in the same hour of the day and do this for all of the day light hours, which should take you about a year. Dispel the myth that location is everything. Location is overrated. It’s about how you see, not where you are. Learn to see differently, and well. The stuff of good photographs – all that is out there! You just have to go find it, and you don’t need an expensive camera to do so. And I guess most of all, be confident in yourself and believe that you have something to say with your photos. Too many people have very little to really say about the world around them. Having so many tools to communicate now – that almost seems absurd, no?
Find Matthew Wylie: Instagram // Flickr // EyeEm // VSCO Grid
by Rebecca Cornwell | Jun 13, 2014 | Rebecca Cornwell, Stories
To understand where Chloe is now you need to learn where Chloe began her journey and where it is headed. The Reinvention of Chloe is a collaborative effort by much of the Gryyo team to realize a dream our dear friend Ale began before his death. We do hope you enjoy the journey.
Closing her eyes to the day, there is the light that lives.
It dances.
It sings.
Chloe knows tomorrow may be different.
For this moment of joy, there is gratitude.
by Jeff Kelley | Jun 9, 2014 | Jeff Kelley, Stories
Grryo Storyteller Series: Justin Johnston by Jeff Kelley
When we were asked to find a storyteller to interview, I immediately thought of Justin Johnston. He is the social media manager for the Mextures app, and his posts are often accompanied by brief pieces of writing that I’ve always found fascinating. I decided to corner him via email and ask him a few questions….
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Jeff: Let’s start with your username. Can you verify that you are THE Justin Johnston? Also, tell us a little bit about your mobile photography journey.
JJ: Well I’m sure there are a few Justin Johnstons besides myself on Instagram and I will happily beard wrestle them to keep my “the”. At the end of the day, I’ll keep my “the”, and have made a new friend. It’s a win-win. (Also, googling “beard wrestling”.)
I got into mobile photography a little over a year ago because I needed a new hobby. I was bored with wrangling grizzlies and catching fish using only my beard as a net. I needed something new. I had some friends on Instagram who were taking pictures of things other than themselves in the mirror or their salads, and I thought to myself, “I’d like to take pictures of things other than myself in the mirror, or my salads.” And so I did. And I’ve learned a lot and had a ton of fun along the way. I’ve made so many really great friends all because I have a phone and fingers.
When he reached the door he knew not what he would discover behind it. He took a bunch of keys from his pocket and selecting one, which he had cut himself, he turned the lock. The door opened to his pressure with a stiff and grating sound like that of some ancient tomb. And indeed, that is what this place felt like; some forgotten burial ground for wishes and dreams. A place where the darkest and densest secrets were done away with. What little light that existed in this place broke through cracks in wood and windows revealing years of dust and degradation. But it wasn’t evil that lived here. It was simply spoiled goodness. He believed it could be made right. It could be remedied. It could be redeemed. With that and the sound of rain pinging off of what was left of the tin roof, he began to unpack his bag.
Jeff: Can you tell us a little bit about Mextures (for the three readers who’ve never heard of it) and talk about your position there? Also, I think you should consider making the Mextures motto “Will make even your pictures of salad look awesome™”.
JJ: Well, Mextures, to me at least, is the most powerful photo editing tool available for the iPhone. It’s more than just adding a preset or a filter to a picture. It’s the ability to totally reconstruct a picture. If you looked at some of my Mextures edits and then looked at the original picture, you’d have a hard time believing that they were the same photo. With 9 different packs of overlays you can change the texture, the lighting, the coloration and pretty much every aspect of a photo. And it really has become a very cool and supportive community of loyal users, especially with everything that was added when we released version 2.0. And you can even edit mirror selfies!
My position with Mextures is pretty simple: I do very little and get credit for way too much. Seriously. Merek, the creator of Mextures, is a genius. Not to mention he also has a great beard (not near as luscious as mine, for the record). But what I have the privilege of doing is working primarily with the Instagram crowd. I spend a lot of hours in the #mextures and #mexturesapp hashtags sifting through thousands of images; liking pictures and selecting images for Instagram and Facebook features as well as the Inspiration Feed we have inside the app. Because of this I’m constantly inspired by what others are doing with the app. And yes, I have seen a few salad edits as well.
He unpacked his few belongings into a dresser long abandoned. Its paint peeling back in long strips as if it were transitioning into some prehistoric creature. He placed the one picture he still owned… A memory trapped in amber that he refused to set free for fear of losing it…. against the wall and started at it for a moment. For a moment he travelled back into time and felt those same feelings and smiled that same smile. But reality is cruel and quick and forced him home. Forced him back to this home. If you could even call it that. More of a cemetery really. Every inch of the place creaked and groaned and fought as the wind outside pushed against it. Like an elderly man fighting with all of his might just to move from sitting to standing. Yes. This house was quite elderly. And like any elderly person, so full of stories. Some insignificant and rife with missing pieces. But some… Some worth sitting and listening to… Like a child on a grandfather’s lap. And that is exactly what he aimed to do. To sit. To listen. No matter the time it took. Because the fickleness of time no longer mattered to him. And so the storytelling began.
Jeff: Your edits are often accompanied by what I would describe as ‘one paragraph novels’. I’m going to choose to believe that they are all 100% true stories. But feel free to dash my dreams on the rocks.
JJ: I guess that every “one paragraph novel” that I write has some truth to it. That has been one of the fun things about writing them. People relate. It may not be truth for me, but it’s truth for someone reading it. And now I’m kind of hooked on writing them.
It spoke to him in the silence. Through aged floorboards, peeling wallpaper and spiderwebbed window panes. Through rusted nails, fragments of glass and faded portraits. Here the days were like nights and the nights were like solar eclipses. It spoke through dead memories and forgotten laughter. It spoke to him in whispers. And in the whispers he heard the repetition of a phrase that decades later would echo in his mind each time he closed his eyes. It spoke, “I am married to darkness.”
Jeff: How would you describe your process when you write one of them? Is it like a creative muscle that needs to be continually worked? Or a garden of ideas, of sorts, that can’t be stifled? Wow, those were slightly lame. I’m sure you can do better.
JJ: Hahaha! Yes. It’s like a rainbow of words and letters and I’m the proverbial leprechaun at the end of the rainbow stealing the pot of words strung together to make sentences strung together to make paragraphs. There’s something about a unicorn in there too. Or so the legend goes. It actually started out as a joke. Whenever I would collaborate with someone and edit one of their photos, I’d create some ridiculously fantastical backstory about their life. But as things go, eventually I became a little more serious when writing them. I wouldn’t necessarily say I have a process. I’m not that organized. Some days I have a phrase stuck in my mind that I build the story around, but most days I sit down and write the story just before I post. I look at the picture I’m going to post and my overactive imagination does the rest of the work. And then some pictures I string together for a series of stories. Those are fun because, since I know what direction I’m taking the story ahead of time, the story influences my editing process.
Jeff: One of the things I really like about these is that each one leaves the reader wanting more, yet at the same time they are totally able to stand on their own. Is that hard to do, or are you just naturally a genius at finding the right balance?
JJ: I’m not a genius. But I was probably the smartest kid in my class through most of high school. Side note, I was homeschooled through most of high school. You do the math. That wasn’t really intentional but it makes sense because I wrote them all separately. So I guess the shape of the stories really depends on my mood at the end of that particular day. And with this particular series, with different angles at different times of day with different edits, you really catch a different vibe from the photo.
It wasn’t the house that he was trying to reason with; that, ultimately, he was trying to destroy. It was everything that it stood for. His dead and dying memories and the rest that so eluded him. And as that terrifying phrase echoed over and over again, I AM MARRIED TO DARKNESS, he realized that it was no longer a whisper crawling up from between the floorboards, it was inside of him. He was a part of this house as much as the nails and beams that (barely) kept it standing. And so he whispered back…. To himself… To the walls…. To the boarded windows… To the crumbling drywall…. I never stopped looking for you. I never stopped looking for you. I never stopped looking for you. And the haunted love song carried on.
Jeff: So then it’s safe to say you don’t know how this story will end?
JJ: Well I have a pretty decent idea of what direction I’m going to take, but I’m not sure how many more “chapters” I have. We’ll see how it all ends up unfolding. So, no. I don’t really know how it’s going to end.
Jeff: *pauses* sorry, I got lost in your beard for a moment there. Do you have any favorite writers/story tellers that have influenced how you write? Traditional or non-traditional.
JJ: You wouldn’t be the first. It’s a natural response. I have so many favorites, but the two who have influenced me the most by far would be Kurt Vonnegut and J.D. Salinger. Those two have influenced me, not just in my writing, but in the way I view life as well. The first time I read “The Catcher in the Rye” I identified with the main character, Holden Caulfield, so much. Since then I’ve read it at least 5 times. And Vonnegut was such a brilliant man and writer. He experienced so much pain and sadness in his lifetime and yet he was still so intelligent and full of humor. I’ve read basically everything he has every written.
Jeff: Actually, I meant I was literally lost in your beard. Thankfully I found the way out! Small door by the left cheekbone. We’d better wrap this up before it happens again. Any closing comments or advice?
JJ: You’ve discovered the secret passage to my heart. I don’t really have any advice because I don’t really know what I’m doing. But to anyone out there trying to find their “voice” on Instagram, I would just say stick with what you enjoy. Don’t let people or “followers” dictate what you post or how you edit. Do what you love. In the end that’s all that matters. Also, eat Oreos. Lots and lots of Oreos.
Justin Johnston
Professional human being. Unprofessional and unpolished photographer and storyteller.
Website
by Rebecca Cornwell | Jun 2, 2014 | Rebecca Cornwell, Stories
Real Life Fiction by Rebecca Cornwell
This is a work of fiction; at least that’s how I like to think of it…
I can never decide if I should tell this story from the beginning or the end. Would it help you to know there is a happy ending? Would you prefer a mystery? Or even a comedy? This is the problem I have. If I had been able to see the end, I would never have jumped into that whirlpool but I couldn’t help it. Once you get to be my age, you realize time is running out. Fading looks, increased baggage, the inability to make any space for anyone along with a heightened fear of growing old alone. Somewhere along the way I missed the memo that we’re supposed to pair off and board the ark.
I rattle around in my house eating pretzels for dinner and I’m kind of content. This is what I tell myself. Despite this, I blindly enter in to these ill-fated relationships again and again. I can’t breathe and I feel society and my upbringing in the back of my head screaming that without a partner (preferably a husband) there must be something wrong with me. Probably there is but that’s not this story, is it?
This story is about Stan and you never know when you might find yourself in this position. You should try to be prepared. I certainly wasn’t. To say he was charismatic wouldn’t be accurate, although it might have served as a decent explanation or even an excuse. I love charisma. Something that is confident and glittery and draws people in. Someone who can tolerate darkness and still remain intact. I married my husband because everyone liked him. He was easy going, which I was not. He didn’t rub people raw, the way I did. He made me look better just by proximity. Politely, he ignored my depression and my inability to go with the flow. He encouraged me to smile and pull myself up by my bootstraps. God, I would have loved to be able to do that, dust myself off and get on with the day. I was always swimming upstream, making everything harder than it needed to be. I liked to stir things up because I didn’t fit in. I justified it by pronouncing that I just had strong feelings about things. After a time, I think this will exhaust a person. Exhausted with me. That’s the way I remember the end of most of my relationships.
When I met Stan I felt he was like that, like my now ex-husband. Quiet and confident, laid back but not charismatic. He had a way of hanging back and blending in. I’d met him online, the bars of the technological age. In one of his photos, he had an impish grin that made me think of a little boy who had just eaten cookies that were off limits. The look wasn’t so much a guilty look, but a look of having gotten away with something. He was exceptionally pleased with himself.
On our first meeting, he turned the tables and did this thing that women learn to do from reading articles in women’s magazines titled things like, “How to Get and Keep the Guy.” They would give advice like; “Ask him questions about himself. People love to talk about themselves. Make him think he’s the most interesting person you’ve ever met.” It’s not real…mostly women aren’t that interested in what men have to say. Mostly, they just want to be liked. Stan left all the air in the room to me. I talked, he listened. I talked more. Rambling on about only the stories that make me look good. Nothing unflattering crossed my lips that night. Truth is- I like to leave that stuff out always. I’m never quite sure if even a humorous story about your drug addicted parent or the weeks you’ve spent in bed battling depression are ever very flattering and I knew at least enough not to share them on a first date. Anyway, he seemed utterly charmed by me. Truthfully, I am pretty charming or at least I can be. This is a little trick I learned from my father- the drug addicted one. You can be the biggest asshole on earth but if you have charm, you can disarm almost anyone. Never, ever, underestimate charm. My father was a charming troll of a man who went out for a loaf of bread when I was two years old and never came home again, at least that’s the version of the story my mother likes to tell. She’s probably kind of bitter though.
Psychologically speaking, having any man think I was the most interesting person on earth was the easiest way to fill the void that has lived at my core for as long I can remember. That’s a strange thing to admit at this point in my life and not at all flattering. Non-existent fathers can leave gaping holes in their daughters. We end up spending so much time trying to be good enough for anyone or everyone. Some of us become over achievers while others of us rebel. Some of us harm ourselves and live chaotic, risk taking lives while others of us become self centered and narcissistic. It’s complicated. So many self-help books and so little time.
But back to the story- the one I want to tell about Stan. Just like my father knew that charm was a great manipulator, Stan knew that filling voids in women got them right on the hook. I’m embarrassed to tell you how easily I took the bait. I didn’t even realize what had happened. I like to think of myself as so much savvier than that. In fact, I like to give advice to my friends about how they are making bad choices or have they thought about this, that or the other? I’m just a fountain of therapeutic advice and really I should be. I have been in and out of therapy for 26 years. I’ve made every mistake in the book. I’m a textbook case. In my defense though, this mistake was a new one for me, sort of.
The romance started slowly. He was methodic in luring me, steady, always listening, encouraging me to open up, without ever showing any of his own cards. Masterful. When I look back from the end of the story, this all makes sense. I always felt a little off kilter, never quite knowing where I was. We went through the motions of a relationship because by this time we should know how.
The funny thing is, in a lot of ways I couldn’t stand him. Stan was a critical and judgmental. He disapproved of me the way my mother did. “Is that what you’re wearing?” She would say when I showed myself first thing in the morning on my way out the door. I knew instinctively she didn’t like my style. Neither did Stan. Truth be told, I couldn’t really stand his either. He had this late 80’s early 90’s casual, albeit too casual, thing going on. Short-sleeved button up shirts with khakis. Only the shirts weren’t cool or nerdy, they were outdated. These were the clothes he’d liked 20 years ago and they were here to stay. He wore t-shirts that advertised, “life is good” or “ I’d rather be FISHING”. I adored listening to him tell me what a disaster his daughter was, raving about how she couldn’t turn on the windshield wipers in her new car, so she idiotically drove home, unable to see in the pouring rain. “Life is Good”. He wore flip-flops, which, by their very nature, confuse me. Why bother with shoes? Just go barefoot. Take a stand. Flip flops aren’t shoes. They aren’t anything and this isn’t the beach.
I wanted his approval regardless of his terrible sense of fashion and the lie of his t-shirt slogans. I worked so hard to get it. I chameleoned myself. I listened closely to the things he said. One day he told me, he liked women to dress down, wear a baseball cap and jeans, so I did. He was a recovering alcoholic. He didn’t drink, so I didn’t either. I did drink when he wasn’t around, though. In fact, I drank a lot, like my dad. Drinking helps me turn down the noise in the void. I couldn’t hear its echo quite so loudly and on top of that, drinking makes me more charming.
I’m a 50-year-old woman not a 16-year-old girl with a crush. Really, had I learned nothing in all this time? Like you, I’m wondering how and why. I’m strong. I’m a survivor. I’ve been through some shit. I’ve been hooked and thrown back enough times. Somewhere around 10, excluding high school, which isn’t real life anyway, but who’s counting? My memory isn’t that great. I used to be able to remember the visceral details of every experience. How things smelled, the leaf on every tree, the way the light in the room was both warm and made me think of my lonely childhood all at once.
When Stan suddenly disappeared, I felt both confused and relieved. Abandoned again. I’ve come to expect this kind of behavior. You never know when or how but sooner or later they go out for a loaf of bread. Sometimes I can’t wait to see how it will play out and other times I know it right from the start. This one was a new one for me. Stan left me for his ex-wife. He had two and this one happened to be the second.
In hindsight the second ex-wife makes perfect sense. I’m the kind of person that will ask a hundred million questions. Stan did not find this charming. In fact, it exasperated him. He would just say “you can’t ask anymore questions about this”, referring to whatever the subject of my current interrogation. Ex-wife number two was completely off limits as a topic but my curiosity has no manners. At the risk of more disapproval, I asked about her. He only said two real things about her, both of which unnerved me and both of which I remember clearly. “She was my prize and I took her,” he said one night while I was cooking dinner. Like cookies you aren’t allowed to eat. I didn’t question the statement. I peeled carrots, staring at the bright orange shavings against the dull worn white of the porcelain sink. So many things were going through my head. I wanted to ask at least a hundred questions and I didn’t want to think about the idea of being with someone who thought about women this way. My prize? Like a ribbon? Or a statue? Maybe a trophy, like an academy award? I imagined her perfect – gold plated, wrinkle-free and flawless, not at all like me. I imagined him worshiping her perfectness and parading her for all to admire. Her arm in his, her mere existence in his world made him feel better about himself. Just by proximity, she made him look good. He’d traded up and he couldn’t believe his luck. I did not get the sense that he felt that way about me. I knew that she ended up throwing him back. He was a bitter little Napoleon who had treated his first wife badly. He told me when his second wife, the golden prize, left him “he got his.” Those were the words he used. We were driving on the freeway and he was staring out the windshield at the cars ahead. He said it with such sadness, the only real sadness I had seen in him. I felt sorry for him. He said it was divine justice. He believed in God. He was in AA and he liked to spout AA dogma. My Higher Power. This kind of chatter always made me smirk inside. He controlled everything. There was no higher power. You can’t ask any more questions about that.
Ten years into my marriage, my husband had an affair. When you’re in the dark you develop other senses beyond sight. I felt the nervous energy come off of him. I felt the uneasy tension in every gesture. He looked sideways when he was shaving. He couldn’t sit still in front of the TV. He swallowed too hard when he drank his coffee. There’s a way in which men act when they are unfaithful. I think they can’t help it but they wear it like both a medal and a noose. That’s when I started to look for clues and evidence. It was everywhere, receipts, emails, phone calls, the smell of her lingering perfume mixed with the regular smell of his alcohol and cigarettes. He threw me back too, but not for her.
When Stan went back to the gold-plated prize, everything seemed to make perfect sense, at least to me. She was his desire and I was completely inadequate, as usual. This is the void that sits there. It mocks me, reminding me, nothing is enough. I am not enough. This is the bullshit girls learn to tell themselves. This is the shit the TV wants me to buy. This is the culture of scarcity. Honestly, I looked pretty good on paper. Kind of a catch even. Smart but not too smart, independent, easy enough on the eyes, and in case you forgot, charming. But once I’m caught, not enough. Not big enough, colorful enough, just not enough. Certainly not a prize! So, Stan threw me back. Of course. Who expected this to go any other way?
Surprisingly to me, I could breathe. Knowing you are going to get tossed back, makes it easier to tolerate when happens…sometimes. This time I was filled with gratitude and I wished him luck. I couldn’t believe my generosity. This was completely out of character for me. I’m a depressive. Change, powerlessness, rejection – this would be the perfect time to get under the covers and cry for weeks. By every account this was a betrayal. Who goes back to their ex-wife? The one who broke their little tiny cold heart? I mourned my loss…briefly. I had never been left for another woman and I think if I’m honest with myself now, that was the worst part. I don’t like to think of myself as competitive and here I stood, the loser of this round. This is when I unwittingly entered the vortex.
Less than a week later he circled back. He’s humbled. He pleads. He’s apologetic and I’m elevated. All of a sudden I have the upper hand. We’re chasing our own tails. Suddenly, I’m the trophy, mounted and put on the wall. I’m the winner. I’m gloating. I’m big enough. I get to ask all the questions I want now. I’m elated.
Really I don’t know what happened when he went back to her. I didn’t even bother to try to ask. It’s also possible that he told me and I forgot. Some memories wont stick no matter how hard I try to recall them. I can only guess that she threw him back, again. Probably then, he wanted to feel better about himself and I’m an easy catch. He knows that. He dangled the bait. I didn’t even question, I just opened the door. Come on in. Please someone. Fill the void. I promise I won’t ask any more questions.
The idea that he was a sociopath never occurred to me. So far this is just a typical tale of a breakup and get back together. Philosophically, I think people that get back together after a breakup are foolish. I’m foolish. I’m naïve and trusting. I’m a blinding optimist; at least I still was at this point in the story. I know this from my past already: when something is lost and then found, you hold onto it, tighter than ever. Don’t lose it again. Get control of things. Stop swimming upstream.
You think I’m delusional. Didn’t I just say I could breathe again a couple of paragraphs back? What am I thinking? This is what I think; I won, I’m good enough, I’m the prize. I know how to do it now. Dress casually, put on a ball cap and jeans and don’t ask questions.
Even as I write this I’m shaking my head. Maybe it would help if I explained the part about Stan being a sociopath? Sociopaths are cunning and manipulative. They don’t think rules apply to them and most importantly they lack empathy. I, like a lot of women, brushed aside the parts of Stan I didn’t like. I ignored the details that didn’t gel with my idea of love or whatever. This isn’t out of stupidity. It’s because I wanted to fill the void. Win, get control, have peace. You’re getting older. Time is running out. Everyone is screaming and I can’t breathe. Do what you’re supposed to do. Get on the ark.
Sociopaths do things to other people just to see if they can. The second breakup blindsided me in a way I had not been blindsided before. If you didn’t already know this story was true, you might not believe it. I wouldn’t, if I were you. Seven weeks after the first break up, I found myself having a romantic weekend in Belize. Stan and I arrived hand and hand. The water was the most perfect shade of blue, and the sand smelled of hot salt and decaying fish. I find myself getting comfortable. This is paradise. What can go wrong? This is the beginning of my happily ever after. I got the memo. You can stop screaming. The bungalow is beautiful. It looks as if it’s straight from the pages of a travel magazine. Picture perfect. Everything is perfect. The room, the beach, the crystal clear blue water. Perfect, really, trust me. Breathe. Relax. You don’t even need to ask questions.
On the second day, or the first, I can’t remember which. Stan made a big deal about taking a business call at 10a. I think I was 10a, maybe it was 2p but it doesn’t really matter. The point is, Stan never takes business calls, not even during business hours. Stan has no connection to his phone. In fact, he has deep disdain for it. Cell phones don’t fit with the carefree, easy-going, “Life is Good” persona he’s selling. Stan and I had numerous discussions about phones and phone etiquette. The fact that Stan hates his phone is relevant to the plot. We’re in a tropical paradise and he’s taking a business call. He also has his phone with him at all times. He’s emailing and texting someone with regularity. This is highly unusual for Stan. Only now does this obsession with the phone make sense. At the time I rationalized it. Maybe leaving kids at home? Maybe a big deal is brewing at work? I don’t know and know better than to ask. Stan doesn’t like questions. We know this. I suddenly I feel like I need to be on my best behavior. This is perfect paradise. I’ve been left in places by men, restaurants, and airports and once on a hiking trip through Thailand. He just left me with my backpack in a foreign land. I’m learning to keep all my questions under wraps. He’s a small man with a bit of a Napoleon complex. He needs to control things. I know better than to mention this as well.
I’d begun observing Stan after the break up. Up until the time of the trip, he seemed more connected to me, more open with his feelings. More tolerant of me and my idiosyncrasies. At the time, I thought he regretted breaking up with me. I think now, he wanted just to keep me on the hook. I’m an easy catch. I’m cynical now, in a way I wasn’t then.
At dinner one night, Stan described, in detail, the story about how things ended with his first wife. I wish now I had listened better because you and I both know people don’t change. The story he told made him look like a jerk that had driven her crazy. He seemed to take pleasure in the idea that he didn’t have remorse about doing what he had done to her. He was having an affair. He didn’t return her calls or communicate with her while she was devastated by his disappearance. They had a small child and she was not a strong woman. Run. That’s probably what you’re screaming inside your head. You weren’t there that night and clearly I’m swimming around in the dark here. I sank deeper.
The next day as 10:00 am or 2:00pm approached, Stan set me up with a task that would keep me from the bungalow for the call. I was to get snorkeling gear and a kayak so we could paddle out to the reef or was it bikes so we could ride into town? It doesn’t really matter. After completing the task, I waited. Patiently. Still. Quiet.
It’s terrifying for me to know that memories are not accurate record of our history, and that memory is malleable and that the mere act of remembering alters the memories. That afternoon the waves were hypnotic. I stared out into the sea, thinking of my history. I could hear Stan’s voice floating through the air from the open windows. He has a beautiful West Texas accent that makes me think of dusty wind. There was pleading and hushed words. Somewhere in the breeze it occurred to me this was anything but a business call. I heard him say sweetly “I promise. The second I get back, Julie. I promise”. I considered walking slowly and quietly into the sparkling blue of the water. It didn’t seem cold and dark but warm and inviting. Glittering and confident, just the way I like it. Clearly, I didn’t walk into the ocean. This is what I did: I walked into the bungalow. I picked up my purse and my passport and left Stan in a foreign land. At least that’s the way I remember it.
by Jen Bracewell | Jun 2, 2014 | 1000 Words, Jen Bracewell, Stories
1000 Words, Instagram Vol. 1 June 2014 by Jen Bracewell
Welcome to our very first themed Instagram 1000 words showcase! There are many talented artists on Instagram and we wanted to tap into their creativity and showcase their work here. I chose “Double Exposure” as the theme for this showcase. It’s a favorite and I’ve seen so many gorgeous double exposure images of late, whether shot as such or blended in post-processing, double exposures are a fascinating way to juxtapose images and weave a tale.
Grryo believes that mobile photographers/ artists tell stories through the photographs/ images and art that represents their families, their environment, themselves. This is important because of the level of communication that is portrayed in imaging today.
We want to support the mobile arts community by having a place for artists to share, discuss, and critique (if requested by individual). These dialogues help the individuals and the community to grow.
We look forward to you and your art. We thank you for your contribution to the mobile photography/ arts community.
I chose these images based mostly on gut reaction to them. I love an image that leaves you wondering, wanting to know more. These images are technically brilliant, mysterious and there’s a story behind each one.
To find your courage you must find your fears.
Apps used: iPhone5 native camera | Union App | Mextures
Inspiration: when dealing with any situation in life we sometimes build roadblocks for ourselves and create blind spots that limit us in some form or fashion. Periodically we are shown these roadblocks an realize some of them are fears that we’ve protected ourselves from by simple avoidance. It’s in these moments that decide where we will go from there and test our courage if we decide not to stay on the path I least resistance and find out if we’re brave enough to move forward. – Brandon Walking the beach is something I do on a regular basis.
Early morning and late afternoon are my favourite times. This shot is special because it’s a rare photo taken when my daughter came home to visit. She lives in another state and it is rare that she allows me to take a few photos. You can just see our dog in the frame walking behind her. It is moody and dream like. The random figures in the distance lining up with a double headland echoes a different journey. The main shot was taken in hipstamatic Florence lens and Irom 2000 film and then layered in using Diana app using another beach shot. I used Ghost filter. I like Diana’s random selection as it forces me to look at different compositions. It can be a slow process as there are many images not used. You can also load them into the app by selection. My camera roll is full of beach shots and blurry movement shots where I move my iPhone set on HDR setting. I don’t mind the flaws of imperfection. I think that is what makes it interesting. Using dxp has always been a favourite technique and with so many apps giving you this ability to explore there is endless possibly. – Glenda My son was given a toy plane while wandering on an east bay beach, San Francisco looming in the background. The mechanism that controlled the propeller was broken and he was determined to fix it then and there. I wanted to juxtapose that idyllic childhood moment with the idea of future and expectations for our youth, exploring the legacy that we are leaving our children on this damaged earth with the hope that they will build something better. I used an image taken with Hipstamatic in downtown SF to layer and mask over his silhouette in Image Blender. Texturing and color palette manipulated in Mextures. – Heather This edit was inspired by words / as almost all my edits, as I am huge words lover. Words I wanted to paint here, describe love in really romantic way , as it should be, as we all dream to meet in our life :
“I carry you with me into the world,
into the smell of rain
& the words that dance between people
& for me, it will always be this way,
walking in the light,
remembering being alive together”
This work is really simple. First I edited two pics in Camera+ tokay them as dark as I could and then blended in app called Blends. – Basia
For this image, my sisters and I (@theladysbug and @withrobots) were all taking group/sisterly selfportraits in the bathtub. (I love cropping people out) I was learning, and expirementing with mirroring an image by blending images, instead of just reflecting the one image. (The original of this self portrait was posted over five times, in many different versions in my feed, only two made the cut This image in particular, I mirrored with Reflection and then I edited the mirrored version in Mextures, trying to make each half a different color scheme. Then I used MultiExpo to blend each half of the image with the other. I touched it up a little with Snapseed, and that was it! – Catherine
This image “Oh Theodore” is part of a series of images I’ve created using photos I’ve taken of my legs in various poses and fashions. Not sure why I started this series, but I think it has to do with my love of fashion, especially as used for self expression. As for my editing process, I started out with the photo I took of my lower legs wearing leggings and black boots, I then isolated this image in Superimposer and saved on a white background. I then blended that image with another image (flowers on a letter I created in Blender and Snapseed) in the Blender app using the setting Plus Lighter and adjusted to my liking. I then moved the image to Snapseed for final adjustments on color, brightness, etc. And that’s it, the story of “Oh Theodore”. – lorenka
It was
Sunday afternoon, the sun was shining and I could smell the fresh cut grass in the backyard. Sundays remind me of a day for relaxation and just taking it easy. I immediately knew what image I wanted to create. This is an image of my son and the grass in the front yard…before it was cut. I liked the long single blade of grass and the seeding piece just off to the right of it, it looks like a closed eye. The single piece reminds me of headphones. It’s as though he’s listening to music, eyes closed, and enjoying the smell of the fresh cut lawn the breeze brings through the window on a Lazy
Sunday. –
Ginger
About my edit, i really don’t know what to say about my edits, (im a few words guy), but i can say: my inspirations are: minimalism, nature, geometry, architecture and human body and the relationship between them. Juan
As a fact: i started doing those edits after seeing the:
“Experiments: Photoforge by Oveck”
First of all it is an honor to be a part of this group. Big Thanks to
Jen for choosing my image for the feature.
What i can say about this photo… It is a part of the series named
“Between presence and time” and it represents My absence. With this
series my main drive was to express an old and ancient sorrow that is
going out. A bleeding shadow. The hidden part of my being. And this
photo represents my absence. The in between. A place where i can
taste, touch, smell and see a pure essence of my being. A place where
an endless chatter of human mind is silent.
Thank you very much for giving me the opportunity to share my Inland
World with this beautiful family. Much Love.- LJ
by Anna Cox | Jun 2, 2014 | Anna Cox, Stories
As storytellers, our hearts take on many forms through our work. Our dear friend, Alessio, started a book called “Life of Chloe” but sadly passed before he could finish his work. As friends and peers, we have taken on the task of finishing his work in the only way we know how- together. We are a collective, friends, artists, lovers, mothers, and fathers and as such we all bring our own experiences to the table every time we tell a story. Alessio loved the mobile community and sought to bring us together to form stronger bonds. The Life of Chloe was a labor of love for Ale and it only seemed fitting to continue his story with ours as his light was snuffed out way too early.
In this article you will find the original chapters that Ale wrote and we are using these as a stepping stone and prologue to the collaborative book Grryo is writing to honor Alessio and his passing.
We do hope you will continue on this journey that Ale started and see the world through Chloe’s eyes.
——————————
The Life of Chloe
Chloe loved a married man…
no plans, no holidays, no random calls just to say Hi, I feel so bad today…
everything had to be pre arranged. All the times.
The calls, the meetings in faraway places, the hidden love.
No room for spontaneity and sharing.
A lot of Past, some Present but no Future…
Chloe amava un uomo sposato…
nessun programma, nessuna vacanza insieme, nessuna chiamata improvvisa solo per dirsi Ciao, Mi sento giù oggi…
Tutto doveva essere preorganizzato. Sempre.
Le chiamate, gli incontri clandestini in posti lontani, l’amore nascosto.
Nessuno spazio per la spontaneità e la condivisione.
Tanto passato, un poco di presente, ma niente futuro…
The hardest thing to learn in life is which bridge to cross and which to Burn”…
Chloe thought of her Mum when this sayin got to her Head, she was the one who first suffered from wrong choices in her Life.
“Hey, it’s almost Christmas” Chloe thought
“i HAVE to call her”…
“La cosa più difficile nella vita è decidere quale ponte attraversare e quale distruggere…”
Chloe ripensò a sua mamma quando questa frase le tornò alla mente, proprio lei era stata la prima a soffrire per decisioni sbagliate nella sua vita.
“Hey, è quasi Natale!” Chloe pensò
“devo chiamarla subito…”
“Am i really ready to give up on this?”…Chloe wondered…
“Let’s face the truth, Chloe! He will never accept the idea of starting new again. Not with me”
In that very moment, a chilly breeze blew her hat away.
And she felt devasted as never before…
“sono veramente pronta a rinunciare a tutto questo?”…si chiedeva Chloe…
“affrontiamo la verità, Chloe! Lui non accetterà mai davvero l’idea di ricominciare tutto daccapo di nuovo. Non con me”
In quel preciso momento, una ventata di aria gelida fece volare il suo cappello.
E si sentì devastata come mai le era accaduto…
…Many years passed since that winter day.
Chloe took what was left of her life, and never turned back.
Sometimes, early in the morning, she finds herself staring at the safe eyes of the mountains outside her bedroom window.
Not a noise. No regrets.
Chloe feels warm inside
and holds in her arms the son of that far away man.
And thanks God once more…
…Molti anni trascorsero da quel giorno d’inverno.
Chloe prese quel poco che le era rimasto della sua vita, e non si voltò indietro.
A volte, presto al mattino, si ritrova a fissare quegli occhi sicuri e protettivi, di quelle montagne aldifuori dalla finestra della sua camera da letto.
Nessun rumore. Nessun rimpianto.
Chloe avverte un piacevole calore dal di dentro
e stringe tra le sue braccia il figlio di quell’uomo ormai lontano.
E ringrazia Dio ancora e ancora…
Hello World.
I was born today.
After you tried to kill me all those times before, i can still walk under the rain.
Hello Rain and Thunderstorms. Wash my skin today, because i have no fear to stay here naked under your eyes.
Hello Blacks and hello Whites. Both sides of me are now one, and no one will take the colors away from me again.
Hello Sea. Where would I be without you near?
Hello Death. You tried to win over me, maybe you put baby in the corner, but you missed your chance to beat me down.
Hello Life, i’ve been to my funeral and i watched them all. You taught me where my limits end, and how to rise again. Like a Phoenix.
Hello you.
My name is Chloe. And I was born today, Tuesday 7 august 2012…
August 14, 2012
“start a new day, but not alone…” The radio was playin that song and it was too early in the morning.
When was the last time i woke up with someone who really cared about me?
When was the last time i woke up with someone at all?
When did i open up the window to see the first sun rays of a new day?
When were you here with me the last time?
It feels like forever.
This scar on my ankle is pulsin blood straight to my heart now. It lives there to remind me how evil can transform you, how it spreads fast inside you, like a virus in need of fresh human skin. That scar is your scar, your legacy, your tied knot. It is not hurtin today, must be the sun and my inner peace to let you finally off of my body.
The weather forecast is always wrong with me, they never seem to understand the heavy responsibility of their predictions on my life.
I am addicted to weather. I can smell the rain before you even run for shelter, i can listen to snow falling for hours without uttering a sound, i can see through the fog.
But not today. I will soak up the sun today…
“There is Life, even after a Broken Heart…” (“Broken Heart”, written/performed by White Lion, 1991)
Monday, August 20, 2012
“have you heard from Chloe?”
“No and i miss her. I really thought i would find her yesterday night, at our long awaited reunion dinner… did you speak to her on the phone? Texted her?”
“Tried to call her in the weekend. Phone rang unanswered. All the time…”
One month was just passed in those familiar and close surroundings.
ALL the one lifetime friends did come and say the words. The paths of the childhood were all bypassed with a smile on their lips and a sense of belongin in a dreamy tale.
The elder, the newborns, the classic players and actors in that small Town theatre Set, all of them somehow updated to these new, confused and crisis-full times.
But one thing was still and strong out of the picture.
Time
Nobody seemed to understand how complex and precious that was.
And kept wasting it.
Like a free unlimited bonus earned in some lottery.
And she could not take this anymore.
So she wrote her usual two words to say Goodbye to the friends of her past and decided to take the long walk across the beachline.
The family was in silence, busy in moving and caring of the child. No loss of anything. Focused on their task, at that very moment.
“Thank you!!!” – CHLOE said from the distance.
“You gave me that TIME”…
So Mike called Today
(…more than a feelin…)
So Mike called today. i was lost in the guitar riff singing loud at the entrance of the graveyard. There is nothing more than a rock riff to show my presence in the land of the whispering ones
“Chloe? Chloe?…Hey Amore ci sei? Is this the right number… Are you okay, its…how much… maybe more than…Listen, i know…”
Only in that moment I realized it was him.
Michele.
The voice from the past. The Only One Man who ever made her lunatic head go bump and bump against the Walls.
“Mikey what you want. Why You callin’ me now? Call your Wife. We closed this long ago.”
“YOU closed this”
YES. I waited. I Looked. I Burned. I Closed.
“Call Her. Call Alice. I know she is waiting for this call now.I can Feel it. Call Her Michele.”
Oh, look! There is a Man fading away today. He looks NOT in peace. I have to go and See him.
Wait!
“Ciao Mikey, that man needs my Help”
Chloe moved to sing her song of strength to that Man in Agony! She realized he was a young Father, as soon as he saw a little man playin with a flower just next to him.
She asked him “What is your Name?”, but remained astonished from the answer she got.
They shared an earphone. The guitar riffs were gone.
Chloe got closer and sang to his ear “Sweet Child Of Mine” and the pain went away.
No frills.
An old man.
A long gone small tower down Italian history.
Senza fronzoli. Un uomo anziano Una torre antica in un antico villaggio italiano.
A Sunday spent “with the top rolled down”.
With a friend.
The one friends that count the most. More than relatives.
The cloudy lights and warmth and wind. The serenity of someone who blocks your heavy thoughts.
Who caresses the anxiety?
The meaning of bonding.
In the small and big things of LIFE.
Alfre entered in Chloe’s LIFE from the back door but it really looked like he was with her to stay…
Luci grigie e nuvolose di un cielo e del vento. La serenità di chi blocca i pensieri più pesanti e l’ansia. Il significato di un legame nelle piccole e grandi cose della vita.
Alfre entrava nella vita di CHLOE dalla porta di servizio. Ma tutto faceva pensare ci sarebbe rimasto a lungo…
by Joel Aversing | Jun 2, 2014 | Joel Aversing, Stories
The Fleeting Summer by Joel Aversing
As the heat rolls in and the days grow longer, the unmistakable sounds of summer emerge: the sizzle of meat on a hot grill, the splash and laughter of the kids in the pool, the distant sound of your neighbor mowing his lawn and more personally, the sound of my son repetitively bouncing his basketball on the pavement, as he strives for the perfect shot.
As I watch him, I realize that he’s at that magical age, a few weeks shy of 14, two months away from high school, a time of much change in his life. He is straddling the line between childhood and becoming a full-fledged teenager. Sure his age makes him a teenager already, but his actions, rolling around in the backyard with his dog, cuddling on the sofa with his mom, tell me he’s not quite there yet. Though, there are some days where his attitude and constant texting with girls remind me that he’s on the cusp.
This summer will be a journey of self discovery for him. It may be his last summer of freedom as next summer his hours may be filled with a part-time job. He’s old enough to stay home alone now and for us to trust him to walk to his friend’s house unaccompanied. I’m grateful that he enjoys exploring the outdoors just as much as he enjoys exploring the worlds in his video games. Above all, I hope he takes the time this summer to enjoy his last few months of childhood, digging holes, poking things with sticks, exploring old buildings and shooting his favorite basketball shot over and over again before this time is gone forever. One last crazy summer of freedom, and I’ll be there every step of the way with my camera capturing each moment of his transition from child to young man.
All shots were taken using the Lumia 1020 WindowsPhone. Post processed in Fantasia Painter and Oggl.
by Anna Cox | May 16, 2014 | Anna Cox, Featured Articles
Find My Heart in India by Anna C.
*[REWIND] Originally posted on We Are Juxt on August 15, 2012
Anna’s Introduction
I love stumbling across beautiful feeds and more importantly I love India. I traveled there with my father many moons ago and fell in love instantly. When I was tagged to Jessica’s, @jessuckapow, feed I was blown away by the humanity that stared back at me from their neat little boxes. I could almost smell the markets and hear the vendors. Looking through her feed and reading her blog brought back so many happy memories. I do hope you will take the time to soak in the sites and sounds that are Jessica’s life.
Oh! P.S. she is an Andriod photographer! Wahoo!
A: Anna J: Jessica
A: Tell me a story about India. The one that you always want to tell when people ask you about India.
J: I was in Goa and during “the season,” as everyone calls the time between November and March, it’s flooded with tourists so during this time a contingent of what the locals call “gypsys” come to town to do their seasonal begging. Some are rather aged, some are children, many are younger women who have infants and small children with them. A lot of people consider them a nuisance and treat them like crap, which is difficult to see. I was sitting at my favorite falafel place and had just finished filling one of the gypsy’s bottles with fresh milk for the infant dangling at her side as a feeble looking woman with the harsh years etched into her face approached wanting money for food. The restaurant owner, Shimon, offered her chai and a sandwich and with much appreciation she squatted under a tree to wait. I smiled at her and she shyly smiled back at me with a toothless grin and we watched Shimon’s young daughter, Gia, play around the outdoor patio. All of a sudden, his daughter slipped on a chair and tumbled towards the ground. This woman, who looked like she couldn’t run from a bull if it charged down the street, bolts from her squatted position and dives to catch Gia, managing to save her from a massive thud. She brushed off her knees as Gia wailed in shock as Shimon came out to help and the woman gently passed Gia to him. He placed his daughter into the safety of the cushions on the floor and went back to preparing the food for the woman. Witnessing the display of compassion from two beautiful people, who belong to different rungs of Indian society, which is very rare to see here, was incredibly touching and epitomized the goodness in humanity. The black and white portrait I sent you, is the woman who helped Gia that day.
A: Tell me about your life right now. I know your traveling. Where have you been were are you going? Why?
J: I don’t know if I would consider what I do “traveling,” because I REALLY don’t like the whole traveling part of traveling and I usually find a place I like, stay for a few months and suck up all I can from where I choose to live. I’m more of a gypsy, you can say. Since December 2010, I’ve volunteered on a bridge construction project in Lesotho, Africa, visited a number of friends in Europe and Australia, meditated and bummed around Thailand, and a few visits home to Seattle to see friends, family and tie up loose ends but a majority of my time has been studying yoga and meditation in India and I plan to stay here for rest of the year.
My first trip to Lesotho, which was only for a few weeks, in 2008, initiated a dramatic change in me. I looked around at my well paying corporate consulting job, which I was great at but hated, my recently purchased home, my car, ALL the crap I owned and thought, “what am I doing?!” For the first time, as an aware adult, I saw people living a simple life, they had just the bare necessities and they were HAPPY and I…was not. I received the biggest present after returning from a volunteer trip to Peru in early 2010 – my company was eliminating my job! They offered me the option to either take the “promotion” or take severance and after a few moments of being completely bummed out, I smiled, accepted the separation package and never looked back. I had a few little trips planned with my new freedom but there is a familiar story with most long-term travelers and it always seems to start the same way, HEARTBREAK! All of a sudden, my planned 6-week trip to Africa turned into 3 months and now, I was planning a trip to India to throw myself into studying everything there was about yoga.
Heartbreak starts so many journeys but it doesn’t sustain long term travel. Once you leave the comforts of everything you know, for more than a few week vacation, you taste what else this world has to offer. You see just how small and insignificant we are as individuals and realize, globally, everyone just wants to be happy. When you’re thrown into new challenges, new obstacles, new surroundings, unknown languages, customs and people, you also realize just how big of a foreign world you have inside yourself. I thought I was leaving home to understand the full depth of yoga, what I’ve recently come to realize is that I actually left home to understand the full depth of ME. India has a suction cup attached to me, the more I’m here the more I’m learning WHY I’m actually here and when I’m not here, my plans have always been about getting back here. It’s the kind of country that will guide you everywhere you need to go, as long as you keep your eyes and heart open for all the opportunities that present themselves. It’s such a weird and beautiful place!
A: Wow! it must be hard to be so far away. How are you using mobile photography/ social sites to connect with the people you love?
J: I don’t know how I would be able to do what I do without Facebook, Blogspot, Skype and Instagram. I’m ridiculously close to my family and friends and being away from them is so difficult but I know I’m doing what I need to for me right now. The way I view my photography is sharing my eyes with those I love and sharing experiences I wish they could have with me, in that moment. Some of those in my world may never find it in themselves, for whatever reason, to make the changes they really want to make in their life. Some want to join me but I know “life happens.” I know how hard it is to break from a very comfortable routine, to be terrified of making that first step and risk leaving the security you think you’ve built for yourself, all for what… the unknown, the moment? I’ve had so many friends thank me for allowing them to live vicariously through me but when I’m sitting on a cliff in the Himalayas, watching the thick fog dissipate to reveal the most majestic view I’ve ever witnessed, being able to snap a photo, edit it to capture the beauty and mood my eyes see and upload it to Instagram, which I’ve made my photo journal, makes me feel like they are with me. They thank me but really, I should be thanking them. The support and love they have all showered upon me has been a huge driving force and I don’t think I could ever thank them enough. Sharing myself, my experiences, my stories and my lessons through my writing and my photography is the best way I know how to show them my gratitude. I’m here for me with the full awareness that all I do for myself is only what I would love to share with everyone else.
A: India is a beautiful place. How does your life influence your photography ?
J: My entire life, up until 2010 had been so calculated, meticulously planned and organized. When I decided to make a change, I threw all that away and the personal transitions I’ve experienced through yoga have shifted me to enjoy the present, not brood in the past or day dream about an unknown future. I’m no longer looking for the top of the ladder, I’m just enjoying my present stair and with each photo I take I want to capture the essence of what I’m experiencing, right then! I toyed with the idea of having consistency to the feel of the photos I take but when I tried that, it just didn’t work. The only consistency there is in my life is that there is no consistency, which is true in all our lives. I want my photos to epitomize that reality and to be as true to what either I’m feeling or the environment is feeling. Visiting foreign lands, specifically 3rd world and developing countries, ignited my passion for photography because I saw so much unique beauty in the faces, architecture and landscape, a beauty that wasn’t necessarily produced meticulously or manufactured specifically to be beautiful. Often times I’m in places where most in the Western would view them as destitute, disgusting or ugly but finding the beauty among all the filth, the rubble, garbage, dirt, grime and poverty is where I find the magic in life.
A: One last question. Is it all worth it? Leaving everything behind, striking out on your own, and finding a new place you can call home?
J: Nothing in the world would make me want things to happen any differently than they did. I studied for a very short time with this bizarre-o tantra yoga teacher and while he said a lot of crazy stuff like, I should drink my own menstrual blood (ummm EWWWW!), he did say something that struck me. “Before you meet a girl, be happy. Meet a girl and be happy. If the girl goes away, still be happy.” I was so happy before I met this woman, was just as happy when we met and became good friends, was just as happy, ok, maybe a lot more, when we started dating but after it didn’t work I was a complete mess. Something was wrong with that picture and I knew it. Everything changes, everything goes away, relationships change, people leave or they die, jobs come and go, houses are built and destroyed, cars go vroom and then go kaput (or BOOM as was the case with mine) but through it all, the ups and the downs, the highs and the lows, we should still be… happy. This whole journey isn’t necessarily embracing my independence from others or from things because I still learn so much about myself through the relationships, of varying degrees, I have with everything, from people to my towel. I am just learning to be completely happy with the relationship I have with myself and that’s more important than any relationship I’ll ever have with anyone or anything else. I’ve never felt so grounded and for the first time in my life, I can’t attribute my happiness to anything in particular and it feels amazing! So, I think it’s worth it…if I didn’t, I’d probably be doing something else.
Thank you Jessica for sharing your heart and your home with me. I am so excited to be able to travel with you through your words and photos.
To read Jessica’s travel blog go here.
To see Jessica’s photos go here.